A journal by artist and designer John Coulthart.
Fashion
Yes, there’s something attractive about the proposition if the clones in question look like Ben Lamberty’s duplicated models from this fashion shoot. For earlier variations on the theme there’s a series by Toxicboy (although his site now seems to be defunct), and Anthony Goicolea, of course. Via Homotography, as usual.
Previously on { feuilleton }
• The art of Anthony Goicolea
• Toxicboy
Broche Marguerite.
Still in the 19th century, and more contributions to the Paris Exposition Universelle of 1900. The first and third of these are collaborations between Art Nouveau designer Eugène Grasset and jeweller brothers Henri & Paul Vever. The butterfly woman is Henri Vever’s own creation.
Well-known jewellers since the 1870s, Henri and Paul Vever broke new ground at the Universal Exhibition of 1900 when they presented a new line of “artistic” jewellery alongside more traditional pieces. They asked the decorator Eugène Grasset to design the new pieces. Grasset, who was the author of the famous vignette on Larousse dictionaries: “Je sème à tous vents”, had trained as a sculptor, designed furniture, posters, stained-glass windows and ceramics and made a name as an illustrator. (More.)
Sylvia.
Apparitions.
Previously on { feuilleton }
• Exposition Universelle catalogue
• Jewelled butterflies and cephalopods
• Exposition Universelle publications
• Exposition cornucopia
• Return to the Exposition Universelle
• The Palais Lumineux
• Louis Bonnier’s exposition dreams
• Exposition Universelle, 1900
• The art of Philippe Wolfers, 1858–1929
• The Palais du Trocadéro
• Lalique’s dragonflies
• Lucien Gaillard
Striking black-and-pink art for Diesel Japan’s Cadavres Exquis exhibition by French artist Jules Julien. His site includes other work for exhibitions and magazine features as well as a downloadable portfolio. Via Behance.
“He was a Brothers Grimm of fashion, enchanting and captivating the audience with the most incredibly beautiful clothes, only to make their stomachs lurch with the underlying menace that shot through his work. Because every show contained outfits designed to thrill, shock – and catch the eye of picture editors – many people never realised that much of McQueen’s work was, quite simply, heart-stoppingly gorgeous: exquisite tailoring, beautifully sculpted dresses and glorious print.”
Jess Cartner-Morley. (More.)
Butterfly-print dresses (how fitting for Darwin Day), Giger-style shoe designs, skull key chains… Yes, Alexander McQueen was something special.
Guardian obituary | Independent obituary
Yesterday’s search for Betty Blythe pictures turned up this pair which I couldn’t resist posting, with Ms. Blythe posed against a peacock in the first and wearing a peacock-styled outfit in the second. As I’ve noted before, silent films are very often like Symbolist paintings come to life, and The Queen of Sheba (1921) would appear to be another of these which makes its loss all the more disappointing. The photo below is from a Flickr set whose user has her own Tumblr blog of silent movie stars.
Previously on { feuilleton }
• The Mask of Fu Manchu
• Salomé posters
• Ruth St Denis
• The Feminine Sphinx
• Lussuria, Invidia, Superbia
• Alla Nazimova’s Salomé