Weekend links 121

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Title spread for The Thackery T. Lambshead Cabinet of Curiosities (2011) edited by Ann & Jeff VanderMeer.

I was surprised this week to find myself nominated as Best Artist in the World Fantasy Awards. The results will be announced at the World Fantasy Convention in November. Among the books nominated for Best Anthology is the Thackery T. Lambshead Cabinet of Curiosities for which I provided title page designs and some illustrations. Editors Ann & Jeff are well-represented (and ought to win for their landmark The Weird anthology), and I’m pleased to see Mark Valentine receive a nod for his excellent Wormwood magazine. Mark and Roger Dobson published my first Lovecraft adaptation, The Haunter of the Dark, in a large-format edition under their Caermaen imprint in 1988.

I remember having a conversation with my father about it. I told him what I’d really have liked to find, in my exhaustive search of the canon, was a gay superhero. You know: fucking dudes, saving the world. Never mind the fact that superheroes, with their notoriously contour-hugging apparel, are usually assumed gay by default. I wanted something that had existed, something from history. My father considered my criteria.

“I think what you want is Gore Vidal.”

Henry Giardina on Gore Vidal’s Bully Republic at the Paris Review.

• Appreciations and memorials for the late Gore Vidal continue to surface: “He was punk rock with a traditional, smooth exterior. But there was nothing traditional about him, not really. He defied singular category,” says Aaron Tilford at Lambda Literary. “Jokes course through Vidal’s entropy-heavy commentaries like a warm, reviving current. They, more than the barbs to which they form a counterpoint, are what make his essays a continuing pleasure to read,” says “J.C.” at the TLS.

• “Winterson’s opposition to strict realism is less an artistic critique than a cultural one. She uses the term ‘realism’ to describe an entrenched way of viewing the world, which it is the writer’s duty to challenge.” Hannah Tennant-Moore on Jeanette Winterson at n+1.

The Ghosts of Bush by Robin The Fog: “A final hauntological perambulation around the hidden corners of Bush House, Aldwych, London, June 2012”.

• “For everything that is not shown, the filmmaker counts on the power of imagination of his viewers.” Lebbeus Woods on Chris Marker and La Jetée.

Joseph Burnett on “Rainbow Ambiguity: Defying conservatism in mainstream LGBT culture”.

• Leigh Brackett book and magazine covers at Golden Age Comic Book Stories.

BLDGBLOG visited the Whitechapel Bell Foundry in London.

Stilled Life: A collection of photography by Thom Ayres.

• Underground subversion: Stickers on the Central Line.

Andrei Codrescu on five favourite Fantastical Tales.

Vangelis performs an analogue synth freakout for Spanish TV in 1982 | Oro Opus Alter, a track from the forthcoming album by Ufomammut | New World, a track from the forthcoming album by The Irrepressibles. Can’t wait.

The art of Ismael Álvarez

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Sangre Virgen.

Yeah, trust me to pick the gore-drenched teen out of a gallery of otherwise wholesome drawings… Ismael Álvarez is a Spanish artist with a nice clean line, a sense of humour and an imagination that can encompass comic imagery like the pictures below or run to full-on erotica. Of the latter there’s a separate gallery replete with the Enormous Cocks that now seem de rigueur for a certain kind of gay art in the same way that Enormous Breasts are a feature of much straight erotica. I’m not complaining—heaven forbid!—merely acknowledging a trend. In addition to his art, Señor Alvarez also maintains a blog and creates his own YouTube broadcasts, all of which are of course in Spanish.

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My boy is a monster (cock).

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Oh My Cock.

Elsewhere on { feuilleton }
The gay artists archive

Hysterical Literature

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Male sexuality receives more than enough attention on these pages so here’s something from the opposite end of the spectrum, albeit with an unusual twist. Hysterical Literature: Session One is a seven-minute video by photographer Clayton Cubitt which shows just how enthralling a film can be when its content is nothing more remarkable than an attractive young woman sitting at a table reading from a book. The subject is Stoya, self-described on her Tumblr pages as “International Porn Superstar”; the book she chose to read is Necrophilia Variations (2005) by Supervert, “a literary monograph on the erotic attraction to corpses and death”. (I designed one of Supervert’s more recent titles, Horror Panegyric (2007), which was published by Savoy Books under the author’s more mundane byline, Keith Seward.)

What gives Cubitt’s film its frisson is that all the time the splendid Ms Stoya is reading from the book she’s being subjected to the attentions of an unseen Hitachi vibrator. This only becomes evident at about the halfway point but it creates considerable tension. If an occasional buzzing noise didn’t give the game away a viewer unaware of this single explanatory detail might believe that the prose Stoya is reading is having a powerful effect. The result is sexy, funny, riveting, delightful and maybe even a little cathartic. Watch it here. Stoya describes the experience here while Supervert offers his own thoughts here. You can also buy copies of Supervert’s books while you’re at his site although if you do you’ll have to supply your own vibrator.

Mars panoramas

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Greeley Haven“, Mars (2012).

This is the latest panorama released by NASA July 2012. It was assembled from 817 images taken between Dec. 21, 2011, and May 8, 2012, while Opportunity was stationed on an outcrop informally named “Greeley Haven”, on a segment of the rim of ancient Endeavour Crater.

Probably the only time panoramas from another planet will be featured here, these have been around for a while but they’ve only impinged on the wider internet consciousness this week thanks to the arrival on Mars of the Curiosity Rover. Particularly impressive if you’re fortunate enough to have a large monitor. I’m looking forward now to seeing what panoramic images NASA’s new explorer delivers.

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Eagle Crater, Mars (2004).

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Larry’s Lookout“, Mars (2005).

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Independence“, Mars (2005).

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Everest“, Mars (2005).

Elsewhere on { feuilleton }
The panoramas archive

Previously on { feuilleton }
A Trip to Mars
Signals from Mars

Robert Hughes, 1938–2012

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Read this book. Revised edition, 1991, no designer credited.

“Robert Hughes”: those were the first words I wrote in the first post for this blog, six years ago, referencing a piece Hughes had written about Rembrandt for the Guardian that week. Re-reading his polemic Culture of Complaint: The Fraying of America earlier this year I was feeling guilty about not having read more of his books; in slight mitigation I did watch every appearance of his on British television following The Shock of the New, and still have his American Visions series imprisoned on VHS in a box somewhere, along with The Fatal Shore, The New Shock of the New, some one-off things he did about Barcelona and Goya, and Visions of Space, a series of three films about European architects: Albert Speer, Mies van der Rohe, and Antonio Gaudi. Thanks to YouTube many of these exceptional documentaries can be given a fresh viewing; follow the links. Hughes used to write for the Guardian regularly so it’s no surprise they’ve filled several pages with memorials:

Obituary by Michael McNay
“Robert Hughes was Australia’s Dante,” says his friend Peter Carey
Robert Hughes on art
Robert Hughes quotes: 20 of the best

Elsewhere:
NYT obituary by Randy Kennedy
“Robert Hughes: The art critic with a dash of the streetfighter”: Judith Flanders at the Telegraph
At Open Culture: Remembering Robert Hughes, the Art Critic Who Took No Prisoners