Land art

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Spiral Jetty.

Reading this story about an ownership dispute over Robert Smithson’s Spiral Jetty in Utah had me searching out his celebrated artwork on Google Maps. It’s easy to find since Google have many of the well-known pieces of 1970s land art marked on their satellite views. Having found Smithson’s construction I went looking for a few more.

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City.

Less easy to find, since it’s not marked and the artist forbids visitors, is Michael Heizer’s enormous and enigmatic City, an earthwork complex he’s been constructing in the Nevada desert since the early 70s. From the air it looks like a secret military base, the art area being the diagonal arrangement of structures on this view while the squares to the right are the artist’s home. I’ve been fascinated by this creation ever since a part of it, Complex One, was featured in Robert Hughes’s The Shock of the New, not least for Hughes’s assertion that these remote works impel an act of pilgrimage on any would-be visitors. This page has more about City and some of the few photos which have been released of its structures. See also A Sculptor’s Colossus of the Desert and Art’s Last, Lonely Cowboy.

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Roden Crater.

Equally remote, and for the time being inaccessible to the public, is James Turrell’s Roden Crater in Arizona, an extinct volcano which Turrell has been converting into an enormous viewing space for astronomical events and the transitory effects of natural light. This was begun in 1978 and seems like it may actually get finished, unlike Heizer’s construction site. This NYT article discusses the work’s history while Paul Schütze has recent photos of site details as well as a free download of some of the music he’s composed for the interior.

Continue reading “Land art”

Hello, sailor

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Homotography goes nautical again this week, sporting shots of model Lukas Bossert in a session by Mustafa Sabbagh. I’m not sure whether these have any purpose beyond showing off Mr Bossert’s physique but we don’t really need any other reason, do we? Homotography has bigger pics should you require them.

Incidentally, fashion photography is now the only place you regularly see photos of anyone smoking, whether posing or otherwise. With the march of prohibition, the cigarette-as-style-fixture seems to have shifted to become a vague signifier of rebellion. The fashion world loves its rebel iconography so I can see this trend continuing for some time, or at least until the habit starts to generate the inevitable complaints.

Previously on { feuilleton }
Querelle again
Sailors
Mikel Marton
Exterface

Weekend links 62

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A plate from Tales of the Amur by Dmitry Nagishkin, a 1975 edition illustrated by Gennady Pavlishin.

• The week in Surrealism: Opera of the surreal gives Dalí an encore: Yo, Dalí, a previously unperformed work by Xavier Benguerel, receives its premier in Madrid. Meanwhile Tate Liverpool’s summer exhibition, René Magritte: The Pleasure Principle, is profiled here. “René Magritte has inspired more book covers than any other visual artist,” says James Hall.

If Rimbaud anticipated the Surrealists by decades, Ashbery is said to have gone beyond them and defied even their rules and logic. Yet though nearly 150 years have intervened since Rimbaud’s first declaration of independence, many readers in our own age, too, still prefer a coherence of imagery, a sameness of tone, a readable sequential message, even, ultimately, what amounts to a prose narrative broken into lines.

Lydia Davis on Rimbaud’s Wise Music.

Umberto Eco’s glimpse into the art of the novel | Return to Wonderland: an essay on Lewis Carroll’s world by Alberto Manguel | Heavy sentences by Joseph Epstein: On How to Write a Sentence and How to Read One, by Stanley Fish.

And then there’s the mystery of what happened to him for those four months in London when we have no trace of him. Rimbaud mentions Scarborough in “Promontory” and talks about “Hotels, the circular façades of the Royal and the Grand in Scarborough or Brooklyn.” Since there’s that missing period in England, people say he must have gone to Scarborough, and have even checked hotel registers for that period, but as far as I know nobody has ever found anything. Someone even checked railway and train schedules in order to pin him to this real place. I seem to remember a French writer admitting that Rimbaud was never in Brooklyn, but kind of wishfully thinking that he might have been. Which is very funny. “Rimbaud in Brooklyn”: there’s a project for someone.

A Refutation of Common Sense, John Ashberry on translating Rimbaud.

Robert Jeffrey posts a video of his nine-year-old self giving Madge a run for her money in 1991. As Boy Culture puts it: “Anyone who feebly clings to the belief that gay can be prayed away should take a look at this and give up already…” Amen.

• The mathematics of Yog-Sothoth: Richard Elwes on Exotic spheres, or why 4-dimensional space is a crazy place.

For I Will Consider My Cat Jeoffry by Christopher Smart (1722–1771).

Lesbian pulp fiction, 1935–1978 and Faber 20th century classics.

As The Crow Flies, a new album from The Advisory Circle.

New World Transparent Specimens by Iori Tomita.

79 versions of Gershon Kingley’s Popcorn.

Minor Man (1981) by The League of Gentlemen.

Miwa Yanagi’s fairy tales

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Rapunzel (2004).

Emphasising the “grim” in the Brothers Grimm is what Japanese artist Miwa Yanagi achieves with Fairy Tale, a series of staged photos. It’s a familiar approach, of course, mining childhood for a darker subtext, and the effect is reminiscent in places of earlier explorers of this disturbing territory such as David Lynch and Jan Švankmajer. But Yanagi adds some twists of her own, not least the alarming figures of young girls masked to resemble old women. Despite being based on tales from the West, there’s a distinctly Eastern flavour to some of these scenes: in Rapunzel the usual golden locks have become a black torrent which can’t help but seem sinister when one recalls the legacy of supernatural hair in ghost stories like Yotsuya Kaidan.

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There’s a catalogue of these works available although the text may well be Japanese-only. And speaking of Švankmajer, it’s worth noting again that Alice is now available on DVD. David Moats enthuses about the film here.

Thanks to Gabriel for the Yanagi tip!

Previously on { feuilleton }
Kwaidan
The art of Maleonn Ma

Origami tessellations

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I seldom try origami these days despite an enthusiasm for it when I was younger, but I still like to see how people are developing the artform. These tessellation designs are part of a sub-genre of abstract paper-folding that’s a long way from the traditional Japanese animal shapes. The examples here are by Ray Schamp from his Flickr set. There are many more examples at the Origami Tessellations Flickr pool.

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Previously on { feuilleton }
Sipho Mabona’s origami insects
Robert Lang’s origami insects