Wildeana 14

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BookBench by Trevor Skempton.

Continuing an occasional series. Recent (and not-so-recent) Wildean links.

• The BookBench above is one of several pieces of street furniture placed around London last autumn all of which were based on literary works past and present. Trevor Skempton’s design for Oscar Wilde was based on The Importance of Being Earnest which wouldn’t have been my choice (Dorian Gray, please). See the rest of the designs here.

• “Rare Play About Oscar Wilde Will Return to NYC“: John Gay’s solo play Diversions & Delights will get its first professional New York staging since Vincent Price performed it on Broadway in 1978.

Chapter Three, “Strike a Pose,” concerns Wilde’s visit to the New York studio of the celebrated portrait photographer Napoleon Sarony, where he posed for twenty-seven portraits. The now-familiar images from this session would be used not only for publicity, but also on trade cards advertising “products ranging from cigars to kitchen stoves.” An image of Wilde even wound up promoting “Mme Marie Fontaine’s Bosom Beautifier for Beautifying & Enlarging The Bust.’”

Jennie Rathbun reviews Wilde in America: Oscar Wilde and the Invention of Modern Celebrity by David M. Friedman

• “Letters unravel mystery of the death of Oscar Wilde’s wife: Grandson of Irish dramatist has unearthed medical evidence in private family letters which points to likely cause of death”.

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Mme Marie Fontaine’s Bosom Beautifier for Beautifying & Enlarging The Bust. Trade card, 1882.

Books from Oscar Wilde’s library discovered in the National Library of the Netherlands.

Wilde-inspired: a list of recommended film viewing.

Elsewhere on { feuilleton }
The Oscar Wilde archive

Weekend links 243

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Genesia (2011) by Bette Burgoyne.

• “…so I started buying these old gay porn novels, just for the covers and kept on collecting them.” Maitland McDonagh on the underexamined world of gay pulp. McDonagh’s 120 Days Books is reprinting some of these scarce titles. More gay erotica: Plans are afoot to republish Des Grieux, the rare prequel to Teleny or The Reverse of the Medal (1893), a novel often attributed (without much evidence) to Oscar Wilde.

Merricat is the name under which the Turrell Brothers, John & Tom, produce their atmospheric “nacht music”. Albums with titles such as Oneiros, Widdershins and Zerkalo give an idea of the spheres of interest. They also make short films, clips from which may be seen here.

• “Fascists don’t like satire. They don’t like it at all. And they especially don’t enjoy visual satire. Because of its unique power to communicate.” Ralph Steadman talking to Robert Chalmers about recent events.

There is an unexamined commonplace now floating around the social media, which has it that satire derogates its proper function when it stops targeting the powerful, and targets the relatively powerless instead. Theodor Adorno has also been cited here and there with his remarks on satire in the Minima Moralia of 1951, but few have noticed that the account he offers there stands in direct contradiction to the current received wisdom. For Adorno, satire is in its essence wistful and traditionalist. It looks back to something that has been lost, and dismisses the straight-facedness of everyone who attempts, against all evidence, to maintain the illusion that there is anything respect-worthy about the present state of things. It targets not just elected officials, but the yokels who elected them; not just the honcho who runs the saloon, but the sucker who hands over his last possessions at the poker table. There is a need for this: the yokels and the suckers need it most of all. There is redemption in it, and I confess to harboring whatever amount of traditionalism it takes to appreciate this redemptive quality.

Paris, 2015: a lengthy meditation by Justin EH Smith on the responses of left and right to the Charlie Hebdo killings

• “When the surface of the world is so overloaded with competing narratives…there is an understandable impulse to go underground.” Iain Sinclair on the excavation of London.

• More German music: Sinai Desert (1981) and Kailash, Pilgerfahrt Zum Thron Der Götter (no date), two films with music by Popol Vuh.

Kim Fowley: Sins & Secrets of the Silver Sixties. UglyThings Magazine makes available its definitive Fowley interview from 2001.

• More electronica and mix of the week: the FACT guide to the Yellow Magic Orchestra and associates.

• Vegetable-snake Undersea Beings: Allen Ginsberg writes to the Paris Review about LSD in 1966.

• The Edge Question for 2015: What do you think about machines that think?

Life of Cats: Selections from the Hiraki Ukiyo-e Collection.

Lake Baikal frozen over

Serial Killer Barbie

NGC 891 (1974) by Edgar Froese | Overture (1974) by Tangerine Dream | PA 701 (1976) by Edgar Froese

Kay Nielsen’s Grimm Fairy Tales

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Illustrated editions of the Grimm Brothers’ fairy tales are so numerous it’s easy to overlook the better examples. Kay Nielsen’s edition isn’t only better than most, it’s an outstanding example of his meticulous approach to story illustration. Hansel and Gretel and Other Stories was published in 1925, and the beautiful colour plates really need to be seen at a larger size. You can view the rest of the book here or download it here.

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Continue reading “Kay Nielsen’s Grimm Fairy Tales”

The art of Theodor Kittelsen, 1857–1914

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The Water Spirit (1904).

Theodor Kittelsen is, we’re told, one of Norway’s most popular artists and illustrators. This would explain why so much of his work has appeared on the covers of albums by Norwegian metal bands although it also helps that one of the books he illustrated is entitled Svartedauen (The Black Death). The picture below, one of several portraits of trolls and mythological creatures, appeared on the sleeve of Long Island, the most recent album by US band Endless Boogie. Discogs has a list of Kittelsen’s other album cover appearances which also include classical releases. This site has more of the artist’s paintings and illustrations. (Via Wood s Lot).

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Forest Troll (1906).

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Fishing Water Spirit (1912).

Continue reading “The art of Theodor Kittelsen, 1857–1914”

Weekend links 242

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Ghost in the Machine (2012) by Hope Kroll.

Nothing Here Now But The Recordings, an album of William Burroughs’ personal tapes originally released by Industrial Records is reissued on vinyl this month. Andrew Spragg reviews it here. Burroughs’ readings fill several collections but this one was the first I owned, and it’s always been a favourite. The album features recordings of early texts such as The Last Words of Hassan I Sabbah, as well as cut-up tape experiments which fuelled some of the chapters in the Nova Trilogy.

• The Melancholy of Perversion: a study of Caitlín R. Kiernan’s Metamorphosis A by Scott Dwyer. More weird fiction: “Written with real psychological depth, these enigmatic tales rise far beyond straightforward ghost stories.” Chris Power on Robert Aickman.

• At Dangerous Minds: Gay Semiotics, a taxonomy of San Francisco life in the 1970s. Related: The case of One, a gay magazine from Los Angeles prosecuted for obscenity in 1958.

Poe’s mind was by no means commonplace. In the last year of his life he wrote a prose poem, Eureka, which would have established this fact beyond doubt—if it had not been so full of intuitive insight that neither his contemporaries nor subsequent generations, at least until the late twentieth century, could make any sense of it. Its very brilliance made it an object of ridicule, an instance of affectation and delusion, and so it is regarded to this day among readers and critics who are not at all abreast of contemporary physics. Eureka describes the origins of the universe in a single particle, from which “radiated” the atoms of which all matter is made. Minute dissimilarities of size and distribution among these atoms meant that the effects of gravity caused them to accumulate as matter, forming the physical universe.

Marilynne Robinson on Edgar Allan Poe

Vanished City: London’s Lost Neighbourhoods, a book by Tom Bolton with photographs by SF Said.

• Mix of the week: Secret Thirteen Mix 143, a selection of soundtrack music by Las CasiCasiotone.

• “I am in Brussels, numbering the Bruegels.” Toby Ferris conducts a Brueg[h]el Census.

Mothmeister “taxidermy collector & curiosity cabinet”.

Ben Zurawski collects and makes flip books.

Akira Kurosawa’s 100 favourite films

The Trip (1965) by Kim Fowley | The Trip (1966) by Donovan | The Trip (1967) by Park Avenue Playground