{design} – Page 307 – { feuilleton }

Cormac McCarthy book covers

Still in pursuit of a Cormac McCarthy obsession I picked up a copy of the (American) Vintage International paperback of Blood Meridian this week, almost solely for the cover. As it turns out it’s also an easier book to read than the UK edition, less tightly bound although the body text in both looks as though it was printed from photocopied galley proofs. The cover design is by Susan Mitchell, with photography by Craig Arness, and forms part of a small series among the Vintage reprint editions. Mitchell resists the understandable temptation to put red on the cover, saving that for McCarthy’s tale of a murderer, Child of God.

Continue reading “Cormac McCarthy book covers”

Crossed destinies: when the Quays met Calvino

The Castle of Crossed Destinies (1986).

The Brothers Quay are known mainly for their incredible animated films but in the 1980s they were also working as book illustrators and stage designers. Today’s secondhand find was one of their paperback designs for Italo Calvino, part of a series they produced for Picador when the books were reprinted after his death. This is the first time I’ve seen this edition of The Castle of Crossed Destinies, it seems to be more common in an earlier version showing some of the Tarot cards that appear inside the book and which inspire its tales.

Information about this aspect of the Quays’ work is virtually non-existent so I’ve yet to discover how many covers they did in this series. Or, indeed, whether their later Abacus cover (below) was a reprint of the early designs or a new one altogether. Picador had a great run of covers in the 1980s, some of which can be better than the books they decorate. But more often than not they hit on a great design and a great book, as with these pairings.

left: Our Ancestors (1986); right: Cosmicomics (1987).

Elsewhere on { feuilleton }
• The book covers archive
• The Quay Brothers archive

Previously on { feuilleton }
• Tressants: the Calvino Hotel

Monocle

Monocle is Tyler Brûlé’s international news magazine which launches today, although it wasn’t available in Sainsbury’s or at the mundane newsagents of South Manchester. Maybe they’re only stocking it at the airport.

I like the cover layout. Black is a surprising choice and the decision to feature a cover photo uncluttered by stray type and a barcode is very welcome. The design is carried over to the equally elegant website whose creation was overseen by Dan Hill of City of Sound.

Previously on { feuilleton }
• 100 Years of Magazine Covers

Currency secrets

A 250 guilder note.

Robert Deodaat Emile Oxenaar, aka “Ootje”, was responsible for the design of the Netherlands’ guilders before they were swept aside by Euro blandness in 2002. In an interview with Creative Review he describes how he managed to hide secret references and little jokes in the designs, successfully evading the magnifying-glass scrutiny of the nation’s banking officials. Great designs they are as well, the audacity of a lighthouse on its side would never pass the watchdogs at the Royal Mint if someone tried that here.

Via Design Observer.

Perfume: the art of scent

I’ve yet to see Tom Tykwer’s film of Patrick Süskind’s novel, Perfume—The Story of a Murderer, and remain reluctant to do so; it’s a rule in cinema that good books make bad films and vice versa. Perfume is a good book and a favourite of mine which makes the prospect of film adaptation even more worrying. (As an aside, Tykwer dispels the persistent rumour that Stanley Kubrick dismissed Perfume as an unfilmable novel.)

Reservations apart, I’ve been listening to the tremendous soundtrack all week after a recommendation from a friend (hi Philip!). The music is credited to Reinhold Heil, Johnny Klimek and the director, and features the near unprecedented involvement of conductor Simon Rattle and the Berlin Philharmonic, an orchestra that rarely stoops to the level of the film soundtrack. This prompted speculation about the distinct challenge Süskind’s book presents to a designer: how best to represent the entwined strands of Grenouille’s career as a perfumier and a murderer of young women?

Continue reading “Perfume: the art of scent”