Weekend links 268

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A City on Pluto (1940) by Frank R. Paul. Related: Paul’s predictions about life on other planets.

23 Skidoo’s Peel Session from September 16th, 1981. Only 18 minutes of music but I’m thrilled for its being unique material that’s never been given an official release. There are many more Peel Sessions at the uploader’s channel, not all of which were reissued on the Strange Fruit label. Download favourites in their as-broadcast form (some with John Peel’s introductions) before they vanish or get blocked like the 1981 Cabaret Voltaire session. Related: Wikipedia’s list of Peel Sessions.

• Mixes of the week comprise two collections by Jon Dale of strange and beguiling Italian music: The Prevarications Of The Sky Against The Earth and La Verifica Incerta; the Summer Window Mix (“telly detritus, new-not-new synth nonsense & off-colour pop oddities”) by Moon Wiring Club; and Secret Thirteen Mix 158 by Haunter Records.

• “Hello, this is David Bowie. It’s a bit grey out today but I’ve got some Perrier water, and I’ve got a bunch of records…” Two hours of the Thin White Duke playing favourite music on BBC Radio One, 20th May, 1979.

Some of Vidal’s guests were writers, not exactly his favorite group. “Writers are the only people who are reviewed by people of their own kind,” Vidal said in an interview. “And their own kind can often be reasonably generous—if you stay in your category. I don’t. I do many different things rather better than most people do one thing. And envy is the central fact of American life.”

Frank Pizzoli reviews Sympathy for the Devil: Four Decades of Friendship with Gore Vidal by Michael Mewshaw

• Yair Elazar Glotman’s new album, Études, conjures “bone-rattling resonance, thick, alien-like atmospheres, and percussive fragments”. Stream it in full here.

• London’s Lost Department Store of the Swinging Sixties: Inge Oosterhoff on the splendours of Biba.

• It’s that Ungeziefer again: Richard T. Kelly on 100 years of The Metamorphosis by Franz Kafka.

• The History of Creepy Dolls: Linda Rodriguez McRobbie explores the uncanny valley.

• At Dangerous Minds: Matt Groening tells the story of The Residents in 1979.

• The NYT collects NASA’s photos from the New Horizons Pluto flyby.

The Museum of Imaginary Musical Instruments

Written on the Body: tattoos in cinema

The Doll’s House (1981) by Landscape | Voodoo Dolly (1981) by Siouxsie and the Banshees | Devils Doll Baby (1986) by Sonny Sharrock

Weekend links 121

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Title spread for The Thackery T. Lambshead Cabinet of Curiosities (2011) edited by Ann & Jeff VanderMeer.

I was surprised this week to find myself nominated as Best Artist in the World Fantasy Awards. The results will be announced at the World Fantasy Convention in November. Among the books nominated for Best Anthology is the Thackery T. Lambshead Cabinet of Curiosities for which I provided title page designs and some illustrations. Editors Ann & Jeff are well-represented (and ought to win for their landmark The Weird anthology), and I’m pleased to see Mark Valentine receive a nod for his excellent Wormwood magazine. Mark and Roger Dobson published my first Lovecraft adaptation, The Haunter of the Dark, in a large-format edition under their Caermaen imprint in 1988.

I remember having a conversation with my father about it. I told him what I’d really have liked to find, in my exhaustive search of the canon, was a gay superhero. You know: fucking dudes, saving the world. Never mind the fact that superheroes, with their notoriously contour-hugging apparel, are usually assumed gay by default. I wanted something that had existed, something from history. My father considered my criteria.

“I think what you want is Gore Vidal.”

Henry Giardina on Gore Vidal’s Bully Republic at the Paris Review.

• Appreciations and memorials for the late Gore Vidal continue to surface: “He was punk rock with a traditional, smooth exterior. But there was nothing traditional about him, not really. He defied singular category,” says Aaron Tilford at Lambda Literary. “Jokes course through Vidal’s entropy-heavy commentaries like a warm, reviving current. They, more than the barbs to which they form a counterpoint, are what make his essays a continuing pleasure to read,” says “J.C.” at the TLS.

• “Winterson’s opposition to strict realism is less an artistic critique than a cultural one. She uses the term ‘realism’ to describe an entrenched way of viewing the world, which it is the writer’s duty to challenge.” Hannah Tennant-Moore on Jeanette Winterson at n+1.

The Ghosts of Bush by Robin The Fog: “A final hauntological perambulation around the hidden corners of Bush House, Aldwych, London, June 2012”.

• “For everything that is not shown, the filmmaker counts on the power of imagination of his viewers.” Lebbeus Woods on Chris Marker and La Jetée.

Joseph Burnett on “Rainbow Ambiguity: Defying conservatism in mainstream LGBT culture”.

• Leigh Brackett book and magazine covers at Golden Age Comic Book Stories.

BLDGBLOG visited the Whitechapel Bell Foundry in London.

Stilled Life: A collection of photography by Thom Ayres.

• Underground subversion: Stickers on the Central Line.

Andrei Codrescu on five favourite Fantastical Tales.

Vangelis performs an analogue synth freakout for Spanish TV in 1982 | Oro Opus Alter, a track from the forthcoming album by Ufomammut | New World, a track from the forthcoming album by The Irrepressibles. Can’t wait.

Gore Vidal, 1925–2012

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You could spend all day picking out choice quotes. So much is still pertinent.

From ‘Women’s Liberation: Feminism and Its Discontents’:

Those who have been treated cruelly will treat others cruelly. This seems to be a fact of our condition. The Patriarchs have every reason to be fearful of woman’s revenge should she achieve equality. He is also faced with the nightmare (for him) of being used as a sexual object or, worse, being ignored (the menacing cloud in the middle distance is presently no larger than a vibrator). He is fighting back on every front.

Take pornography. Though female nudes have been usually acceptable in our Puritan culture, until recently the male nude was unacceptable to the Patriarchs. After all, the male—any male—is a stand-in for God, and God wears a suit at all times, or at least jockey shorts. Now, thanks to randy Lilith, the male can be shown entirely nude but, say the American censors, never with an erection. The holy of holies, the totem of our race, the symbol of the Patriarchs’ victory over the Great Mother, must be respected. Also, as psychologists point out, though women are not as prone to stimulus through looking at pictures as men (is this innate or the result of conditioning?), they are more excited by pictures of the male erect than of the male at ease. And excitement of course is bad for them, gives them ideas, makes them insatiable; even the ancient Greeks, though freer in sexual matters than we, took marriage seriously. As a result, only unmarried girls could watch naked young men play because young girls ought to be able to look over a field which married women had better not know about.

Today we are witnessing the breakup of patterns thousands of years old. The patriarchal response is predictable: if man on top of woman has been the pattern for all our known history, it must be right. This of course was the same argument he made when the institution of slavery was challenged. After all, slavery was quite as old an institution as marriage. With the rejection of the idea of ownership of one person by another at the time of our Civil War, Women’s Lib truly began. If you could not own a black man, you could not own a woman either. So the war began. Needless to say, the forces of reaction are very much in the saddle (in every sense), and women must fight for their equality in a system which wants to keep them in manageable family groups. buying consumer goods. raising future consumers, until the end of time—or the world’s raw resources, which is rather closer at hand.

The New York Review of Books, July 22, 1971

From ‘Pink Triangle and Yellow Star’:

Although our mental therapists and writers for the better journals usually agree that those who prefer same-sex sex are not exactly criminals […] or sinful or, officially, sick in the head, they must be, somehow, evil or inadequate or dangerous. The Roman Empire fell, didn’t it? because of the fags?

Our therapists, journalists, and clergy are seldom very learned. They seem not to realize that most military societies on the rise tend to encourage same-sex activities for reasons that should be obvious to anyone who has not grown up ass-backward, as most Americans have. In the centuries of Rome’s great military and political success, there was no differentiation between same-sexers and other-sexers; there was also a lot of crossing back and forth of the sort that those Americans who do enjoy inhabiting category-gay or category-straight find hard to deal with. Of the first twelve Roman emperors, only one was exclusively heterosexual. Since these twelve men were pretty tough cookies, rigorously trained as warriors, perhaps our sexual categories and stereotypes are—can it really be?—false. It was not until the sixth century of the empire that same-sex sex was proscribed by church and state. By then, of course, the barbarians were within the gates and the glory had fled.

Today, American evangelical Christians are busy trying to impose on the population at large their superstitions about sex and the sexes and the creation of the world. Given enough turbulence in the land, these natural fascists can be counted on to assist some sort of authoritarian—but never, never totalitarian—political movement. Divines from Santa Clara to Falls Church are particularly fearful of what they describe as the gay liberation movement’s attempt to gain “special rights and privileges” when all that same-sexers want is to be included, which they are not by law and custom, within the framework of the Fourteenth Amendment.

The Nation, November 14, 1981

Previously on { feuilleton }
Gore Vidal on American tolerance

Gore Vidal on American tolerance

Discussing Brokeback Mountain, among other things:

Look, homophobia is fed into every child in the United States at birth. It is unrelenting, it never lets up. They asked a whole raft of high school boys across the country a couple years ago, one of those polls about what they would most like to be in life, and what – they would hate to be, and so forth, and what they would most hate to be was homosexual.

There wasn’t anyone, not one, who just skipped the question. They all said “oh no, that’s the worst thing you could be.”

To get over that training, that’s generation after generation. And it has not done the character of our nation much good. And that’s why we are a joke to the rest of the world, because we carry on about sexual matters everyone else has forgotten about.

So will this movie change anything? I think it might give some people a little more heart that what they’re doing is not so unusual. It is traditional, it is biologically correct; mammals have been performing same-sexual acts ever since the first mammal was created. I was not present, alas, at the time, but mammals do behave like that and to say they don’t or to try to frighten them as all those schoolboys have been frightened – well that kind of indoctrination is awful, it makes us seem like a very stupid country to other people, with stupid laws. People are in prison for having done “unnatural acts” as they call it.

Continues here.