Rossetti and His Circle by Max Beerbohm

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Rossetti’s name is heard in America (Oscar Wilde).

The Happy Hypocrite was Max Beerbohm’s words illustrated by George Sheringham; here we have Beerbohm’s caricatures from a 1922 collection depicting notable figures among the Aesthetes and Pre-Raphaelites from the 1860s on. Beerbohm wasn’t born until 1872 so there’s something of a younger generation’s mockery in these drawings. That said, he was just as happy to mock his London friends of the 1890s, Oscar Wilde included, and often poked fun at himself in his cartoons and his writings.

Some of the pictures in Rossetti and His Circle are familiar from books about the period, the Wilde picture in particular is often reprinted. You don’t always see them in colour, however, so once again the scans at the Internet Archive give us a fuller view provided you ignore the security perforations on each print.

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Blue China (JM Whistler and Thomas Carlyle).

A drawing which complements Wilde’s description of Whistler as a “miniature Mephistopheles”. Beerbohm was more succinct in one of his verbal portraits: “Tiny”.

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Algernon Swinburne taking his great new friend Gosse to see Gabriel Rossetti.

Swinburne, it seems, was another diminutive figure.

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The sole remark likely to have been made by Benjamin Jowett about the mural paintings at the Oxford Union: “And what were they going to do with the Grail when they found it, Mr. Rossetti?”

Previously on { feuilleton }
The Happy Hypocrite by Max Beerbohm

Weekend links 64

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The Sixteenth of September (1956) by René Magritte.

To Magritte admirers, The Sixteenth of September is a deceptively realistic work painted in 1956, one of a series in which the artist plays tricks with light and time of day. It shows a crescent moon impossibly shining through the dark mass of a tree, against a dawn sky.

To [Marc] Bolan fans, the painting has an entirely different significance: 16 September 1977 was the date the singer was returning home in the small hours from a night out, in a Mini driven by his girlfriend Gloria Jones. […] Fans say the tree in the painting closely resembles the sycamore the car crashed into, and the moon was at the same phase on 16 September 1977. (more)

• New Yorkers finally got a successful vote for gay marriage making New York state the sixth and largest in the US giving full marriage rights to its gay citizens. One of America’s conservative journals, National Review, made the striking point that forty years ago New York was in the vanguard of gay liberation while Spain under Franco was a dictatorship with no gay rights at all. No one then would have bet on Spain beating New York to gay marriage rights as it did in 2005. Allow me to note that we still only have civil unions here in the UK.

• Related: Queer Beacon: LGBT spaces in New York City by Kian Goh, and at Scientific American: The Intelligent Homosexual’s Guide to Natural Selection and Evolution, with a Key to Many Complicating Factors by Jeremy Yoder.

• A pair of intrepid photographers breach the midnight security at St Paul’s Cathedral to bring back photos of the building rooftop. Related (and looking like a good location for a British equivalent of Stalker), photos of the disused Thorpe Marsh Power Station, Yorkshire.

• Mixtape of the month: the ATP I’ll Be Your Mirror collection by Portishead, a great blend of rock, rap and electronic odds-and-ends. Also a dash of Alan Moore & Stephen O’Malley.

Eddie Campbell is blogging again. Welcome back to the madhouse, Eddie. His smart and witty daughter, Hayley Campbell, continues to file regular bulletins from her London bunker.

• Your Tumblrs this week: Fuck Yeah Ken Russell and Fuck Yeah Powell & Pressburger.

Robot Flâneur: Exploring Google Street View.

Paris Visages by Marco Gervasio.

• “Push the button, Max!

Written On The Forehead (2011) by PJ Harvey.

Friedrich and Schinkel

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Abbey among Oak Trees (1809 or 1810) by Caspar David Friedrich.

More from the Google Art Project. In these views we get to see some of the subtleties in the work of Caspar David Friedrich (1774–1840), a master at rendering fine gradations of light and shade. The paintings are from the Alte Nationalgalerie, Berlin, and Google’s photographs look far better than any book reproductions I’ve seen (assuming you have a decent monitor).

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Moonrise over the Sea (1822) by Caspar David Friedrich.

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Solitary Tree (1822) by Caspar David Friedrich.

Continue reading “Friedrich and Schinkel”

Morlocks, airships and curious cabinets

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Things I was working on late last year continue to percolate or, if you prefer, build a head of steam. My cover for KW Jeter’s Morlock Night appears in a short piece by Rick Poynor in July’s Creative Review. That feature is prompted by the British Library’s Out of the World exhibition. Nice to see something of mine with Hannes Bok’s illustration for Who Goes There? by John W Campbell, the story which was filmed as The Thing from Another World, and later, John Carpenter’s The Thing.

Morlock Night is also one of my contributions to the lavish Steampunk Bible which editors SJ Chambers and Jeff VanderMeer have been promoting for the past couple of months. USA Today ran a feature on the book which included my piscine airship among the selected illustrations.

Next up will be the Thackery T Lambshead Cabinet of Curiosities for which I’ve provided a number of illustrations and decorative title pages. Jeff V has a preview shot of the cover. That will be out next month. More later.

Previously on { feuilleton }
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
Vickers Airship Catalogue
The Air Ship
Dirigibles
More Steampunk and the Crawling Chaos
The art of François Schuiten
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts
The Airship Destroyer
Zeppelin vs. Pterodactyls
The Hetzel editions of Jules Verne

The Happy Hypocrite by Max Beerbohm

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The spirit of the 1890s persists in this 1915 edition of a story the splendid Max wrote originally for The Yellow Book in 1896. Originally subtitled “A Fairy Tale for Tired Men”, The Happy Hypocrite is a typically light-hearted affair concerning the misadventures of one Lord George Hell. The setting is the Regency era so beloved of many of the London Decadents, Aubrey Beardsley included, and the rather fine illustrations are by George Sheringham whose style was distinctive enough to avoid any Beardsley pastiche. The copy preserved at the Internet Archive includes a number of full-colour plates but time and the vicissitudes of reproduction haven’t done them any favours, hence the concentration here on the monochrome drawings.

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Continue reading “The Happy Hypocrite by Max Beerbohm”