The recurrent pose 23

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These latest examples of the postural idée fixe come via The Other Andrew (again…thanks, Andrew), courtesy of his eye for the vintage male. The first one isn’t quite the Flandrin pose (although that rule has been broken here before) while the second is even more vague but the Jack Baker ad was something that turned up while searching the newly unveiled LIFE magazine photo archive with the keywords “homosexuality 1970s”. In case you’re wondering, the picture is captioned “Campaign poster for admitted homosexual, Jack Baker, running for President of University of Minnesota Student Association”.

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Elsewhere on { feuilleton }
The recurrent pose archive

Vintage swordplay #3

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Another vintage find courtesy of The Other Andrew. (Thanks, Andrew!) The tag on this photo revealed the model to be one Steve Wengryn and since I’m not an expert on these beefcake types this was news to me. A swift search also revealed that Steve was a popular model in the 1950s and posed for Bruce of LA, among others, a photographer whose work was mentioned here recently. And sure enough, this isn’t the only picture of Steve with a sword, there’s also this photo of him posing with an épée.

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Elsewhere on { feuilleton }
The men with swords archive

Return to the Exposition Universelle

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Main entrance gate by René Binet.

I can’t leave the 1900 Paris exposition alone, and with good reason. If further proof were required that this event brought Winsor McCay’s Slumberland to earth for a few weeks, this stunning Brooklyn Museum Flickr set has the evidence. Not only five pages of high-resolution views but they’re all hand-tinted which adds to the splendour and highlights the ladies’ parasols.

For earlier posts on the Exposition Universelle, see the links below. Via Things Magazine.

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Esplanade des Invalides.

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Palace of Electricity.

Previously on { feuilleton }
The Palais Lumineux
Louis Bonnier’s exposition dreams
Exposition Universelle, 1900
The Palais du Trocadéro
The Evanescent City
Winsor McCay’s Hippodrome souvenirs

The Central Molecular Zone

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Our Galaxy’s Central Molecular Zone by A. Ginsburg (U. Colorado – Boulder) et al., BGPS Team, GLIMPSE II Team.

NASA explains:

The central region of our Milky Way Galaxy is a mysterious and complex place. Pictured here in radio and infrared light, the galaxy’s central square degree is highlighted in fine detail. The region is known as the Central Molecular Zone. While much of the extended emission is due to dense gas laced with molecules, also seen are emission nebulas lit up by massive young stars, glowing supernova remnants, and the curving Galactic Center Radio Arc in purple. The identity and root cause for many other features remains unknown. Besides a massive black hole named Sgr A*, the Galactic Center houses the galaxy’s most active star forming region. This image is not just interesting scientifically. It’s esthetic beauty won first prize this year in the AUI/NRAO Image Contest.

Let’s get physical: Bruce of Los Angeles and Tom of Finland

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Edgar Hayes (Beach) (1957).

Bruce of Los Angeles is a new exhibition of beefcake photos from the Fifties and Sixties at Wessel + O’Connor, NYC, which opens today and runs until December 20, 2008. Bruce’s name is a very familiar one to aficionados of physique photography and I imagine some of these prints will be pretty familiar too. There’s a couple of guys with swords among the selection but as a break from that particular obsession I picked out cutie Edgar Hayes instead.

Born Bruce Bellas in 1909, he was a chemistry professor from Nebraska who would wind up in Los Angeles as the top “Beefcake” photographer of the 1950’s.

He started out there in the 1940’s, shooting bodybuilding contests and met many of his models while working for Joe Weider’s muscle magazine empire, which chronicled the physical culture movement sweeping across America following WWII. Bellas photographed some of the most important figures of this era; bodybuilders Steve Reeves, Ed Fury, and George Eiferman, as well as models such as Joe Dallesandro, Mark Nixon, and Brian Idol.

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Physique Pictorial cover by Tom of Finland (1961).

Meanwhile, and a bit closer to home for me, the Contemporary Urban Centre in Liverpool has been running an exhibition of drawings by Tom of Finland, another very familiar name in the world of gay art and erotica. Twenty-five works are on display there until November 30th.

From Finland with lust | Mark Simpson looks at the artist’s legacy

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
Philip Core and George Quaintance