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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for the ‘Alan Moore’ tag


Weekend links 278


El Hotel Satina (2006) by Oscar Sanmartin. • Andrew Kötting’s By Our Selves is “a melancholy, maverick film” says David Jays. With Toby Jones following in the footsteps of poet John Clare, Iain Sinclair in a goat mask, and Alan Moore warning about the “vision sump” of Northampton. • “Shunga means ‘spring pictures’. They depict […]

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Weekend links 274


Lilith Births the Djinn (2015) by Rithika Merchant. Via Phantasmaphile. • Lord of Strange Deaths: The Fiendish World of Sax Rohmer, edited by Phil Baker & Antony Clayton, is a new publication from Strange Attractor. “This is the first extended attempt to do justice to Rohmer, and it ranges across the spectrum of his output […]

Posted in {architecture}, {art}, {books}, {comics}, {electronica}, {horror}, {lovecraft}, {music}, {occult}, {painting}, {surrealism}, {work} | 2 comments »


The King in Green


Hastur (1999) by John Coulthart. Going through some of my old Lovecraft art this week it occurred to me that this drawing hadn’t been made public in its original colour form. Hastur appears as a murkier black-and-white illustration in the Great Old Ones series I produced in collaboration with Alan Moore for The Haunter of […]

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Weekend links 254


Gatefold sleeve for Love, Death and the Lady (1970) by Shirley & Dolly Collins. Photo by Allan Willmoth. No designer credited. • “When you look at a lot of modern album covers, the art school obsession with the Helvetica kind of undermines it. So instead of looking at an artefact that comes from another place […]

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Yuggoth details


Yuggoth Cultures (1994) by John Coulthart. Earlier this week I spent a day scanning this painting—which I’m now surprised to find is 21 years old—so I might at last have a good quality digital copy. There’s been a copy on the website for years but that was a print made at a high-street copy shop […]

Posted in {art}, {books}, {horror}, {lovecraft}, {occult}, {painting}, {typography}, {work} | 7 comments »


Weekend links 249


The Philosophers (Homage to Courbet) by Christopher Ulrich. Another great tip from Full Fathom Five. • “Mushrooms are the only psychedelic drugs that I take, and I don’t take them very often. But I would trust them. Once you’ve done them a few times it’s very easy to feel a sense of entity. You can […]

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Untitled (2012) by Brian Oldham. Jack Sanders was in touch recently about his online art showcase Homosurrealism, a gallery of homoerotics, the surreal and the occult. The fourth issue has just gone live, and the contents could just as well be described as Homo-occultism given the predominance of esoterica. Jean Cocteau and Kenneth Anger are […]

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Heaven and Hell calendar


Painting from the poster art for The Highbury Working (2000) by Alan Moore & Tim Perkins. Unlike last year, this year’s CafePress calendar arrives on time, its creation being eased by the fact that it’s a reworking on an earlier version. The idea with the previous Heaven & Hell calendar had been to alternate various […]

Posted in {art}, {books}, {design}, {gay}, {music}, {occult}, {religion}, {work} | 3 comments »


Weekend links 230


Cover art by Arik Roper. Peter Bebergal’s Season of the Witch: How the Occult Saved Rock and Roll was published this week. Articles about rock music’s occult preoccupations have been a recurrent feature of music magazines, especially around Halloween, but Bebergal’s book is the first attempt at a wide-ranging, full-length study. Despite the subtitle, the […]

Posted in {art}, {books}, {cities}, {design}, {electronica}, {film}, {gay}, {horror}, {music}, {occult}, {psychedelia}, {religion} | 1 comment »


Weekend links 228


White, Red and Black (1949) by Marlow Moss. • British television’s greatest director, Alan Clarke, rates on the cult scale here for his work on Penda’s Fen but his career was long, uncompromising and still hasn’t received the full appraisal it deserves. His more violent dramas—Scum, Made in Britain, The Firm, etc—have all appeared on […]

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Weekend links 225


Still from The Shaman-Girl’s Prayer (1997), a video piece by Mariko Mori. This page has pictures of Mori’s futuristic/cosmic performances, films & environments. • Time Out of Mind (1979) was a BBC TV series about science fiction writers, five short films concentrating on Arthur C. Clarke, John Brunner, Michael Moorcock, Anne McCaffrey and an sf […]

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Weekend links 224


Zona: concept art by Alex Andreyev for a planned TV series based on Roadside Picnic by Arkady & Boris Strugatsky. • The Black Sessions are a long-running series of concerts by international artists recorded for radio station France Inter. UK group Broadcast were recorded by the station in May, 2000. While copies of the shows […]

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The art of Frieda Harris, 1877–1962


Searching around for artwork by Frieda Harris turned up a few examples I hadn’t seen before including the marvellous painting above which is unfortunately untitled and undated. Harris is very familiar to Aleister Crowley aficionados and those with an interest in the Tarot via her paintings for the Thoth Tarot deck, a project that she […]

Posted in {art}, {occult}, {painting} | 3 comments »


Weekend links 217


Le Petit Journal, June 16, 1912. Via Beautiful Century. • Occult art by Nicomi Nix Turner, Daniel Martin Diaz, Amy Earles and William Crisafi. Related: Illustrations by Ernest M. Jessop for The Witches Frolic by Thomas Ingoldsby. • “Our definition of ‘Industrial’ then was a very broad one, it’s definitely not so much now.” Chris […]

Posted in {art}, {books}, {comics}, {design}, {electronica}, {film}, {horror}, {illustrators}, {music}, {occult}, {television}, {theatre}, {work} | 2 comments »


Weekend links 211


Secret Bloom (2014) by Natalie Shau. Bloomsday approachs. “Reading Ulysses changed everything I thought about language, and everything I understood about what a book could do,” says Eimear McBride whose debut novel, A Girl Is a Half-formed Thing, recently won the first Bailey’s women’s prize for fiction. McBride was interviewed by Susanna Rustin last month, […]

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Weekend links 204


RIP Steve Moore. We never met, unfortunately, but I was very pleased he asked me to create a cover for his unique occult novel, Somnium, in 2011. Prior to this we’d been connected by shared acquaintances, colleagues, and membership in the informal cabal that was (and maybe still is) The Moon & Serpent Grand Egyptian […]

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Weekend links 194


Untitled glass sculpture by Richard Roberts. • Lord Horror: Reverbstorm, my collaboration with David Britton, makes The Quietus list of Literary Highlights of 2013. At the same site there’s Russell Cuzner talking to English Heretic. “His methodology takes in magick, psychogeography and horror film geekdom, along with firm roots in Britain’s industrial music culture of […]

Posted in {animation}, {architecture}, {art}, {books}, {collage}, {comics}, {cormac}, {design}, {electronica}, {film}, {horror}, {illustrators}, {lovecraft}, {music}, {occult}, {photography}, {science}, {sculpture}, {work} | 5 comments »


Aleister Crowley: Wandering The Waste


I mentioned this graphic biography of Aleister Crowley earlier in the year but pressure of work has meant it’s taken me all this time to finally read it. Aleister Crowley: Wandering The Waste is written by Martin Hayes and illustrated by RH Stewart. The title alludes to Alastor, or The Spirit of Solitude, a Shelley […]

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Weekend links 189


The Outsider (1956), 1963 edition; The Occult (1971), 1973 edition. The cover of the 1973 UK paperback of Colin Wilson‘s mammoth overview of occultism can still be offered as a pinnacle of hyperbole. The book itself is a very serious and informative study but its success set Wilson on a path as a writer about […]

Posted in {architecture}, {art}, {books}, {fantasy}, {film}, {horror}, {magazines}, {music}, {occult}, {painting}, {photography}, {psychedelia}, {television}, {theatre} | 5 comments »


Weekend links 187


Delia Derbyshire (2007) by Iker Spozio. Whatever you think of Doctor Who, Delia Derbyshire’s recording of Ron Grainer’s theme tune is a landmark piece of electronic music. Those glassy electronic tones still sound unique today, not least for their having been created using rudimentary oscillators and much laborious tape editing. In Radiophonic Workshop: the shadowy […]

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