Abelardo Morell’s camera obscura

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Upright Camera Obscura Image of the Piazzeta San Marco
Looking Southeast in Office (2007).

Two of Abelardo Morell‘s photographs of Venetian rooms turned into camera obscuras. These look like slide projections but were made by covering the windows with black paper, leaving a pinhole which creates the view on the opposite wall. This always results in an upside down image unless corrected by an intervening lens.

Some of the photos in this series are on exhibition at the University of New England Art Gallery until January 27th, 2008.

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Camera Obscura Image of Santa Maria della Salute
with Scaffolding in Palazzo Bedroom (2007).

Previously on { feuilleton }
Vedute di Roma
Abelardo Morell

The art of Michael Goro

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Voyage de Nuit (etching/engraving; no date).

Michael Goro’s etchings and engravings are rich with the kind of gritty urban verisimilitude I love. His site has several more examples and there’s a good interview with the artist here.

Michael Goro, a prominent intaglio printmaker, has lived and worked in Russia, Europe, Israel, and the U.S. His work has received a number of prestigious international awards including Special Prize at the 1998 International Print Triennial in Kanagawa, Japan and Excellent Prize at the 2006 14th Seoul Space International Print Biennial at the Seoul Museum of Art (Korea). He describes his art as a “continuous creative search for raw authenticity in urban environments and human forms that are constantly changing.” Utilizing the full spectrum of printmaking techniques, ranging from Renaissance engraving to digital photogravure, he shares his unique personal experiences through imaginative imagery.

Thanks to PK for the tip!

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Reflections (etching; no date).

Previously on { feuilleton }
The etching and engraving archive

New things for October

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“Mirage in time—image of long-vanish’d pre-human city.”

A couple pieces of news to catch up with here, both Lovecraft-related which is very apt for the month of Halloween. The first is the work I gave a teaser view of in August, a commission for Maison d’Ailleurs, the Museum of Science Fiction, Utopia and Extraordinary Journeys in Yverdon-Les-Bains, Switzerland. The brief for An Exhibition of Unspeakable Things: Lovecraft’s Commonplace Book was to choose an entry from HP Lovecraft’s Commonplace Book, his source of story ideas. The entry I chose implies some of the alien architecture which is a feature of At the Mountains of Madness although I’ll admit that the final result is debatable as architecture.

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