Metropolis, mother of science fiction movies, reborn in Berlin
Alexander McQueen, 1969–2010
“He was a Brothers Grimm of fashion, enchanting and captivating the audience with the most incredibly beautiful clothes, only to make their stomachs lurch with the underlying menace that shot through his work. Because every show contained outfits designed to thrill, shock – and catch the eye of picture editors – many people never realised that much of McQueen’s work was, quite simply, heart-stoppingly gorgeous: exquisite tailoring, beautifully sculpted dresses and glorious print.”
Jess Cartner-Morley. (More.)
Butterfly-print dresses (how fitting for Darwin Day), Giger-style shoe designs, skull key chains… Yes, Alexander McQueen was something special.
Guardian obituary | Independent obituary
Passage 12
Ed Jansen writes again to notify me that the latest number of his web magazine, Passage, is now online, about which he says:
In Passage nr. 12 there are articles about a 17th century garden in The Hague, about the mysterious visit to The Hague by the Comte De Saint Germain. Was he really a enlightened man or a fraud? If you’re an occultist you’ll tend to believe the first, the historian thinks otherwise. Then there are the photos of the dancer and performer Hiroake Umeda. Strange movements underlined by light-effects. Living in a Capsule is a combination of the paintings by the Dutch artist Tjebbe Beekman and the work of J.G. Ballard. Lastly there is an article about Jan Bastiaans, the doctor who experimented with LSD to ‘free’ the victims of the concentration camps of the nightmares and repressed memories.
Once again the text content is in Dutch but that doesn’t exclude all visitors here. I hadn’t come across the work of Tjebbe Beekman before. His paintings of urban desolation are indeed a good match for one aspect of Ballard’s work, and they make an interesting contrast with Dick French’s earlier views of the author’s Drowned World.
Trust by Tjebbe Beekman (2005).
Previously on { feuilleton }
• Drowned Worlds
• Passage 11
• Passage 10
Betty Blythe
Yesterday’s search for Betty Blythe pictures turned up this pair which I couldn’t resist posting, with Ms. Blythe posed against a peacock in the first and wearing a peacock-styled outfit in the second. As I’ve noted before, silent films are very often like Symbolist paintings come to life, and The Queen of Sheba (1921) would appear to be another of these which makes its loss all the more disappointing. The photo below is from a Flickr set whose user has her own Tumblr blog of silent movie stars.
Previously on { feuilleton }
• The Mask of Fu Manchu
• Salomé posters
• Ruth St Denis
• The Feminine Sphinx
• Lussuria, Invidia, Superbia
• Alla Nazimova’s Salomé
Wolf Man, Dracula and the beasts that gave birth to cinematic horror
Wolf Man, Dracula and the beasts that gave birth to cinematic horror | David Thomson on Universal and its stars.