Akihiro Yamada’s Lovecraftiana

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Akihiro Yamada is a Japanese illustrator and manga artist best known for his work in the sub-genre of historical fantasy, as well as character design for video games and other media. All of this art is very accomplished—he’s great with lengths of billowing fabric—while giving no hint at all of his earlier detours into cosmic horror. I’ve been familiar for some time with a couple of his covers in the “Cthulhu” series (c. 1988–1993) but hadn’t gone looking for the entire run until now. Doing so turned up another series of books published in the early 2000s by Kurodahan Press, Lairs of the Hidden Gods, with a quartet of covers in which the traditional Japanese print-making theme of the four seasons is given a demonic twist. All of these books are reprints of stories by Lovecraft and other writers, past and present, with the Kurodahan series being introduced by Robert M. Price. The artwork, meanwhile, is very different in style to Yamada’s more recent output, to an extent that you wouldn’t connect these covers with his fantasy illustrations without seeing a credit.

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I’ve long been curious about Japanese representations of the Cthulhu Mythos. Lovecraft’s fiction has obvious attractions for the Japanese imagination but the art used by Japanese publishers doesn’t always travel overseas unless the artists themselves capture the attention of aficionados in other countries. ISFDB is a very useful resource but it’s still lacking when it comes to the listing of foreign editions. There’s more out there to be discovered.

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Weekend links 790

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Set design by Vladimir Pleshakov for the Ballets Russes’ The Firebird (1923).

• The latest book from Swan River Press is A Mystery of Remnant and Other Absences, a collection of fictions by the late B. Catling. Copies include postcards with accompanying texts by Alan Moore and Catling’s friend and regular collaborator, Iain Sinclair.

• New music: The Loneliness Of The Hollow Earth Explorer Vol. 1 by Arrowounds; The Eraserhead: Music Inspired By The Film Of David Lynch by Various Artists.

• Among the new titles at Standard Ebooks, the home of free, high-quality, public-domain texts: The Purple Cloud by MP Shiel.

• A catalogue of lots at another After Dark: Gay Art and Culture online auction. Homoerotic art, photos, historic porn. etc.

• At Colossal: Laser-cut steel forms radiate ornate patterns in Anila Quayyum Agha’s immersive installations.

• Photographs by Man Ray and Max Dupain showing at the Heide Museum of Modern Art, Melbourne.

• Mix of the week: Isolatedmix 134 by Artefakt.

• At Dennis Cooper’s it’s Anna Karina’s Day.

Three Imposters

Purple Haze (1967) by The Jimi Hendrix Experience | Pilots Of Purple Twilight (1981) by Tangerine Dream | Purple Rain (live, 1985) by Prince & The Revolution

Vincenzo Mazzi’s caprices

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More Italian theatrical design. A few years ago I put together a collection of production sketches and paintings for scenes set inside vast prisons, a popular setting in opera and theatre during the Baroque and Romantic periods. Piranesi’s etching series, Carceri d’Invenzione, is the ultimate expression of the form, where the prints exist to show architectural invention and nothing more, but Piranesi wasn’t the first or last artist to concern himself with views like these.

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Caprici di Scene Teatrali (1776) is a collection of fifteen printed plates by Vincenzo Mazzi showing suggestions for theatrical settings, several of which are prison settings. All of the scenes are distinctly Piranesian, especially the title plate which has the name of the artist and his series carved on stones inside the artwork. The prints seem to be the bulk of Mazzi’s surviving designs although a few additional examples turn up when you search around. There’s also at least one Mazzi portrait of an actor which suggests that most of the artist’s output confined itself to the theatre.

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Stanisław Lem, 1996

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The Polish writer has been in my thoughts for the past week, now that I’ve finally got round to reading Solaris while also having watched The Congress, Ari Folman’s adaptation of Lem’s The Futurological Congress. Reading Solaris was an interesting experience when the story is so familiar from the Tarkovsky adaptation, which I’ve watched numerous times, and the Soderbergh adaptation, which has risen in my estimation in recent years. The novel was fascinating for all the detail about the mysterious planet which the films omit, while also being somewhat old-fashioned considering it was published in 1961. Lem was apparently dismissive of Anglophone science fiction but by the 1950s the treatment of futuristic technology by British and American writers was increasingly sophisticated, even if the psychology and characterisation in their stories still lagged behind literature in general. Lem’s future timeline is like something out of the 1940s, where humanity can travel to distant star systems yet the spacecraft are the cigar-shaped rockets familiar from the covers of pulp magazines. In the station orbiting Solaris the trio of scientists have endless scientific discussions, the video screens are small and monochrome, and there’s even a mention of something being powered by valves.

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Solaris may be Lem’s most popular novel but it doesn’t warrant much discussion in this Polish TV documentary after Lem has mentioned his exasperated arguments with Andrei Tarkovsky when the film was being planned. Tomasz Kaminski’s profile runs through Lem’s life mostly via its subject’s reminiscences, although there is occasional comment from Lem’s friends and colleagues in the Polish literary world. The film doesn’t offer a great deal of context either but it does provide a portrait of a prickly character who I’ve never seen speaking at length before. I found it useful to rewatch the Quay Brothers’ biographical film after this one, a shorter piece which fills in a few gaps in Lem’s history while also showing the degree to which his early life was dictated by the upheavals of the Nazi occupation and the Communist era.

There are currently two versions of Kaminski’s film at YouTube, only one of which has English subtitles, and very crude ones at that. Better subtitles may be found at Opensubs but to use those you’ll have to download the video first. 4k Video Downloader Plus is my tool of choice.

Previously on { feuilleton }
11 Preliminary Orbits Around Planet Lem by the Brothers Quay
Maska: Stanisław Lem and the Brothers Quay
Ikarie XB 1
Golem, 2012

Weekend links 789

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Niemand (1990) by Micha Ullman.

The Diary of a Nobody (1964) by Ken Russell, John McGrath, Weedon Grossmith & George Grossmith. A recent posting at Play For Forever, an archive of hard-to-find/unreissued British TV drama.

• New music: Paul St. Hilaire With The Producers by Paul St. Hilaire; Atoms In The Void by Ivan the Tolerable & Hawksmoor; The Cosmic Tones Research Trio by The Cosmic Tones Research Trio.

• At Public Domain Review: Julie Park explores the history of the camera obscura.

• At The Wire: Read an extract from Philosophy of Jazz by Daniel Martin Feige.

• At Unquiet Things: Jana Heidersdorf’s fairy tale subversions.

• At Colossal: Five decades of land art by Andy Goldsworthy.

• The Strange World of…Marissa Nadler.

• RIP Robert Wilson.

Nobody (1968) by Larry Williams & Johnny Watson with Kaleidoscope | “There Is Nobody” (1976) by Brian Eno | Nobody (1978) by Ry Cooder