European Rendezvous by CTI

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A final post about the releases on Cabaret Voltaire’s Doublevision label. European Rendezvous (1984) was a follow-up to the Elemental 7 release by Chris & Cosey with the pair performing again under their Creative Technology Institute name. As with the earlier release the visuals are a collaboration with John Lacey while the music was recorded live during their 1983 tour of Europe. Once again, I knew this from the soundtrack album (also on Doublevision) and didn’t get to see the video which has never been reissued. Visually this is further impressionistic layering of images à la Elemental 7 but with greater emphasis on Chris & Cosey themselves. Musically, I always preferred the earlier CTI release which worked perfectly well without the visuals so it’s interesting to see that the visuals for European Rendezvous help music which lacks the finesse of their studio recordings. The fifty-minute tape is rounded off with a promo video for October (Love Song).

The YouTube version of European Rendezvous is in great condition compared to some of the other things I’ve been linking to; here’s hoping someone eventually uploads a complete copy of TV Wipeout. Most of the other Doublevision video releases including Tuxedomoon’s Ghost Sonata, Einstürzende Neubauten’s Halber Mensch and Cabaret Voltaire’s Johnny YesNo have since been reissued on DVD.

Previously on { feuilleton }
TV Wipeout
Seven Songs by 23 Skidoo
Elemental 7 by CTI

TV Wipeout

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Another of the videocassette releases on Cabaret Voltaire’s Doublevision label, TV Wipeout was released in 1984 as a “video magazine”. This and Johnny YesNo were the two Doublevision releases I was most interested in, and I did get to see some of the former release when Cabaret Voltaire’s first appearance at the Haçienda in 1983 was preceded by an hour of “Doublevision Presents…”. The most memorable sights from that screening were the weird and scary Renaldo & The Loaf film and the video for Terminus by Psychic TV, a very Wild Boys-esque piece directed by Peter Christopherson. The Cabs’ Stephen Mallinder explained why the contents of the tape tended to be more commercial than other releases on the label:

Q: The next Doublevision was the TV Wipeout video which was a sort of disposable magazine compilation. It contained a fairly wide variety of contributors, from people like The Fall and Test Dept to some more mainstream groups like Bill Nelson and Japan.

Mal: The point was that Virgin Films were quite happy to work with us; they even gave us money in the form of advertising revenue for using some film clips from the Virgin catalogue. We were then able to camouflage them into the whole set-up and make them look as if they were part of the whole nature of the video compilation.

Q: One of those clips was a particularly inane interview with David Bowie. Was its inclusion merely a selling point?

Mal: Yes, it was purely that. There are a lot of people who will buy anything with David Bowie on it. So we said “Fuck it, why not use that as a selling point!” Actually the interview is appalling, it’s terrible. Our including it was almost like a piss-take. We were saying “you really will buy anything with David Bowie on it if you buy this”.

From Cabaret Voltaire: The Art of the Sixth Sense by M. Fish and D. Hallbery

Unlike some of the other Doublevision releases this one doesn’t seem to have been uploaded anywhere but since much of the content was music videos it’s possible to compile an incomplete playlist. The Paul Morrissey films (Heat and Flesh), Eating Raoul and Plan 9 from Outer Space were cult items that weren’t being screened on TV so this was an opportunity to see them outside a cinema. Some of the other selections—the Chel White, Steve Binnion and Space Movie—are still a mystery. Lost Possibilities Of Modern Dreams was footage of a painting exhibition by Phil Barnes soundtracked by the Cabs. The Claude Bessy piece is the only one from the original tape, a short film of the Haçienda’s VJ shot by Ikon Video’s Malcolm Whitehead in the basement of the club.

Bill Nelson: Flaming Desire
Bill Nelson interview
Plan 9 from Outer Space excerpt
Clock DVA: Resistance
Chel White: Industrial Park
Cabaret Voltaire: Just Fascination
Steve Binnion: Mediaevil
Renaldo & The Loaf: Songs For Swinging Larvae
David Bowie interview for Merry Christmas, Mr. Lawrence
Andy Warhol: excerpt from Heat
The Fall: Live at The Venue (1983) with documentary footage
Space Movie excerpt
The Box: Old Style Drop Down
IKON FCL advertisement featuring various groups on the Factory label
Japan: excerpt from Oil On Canvas
Andy Warhol: excerpt from Flesh
Test Dept: Shockwork
Dieter Meier interview
Yello: excerpt from Jetzt Und Alles
Eating Raoul excerpt
Psychic TV: Terminus
Phil Barnes featuring Cabaret Voltaire: Lost Possibilities Of Modern Dreams
Marc & The Mambas: Caroline Says
Claude Bessy: Operating Instructions

Previously on { feuilleton }
Seven Songs by 23 Skidoo
Elemental 7 by CTI
The Crackdown by Cabaret Voltaire
Network 21 TV

Seven Songs by 23 Skidoo

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Along with Elemental 7 by CTI, this was another Doublevision video release that I never got to see in its original videocassette form. Seven Songs is the first and arguably the best of the 23 Skidoo albums, released in 1982 on Fetish Records in a great sleeve by Neville Brody. Production was by “Tony, Terry & David” aka Ken Thomas, Genesis P-Orridge & Peter Christopherson. The latter two were still in Throbbing Gristle at the time so there’s a further connection with the CTI release. The video director was Richard Heslop who can be seen with his Super-8 camera on the inner sleeve of 23 Skidoo’s second album. Seven Songs is his first credited film work.

The videos are very much of their time, layered and cut-up images mixing footage from numerous sources—tribal rituals, totalitarian politics, animation, medical or scientific films, shots of the group performing, and so on—with the whole mélange processed through a video synthesiser. While it may look outmoded now, thirty years ago this degree of intensity and fragmentation was still radically unlike anything being offered by broadcast television. Pop video directors and ad agencies weren’t slow to adopt similar techniques for far more commercial ends. Richard Heslop went on to work with Derek Jarman, and recently directed a feature of his own, Frank. Low-quality bits of Seven Songs have been on YouTube for a while but Heslop posted the whole thing to Vimeo a few months ago along with the Tranquiliser footage that rounded out the original cassette release. 23 Skidoo are still active, and are playing a gig in London next Sunday with the former singer from Can, Damo Suzuki. Details about that event here.

Previously on { feuilleton }
Elemental 7 by CTI
Neville Brody and Fetish Records

World Fantasy Awards

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Presenting some of the cover art and interior illustration from 2011 which won me the World Fantasy Award for best artist in Toronto on Sunday. (The complete awards list is here.) It was a surprise to be nominated, and even more of a surprise to win since working in different areas—book, music, comics—is never a good way to get noticed for doing one particular thing. It’s also the case that sf/fantasy art awards tend to favour painters or virtuoso digital artists over people such as myself who I suppose are more illustrator-designers; that’s not a criticism, just an acknowledgement of the strength and popularity of highly-refined pictorial art in this area of the literary world. The recognition hazard works in the opposite direction: the design world often gives the most attention to graphic design alone, with the illustration quotient being regarded as secondary content.

I’m not exactly sure what the judges were looking at of my work so these examples have been chosen for being published during the year under examination. They’re also covers that people seemed to like a lot, especially KW Jeter‘s Morlock Night (even though I still prefer Infernal Devices!), and those for Mike Shevdon‘s books. The Jeter and Shevdon volumes are all published by Angry Robot who will also be publishing Lavie Tidhar‘s The Bookman Histories early next year sporting another of my covers. Lavie’s novel Osama won best novel in Toronto while Ann and Jeff VanderMeer (editors of the Lambshead book below) picked up a best anthology award for their monumental The Weird. And to add to the good company, my regular publishers Tachyon saw one of their authors, Tim Powers, gaining best story collection. Congratulations to everyone, and a big thanks to Ann for collecting my award.

I’m always using these posts to point to other artists so it’s only right that I encourage everyone to go and look at the work of the other nominees. Here they are (although Jon Foster’s site appears down at the moment):

Julie Dillon
Jon Foster
Kathleen Jennings
John Picacio

John Picacio has a rather gorgeous calendar due out soon, details here.

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Title page for The Thackery T. Lambshead Cabinet of Curiosities edited by Ann & Jeff VanderMeer (Harper Voyager).

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Continue reading “World Fantasy Awards”

More CthulhuPress

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Cthulhoid (2012).

I finally found time this weekend to add these recent works to my CafePress shops so they’re now available as prints. I’ll add a few more products later on although not everything at CafePress suits either square images or work with large amounts of detail. Click on the pictures for the links.I don’t think I’ve mentioned before that Cthulhoid will soon be appearing soon on the cover of a Lovecraftian fiction collection edited by ST Joshi. The book is A Mountain Walked: Great Tales of the Cthulhu Mythos from Centipede Press. I haven’t been given a publication date yet but it’ll probably be out early next year.

And do I need to say for the fifth or sixth time that these pictures are also a part of this year’s Cthulhu Calendar? They are. Thanks to everyone who’s bought a copy so far.

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De Profundis (2012).

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S. Latitude 47°9?, W. Longitude 126°43? (2012).

Previously on { feuilleton }
Cthulhu Calendar
S. Latitude 47°9′, W. Longitude 126°43′
Resurgam variations
De Profundis
Cthulhoid and Artflakes
Cthulhu for sale
Cthulhu God
Cthulhu under glass
CthulhuPress
Cubist Cthulhu