{music} – Page 320 – { feuilleton }

1 Top Class Manager

1 Top Class Manager is a book bearing the subtitle “The notebooks of Joy Division’s manager, 1978–1980” published this week by Anti-Archivists, Manchester. I’ve been working on the design for this on and off since March although we actually started putting it together this time last year.

Rob Gretton, manager of Joy Division and later New Order, died in 1999 so this is something of a memorial to his work in giving Joy Division the status they have today. Rob’s widow, Lesley, oversaw (and paid for) the production. She and editor Abigail Ward contributed much to my design efforts which underwent considerable back and forth adjustment until we had something everyone was happy with. Some spreads from the book follow below and when I get the time I’ll add larger page views to the book design section of the main site. Music critic and historian Jon Savage wrote the foreword. This was an exciting and fascinating project to be involved, not least for the wealth of rare documentary material which it reveals.

1 Top Class Manager is available via mail order from the book’s website.

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The Willows by Algernon Blackwood

Light play on the river Thame by net_efekt.

…the major products of Mr. Blackwood attain a genuinely classic level, and evoke as does nothing else in literature an awed convinced sense of the imminence of strange spiritual spheres of entities.

The well-nigh endless array of Mr. Blackwood’s fiction includes both novels and shorter tales, the latter sometimes independent and sometimes arrayed in series. Foremost of all must be reckoned The Willows, in which the nameless presences on a desolate Danube island are horribly felt and recognised by a pair of idle voyagers. Here art and restraint in narrative reach their very highest development, and an impression of lasting poignancy is produced without a single strained passage or a single false note.

Thus HP Lovecraft in 1927 from his lengthy overview of horror fiction, Supernatural Horror in Literature. Lovecraft was enthusiastic about many of Blackwood’s weird tales, rating him as one of the contemporary masters along with Arthur Machen. A year before his essay he prefaced The Call of Cthulhu with a Blackwood quote and regularly referred to The Willows as one of his favourite stories. Blackwood’s tale continues to find enthusiasts today, among them the Ghost Box music collective whose Belbury Poly CD titled after the story manages to reference in the space of 44 minutes Blackwood, Machen, CS Lewis and The Morning of the Magicians.

If your curiosity is sufficiently piqued by this point, you can read the story online at Wikisource or Project Gutenberg. Or you can listen to a reading in a new posting at LibriVox. The perfect thing for autumn and the month of Halloween.

Previously on { feuilleton }
• Horror in the shadows
• Wanna see something really scary?
• Ghost Box
• The Absolute Elsewhere

Obsolete formats continued

Following yesterday’s post, more cassette culture. Cassette Generator allows you to make your own labelled cassette graphic like the one above. I’m not quite sure this has any compelling purpose but that’s the web for you. For the question of what to do with the world’s stock of unwanted cassettes, Designboom has a few suggestions, including the belt buckle below. If you need more bling, there’s also a gold version. And for real obsessives, there’s Tapedeck.org.

Previously on { feuilleton }
• Old music and old technology

Old music and old technology

Clearing junk today turned up some obsolete artefacts one of which (the Kraftwerk) has been kept for purely sentimental reasons. It’s been amusing the past few years watching the vinyl disc refuse to crawl onto the scrapheap of history despite its death having been announced many times over by journalists who should know better. Several of the CD releases I’ve designed recently have also been brought out in vinyl editions. Meanwhile the audio cassette really is on the way out: “Sales of music cassettes in the U.S. dropped from 442 million in 1990 to about 700,000 in 2006” says Wikipedia. I certainly won’t mourn its passing; portability aside, I always hated these things. Music sounded shitty unless the tape was chrome or some other high-quality format, and whatever the quality they were all subject to mangling by cheap cassette players.

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Alan Aldridge: The Man With Kaleidoscope Eyes

I’ve never been all that keen on Alan Aldridge‘s brand of psychedelic art but it’s worth noting here the (London) Design Museum retrospective which runs from 10 October to 25 January, 2009. Aldridge’s work as a designer and illustrator for Penguin Books in the Sixties impresses me more than his subsequent illustrated Beatles lyrics and The Butterfly Ball and the Grasshopper Feast (1973), a pair of books which seemed ubiquitous in the 1970s. Flickr has a decent selection of his book covers which included a run of sf paperbacks in 1967. Ballard’s The Wind from Nowhere is the very slight debut novel which the author prefers to forget. Where Ballard in Penguin is concerned, David Pelham’s work a few years later was a far more suitable match.

Seeing Aldridge honoured with a big retrospective make me wonder why Roger Dean hasn’t yet been given the same accolade. Dean for me is by far the better artist in terms of distinctive and memorable imagery; he’s also a better draughtsman and far more imaginative designer (not to mention having always been a speculative architect). I suspect Dean’s reputation is still blighted by his associations with Yes and the general antipathy which that band’s name generates in a certain middle-aged sector of Britain’s cultural commentariat. Ballard’s name was equally blighted in literary circles by his science fiction associations and it was Barcelona, not London, which honoured him with a major exhibition recently. There may be some home-grown reappraisals in the offing but I won’t hold my breath.

Elsewhere on { feuilleton }
• The book covers archive
• The illustrators archive

Previously on { feuilleton }
• Ballard in Barcelona
• The New Love Poetry
• Penguin Labyrinths and the Thief’s Journal
• Penguin designer David Pelham talks
• Barney Bubbles: artist and designer