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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.

Archive for August, 2018

 

The art of Manfred Sillner

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Über Regensburg (1979–82). Manfred Sillner is a German artist whose work had eluded me until very recently when curiosity about a print on the cover of an obscure album impelled me to search for the person responsible. Happily, Sillner has a website (many contemporary painters let galleries do the web work) which gives a decent […]

Posted in {art}, {fantasy}, {painting}, {surrealism} | 2 comments »

 


Weekend links 427

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Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis, 1975. • RIP Lindsay Kemp: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salomé, and Flowers, A […]

Posted in {architecture}, {art}, {books}, {design}, {drugs}, {electronica}, {gay}, {horror}, {lovecraft}, {music}, {occult}, {photography}, {science}, {theatre} | 1 comment »

 


The art of Boleslaw Biegas (1877–1954)

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Univers de la tendresse (1918). This Polish artist came to my attention recently while looking for something in a book about Surrealist art. As before, the web has its uses especially when it comes to discovering more about artists such as Biegas who were never prominent enough to be given more than a passing mention […]

Posted in {art}, {painting}, {symbolists} | Comments Off

 


Weekend links 426

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Self Preservation (1970–77), a collage by Penny Slinger from the series An Exorcism. • RIP John Calder, one of the most important British publishers of the last century whose death was acknowledged in the Washington Post (and in the Telegraph, a paper that would have given him no support during his censorship battles) but at […]

Posted in {art}, {books}, {collage}, {electronica}, {horror}, {music}, {painting}, {photography}, {politics}, {science fiction}, {television} | 4 comments »

 


A view over Yuggoth

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I mentioned in the post about the Sherlock Holmes illustrations that the next book from Editorial Alma featuring my work would be another Lovecraft collection. One of the illustrations in the new volume was of the planet Yuggoth, a world known to human beings as Pluto. In Lovecraft’s mythos Yuggoth has long been an outpost […]

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Weekend links 425

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Art by Ichiro Tsuruta. • “Writing is so much about subverting dogmatisms of all kinds, above all the ones that insist you cannot go there! You must not say that! Writers need to go anywhere, to take anything on. And the only rule is to do it well.” Rikki Ducornet in a feature at Dennis […]

Posted in {art}, {books}, {design}, {electronica}, {music}, {painting}, {politics}, {surrealism} | Comments Off

 


The Joe Phenix Detective Series

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After six months of black-and-white drawing it’s been good to return to colour book covers of which this is the first of a new crop of designs. Albert W. Aiken (c.1846–1894) was a prolific American author of pulp fiction, whether writing under his own name or pseudonymously (and sometimes as a woman) for Dime Library, […]

Posted in {art}, {books}, {design}, {pulp}, {typography}, {work} | 3 comments »

 


Weekend links 424

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Black Sun (1953) by Alexander Calder. • “But Berlin Alexanderplatz transcends its genre elements, largely because of Döblin’s deep lack of hope about what can be expected of human beings.” Adam Kirsch on Alfred Döblin’s Berlin. • “I occasionally dream of finding books that do not seem to exist (yet), and sometimes remember their titles,” […]

Posted in {architecture}, {art}, {books}, {electronica}, {film}, {music}, {painting}, {photography}, {science}, {sculpture}, {surrealism} | Comments Off

 


Illustrating Sherlock Holmes

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Beeton’s Christmas Annual, 1887. The latest in the series of illustrated editions I’ve been working on for Spanish publisher Editorial Alma is a single-volume collection of two short Sherlock Holmes novels, A Study in Scarlet and The Sign of Four. Work on this book began immediately after I’d finished Dracula so maintaining the Victorian theme […]

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