The Hourglass Sanatorium by Wojciech Has

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The original Polish poster by the incredible Franciszek Starowieyski.

The shrinking pool of films still unavailable on DVD contracted by at least one title recently with the surprise appearance in the UK of The Hourglass Sanatorium (Sanatorium pod klepsydra; 1973) from the distinctively-named Mr Bongo Films. I’ve been waiting to see this for at least twenty years so being able to walk into Fopp and buy a copy for a mere £12 strikes me as one of those small but rarely acknowledged miracles of contemporary existence.

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Director Wojciech Has is  better known for his long and weird 1965 adaptation of the equally long and weird Saragossa Manuscript, a rambling semi-fantastical novel by Jan Potocki from around 1805. David Lynch described Saragossa as “Simultaneously horrific, erotic and funny…this is one mother of a film,” and the same description could be applied to The Hourglass Sanatorium, as far as I’m aware the only other excursion Has made into full-on strangeness. If anything, Sanatorium outdoes the earlier film on just about every level. Readers familiar with the writings of Bruno Schulz will already have recognised the title as being a truncated variant of Sanatorium Under the Sign of the Hourglass, the second and final collection of Schulz’s unique and very strange stories.

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The art of Ryan Martin

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To Live and Die in LA.

I really like Ryan Martin’s beautiful paintings of fey youths in vibrant, vaguely surreal scenarios. Those familiar with the work of Leonardo da Vinci may recognise Please, Please, Please Let Me Get What I Want as being based on The Lady with an Ermine (1490). There isn’t a great deal of Martin’s work around since he’s only just starting out but you can see more of it at Mark Wolfe Contemporary Art.

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Please, Please, Please Let Me Get What I Want.

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Cupid de Locke.

Finch

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A new book cover design which I’m posting slightly ahead of time—it still needs a suitable blurb adding—since Jeff VanderMeer was eager to show it to his readers. You can see it bigger size here.

Finch is the third book in Jeff’s cycle of unique fantasy novels and stories about the city of Ambergris. This book shifts emphasis from the previous ones with a tone borrowed from crime/thriller fiction (but still set in the fungus- and squid-infested city) hence the gun outline and blood spatters. I keep being drawn back to Ambergris, having provided designs for the first volume, City of Saints and Madmen, and recently designed a new edition of Shriek: An Afterword.

Publisher: Underland Press, October 31, 2009, trade paper

Description: A noir thriller/visionary fantasy set in the failed state of Ambergris, 100 years after Shriek: An Afterword. The gray caps, mysterious underground inhabitants, have re-conquered Ambergris and put the city under martial law, disbanding House Hoegbotton, and controlling the human inhabitants with strange addictive drugs, internment in camps, and random acts of terror. The rebel resistance is scattered, and the gray caps are using human labor to build two strange towers. Against this backdrop, John Finch, who lives alone with a cat and a lizard, must solve an impossible double murder for his gray cap masters while trying to make contact with the rebels.

Nothing is as it seems as Finch and his disintegrating partner Wyte negotiate their way through a landscape of spies, rebels, and deception. Trapped by his job and the city, Finch is about to come face to face with a series of mysteries that will change him and Ambergris forever.

The cat and the lizard watch intently. Something is about to happen. And they both want to know: who is Finch, really?

Previously on { feuilleton }
Steampunk Horror Shortcuts
A cover for Mr. VanderMeer
Pasticheur’s Addiction
Fungal observations
Shriek: The Movie
Jeff on Bldgblog
An announcement redux
City of Saints and Madmen