Gilliam’s shaver and Bovril by electrocution

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Pears Soap ad, Illustrated London News, March 16, 1895.

I’ve been working feverishly this week to complete page designs for The Thackery T. Lambshead Cabinet of Curiosities which will be published next year by HarperCollins. This is a sequel of sorts to 2003’s Thackery T. Lambshead Pocket Guide to Eccentric and Discredited Diseases to which I was also a contributor and designer. Ann and Jeff VanderMeer are editing the new collection, and Jeff has posted a couple of teaser introductions to the contents here and here. Gabriel in yesterday’s comments mentioned Terry Gilliam’s animations for the Monty Python TV series, something I was reminded of today while leafing through a 1968 collection of old advertising graphics looking for suitable pictures. Victorian Advertisements was compiled by Leonard de Vries and Ilonka van Amstel, and its Pears Soap ad (above) is obviously the source of Gilliam’s animation (below) showing a man lathering his face then beheading himself with a straight razor, a gag which features in both the TV series and the first Monty Python feature film And Now For Something Completely Different.

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And Now For Something Completely Different (1971).

It’s easy to see what would have attracted Gilliam to the De Vries book when it’s filled with bizarre or grotesque ads like the Bovril one below; someone evidently decided that the meaty drink ought to be promoted via the novelty of electricity.

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Bovril ad from The Graphic, Christmas number, 1891.

De Vries features many ads for electrical products, not all of them genuine or even likely:

Pseudo-science began to play the part it still plays in therapeutic advertising. Electric light was, by the end of the century, being installed in theatres and restaurants and in some private houses. To what other uses could the magnetic fluid be put? Electricity was the new magic and all kinds of quarters began to exploit its possibilities—and impossibilities. The Medical Battery Company Limited, of Oxford Street, assured the public that its Electropathic Belt had “restored thousands of sufferers to health and vigour”, and had “proved an inestimable blessing to the weak and languid”. It was particularly recommended for “weak men suffering from the effect of youthful errors”. Did the weak men in question wear the contraption in bed? Women also could benefit by it, and one is a little surprised to find this and other remedies for “female irregularities” so frankly discussed. An Electric Corset was the “Very Thing” for ladies. One can only wonder how the batteries if there were any operated. And what could possibly be meant by an “electric” towel, and how could failing sight be cured by an “eye battery”?

There’s also an Electric Hair Brush which gives “hope for the bald” without explaining how it differs from an ordinary brush. Several of the pieces in the new Lambshead volume will be exploring similarly eccentric territory. Watch this space for further details.

Previously on { feuilleton }
Portuguese Diseases
Pasticheur’s Addiction
Short films by Walerian Borowczyk

The art of Alia Penner

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Kenneth Anger poster (2009).

Alia Penner, like Arik Roper, is another talented member of the omniversal Arthur posse as well as being an illustrator, designer and photographer in her own right. Her title designs opened the Missoni promotional film which Kenneth Anger directed earlier this year, and her work on paper follows a distinctly psychedelic path. The new piece below reminds me a little of Wilfried Sätty’s colour collages with its spots and eggs and butterflies. There’s more gorgeous work to be seen here.

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Somewhere (2010).

Previously on { feuilleton }
Arik Roper relaunched
Wilfried Sätty: Artist of the occult
Missoni by Kenneth Anger

Darq Dreamz

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Fey Saturn.

Arriving as a welcome palliative for the sudden seasonal gloom, Mikel Marton’s autumn photo series is an exploration of homoerotic paganism and occult tableaux he calls Darq Dreamz. “Photography is the medium that allows me to be a medium,” he says. “Some of the photos added to the collection are from a series about a dying breed of incestuous modern witch boys forced to practice their rituals in an over populated decaying city, devoid of nature and solitude.” The witch boys and contrary spirits await you here.

Elsewhere on { feuilleton }
The gay artists archive

Previously on { feuilleton }
The art of Hector de Gregorio
Richard de Chazal’s Zodiac
The Major Arcana by Jak Flash
Ode to the Classics
In the Shadow of the Sun by Derek Jarman
Mikel Marton
Tiger Lily
Toxicboy

Weekend links 36

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Mervyn Peake’s Caterpillar from Alice’s Adventures in Wonderland finds itself used to promote High Society, an exhibition at the Wellcome Collection devoted to the long history of human drug-taking. There’s more about the exhibition here and also an accompanying book by Mike Jay from Thames & Hudson. Related: The Most Dangerous Drug:

A group of British drug experts gathered by the Independent Scientific Committee on Drugs (ISCD) rated alcohol higher than most or all of the other drugs for health damage, mortality, impairment of mental functioning, accidental injury, economic cost, loss of relationships, and negative impact on community.

• Unless the magazine Man, Myth & Magic was advertised on TV in 1970 (and I suspect it would have been) Austin Osman Spare’s work has never been seen on British television, certainly not in any detail or with a credit to the artist. This week the BBC finally paid him some attention with a brief spot on The Culture Show as a result of the Fallen Visionary exhibition which is still running (until November 14) in London. Alan Moore, Fulgur‘s Robert Ansell and others attempt to summarise Spare’s career in seven minutes.

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Neil Fujita designs: Mingus Ah Um (1959) and The Godfather (1969).

• RIP graphic designer Neil Fujita. Related:

“By taking the “G” and extending it to the “D,” I created a house for “God.” The way the word was designed was part of the logo and so was the type design. So when Paramount Pictures does a film version or Random House, which bought out the book from Putnam, does another Godfather book, I still get a design credit. In fact, before the first Godfather film opened in New York I saw a huge billboard going up in Times Square with my design on it. I actually got them to stop work on it until we were able to come to an agreement.” Waxing Chromatic: An Interview with S. Neil Fujita

French SF illustration. Related: Where did science fiction come from? A primer on the pulps, a feature by Jess Nevins with some of the craziest covers you’ll see this month.

• Gay-bashers in 1970s San Francisco had to beware the wrath of the Lavender Panthers.

• More Marian Bantjes as she discusses her work in an audio interview.

Music from Saharan cellphones.

Origami Beauty Shots.

Krautrock.com

Better Git It In Your Soul (1959) by Charles Mingus.

Arik Roper relaunched

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Cover art for Howlin Rain by Howlin Rain (2006).

Artist Arik Roper was in touch this week with news that his website—showcasing album cover art, book illustration and graphic designs—has been relaunched. A world of psychotropic fungi and luscious ink-stained visions awaits you here.

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Cover art for Magnificent Fiend by Howlin Rain (2008).

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
The art of Arik Roper