April 2010 – Page 3 – { feuilleton }

Repin and Ljuba

Sadko in the Underwater Kingdom (1876).

This painting by Russian artist Ilya Yefimovich Repin (1844–1930) is included in one of my Symbolist art books despite its pre-dating the Symbolist period and there being little else in the artist’s career which might suit the label. It’s a curious picture, however, illustrating a medieval folk tale and depicting the moment when the Sadko of the title is forced by the Sea Tsar to choose a wife from a line of aquatic maidens. It was art historian Philippe Jullian who had me returning to Repin, and the reminder gives me an excuse to post something by Serbian Surrealist Ljuba (aka Ljuba Popovic) whose colours, fauna and metamorphic female figures are a match for Repin’s sirens. Last time I looked for Ljuba pictures there were few available, a situation which has now been remedied by blogs such as this one.

Lot and Lotus (1972).

Previously on { feuilleton }
• The art of Ivan Bilibin, 1876–1942
• Magic carpet ride
• Short films by Walerian Borowczyk
• The art of Ljuba Popovic

Exposition Universelle films

The Exposition entrance at the Place de la Concorde.

Yes, films of the Paris Exposition Universelle of 1900. This week I’ve been reading Philippe Jullian’s book about the Exposition (more about the admirable Monsieur Jullian later) and it was only when he mentioned early cinema screenings as one of the entertainments that I realised I hadn’t looked for films of the Exposition itself. YouTube has the goods, of course, and those goods are unavoidably primitive given the age of the prints and the infancy of the medium. Quality isn’t the point, however, what matters is the thrill of looking back 110 years to see these fleeting structures and their visitors. Most of the footage seems to have been filmed by the Edison Company and the filmmakers conveniently let us know that it was the month of August. According to Jullian, Paris was suffering from a heatwave at the time but you wouldn’t know it from the way everyone is dressed although most of the women (and some of the men) are carrying parasols. In addition to the period footage, there’s also the channel of a 3D animator who’s been creating computer models of the buildings. I’ve thought for some time that these vanished expositions could be resurrected using 3D modelling so it’s encouraging to find someone doing exactly that.

The films:
• Thomas Edison’s L’ Exposition Universelle de 1900 à Paris | A compilation of the shorts with intertitles.
• Panoramic view of the Place de la Concorde
• Esplanade des Invalides
• Panorama from the Moving Boardwalk
• Eiffel Tower lift
• The Palace of Electricity

Update: The Edison shorts and some other Exposition clips not listed above can also be found in the Edison film archive at the Library of Congress. You need to go to this page and use the search term “paris” to receive a list. They’re still low-res, unfortunately, but at least the files haven’t been put through YouTube’s compression filters.

The Palace of Electricity.

Previously on { feuilleton }
• Exposition jewellery
• Exposition Universelle catalogue
• Exposition Universelle publications
• Exposition cornucopia
• Return to the Exposition Universelle
• The Palais Lumineux
• Louis Bonnier’s exposition dreams
• Exposition Universelle, 1900
• The Palais du Trocadéro

Weekend links 11

Panneaux decoratifs (1900) by Manuel Orazi at NYPL.

• Ghostsigns: “a collaborative national effort to photograph, research and archive the remaining examples of hand painted wall advertising in the UK and Ireland.”

• Golden Age Comic Book Stories posts some Alphonse Mucha.

• Voyage Fantastique – An illustrated guide to the body and mind at A Journey Round My Skull.

• The gallery of the International Exhibition of Calligraphy.

• Trevor Wayne Pin-Up Show, a new photo collection of the tattooed Mr Wayne which includes photos and a foreword by Clive Barker.

• Phallophonies, a gallery exploring the penis in religious art. Related: “Churchgoers are outraged over a crucifix in a Catholic church that they say shows an image of genitalia on Jesus.”

• Hollingsville: “Expect live and unscripted wanderings around voodoo science parks, examinations of cities as battle suits and thoughts on pods, capsules and world expos.”

• Phantom Circuit #33 is a Ghost Box special featuring an interview with Jim Jupp (Belbury Poly) and Julian House (The Focus Group). Related: Ghost Box films at YouTube.

• Eldritchtronica and Wyrd Bliss, a mixtape by Simon Reynolds.

• Avant garde music and cinema meet at The Sound of Eye.

• Make your own newspaper with Newspaper Club.

• Drawdio: A pencil that lets you draw music.

• Yoko Ono collects rare books.

• KittehRoulette.

• Song of the week: The Four Horsemen (1972) by Aphrodite’s Child.

Record Store Day

The White Album by Flickr user Fab.C.

April 17th is Record Store Day in the UK and the US, a celebration of the importance of small record shops. In the spirit of this {feuilleton} encourages you to show some love to your local music merchant if you can. There’s a website for the US side of things with details of special releases that bands have produced in support of the day. FACT Mag ran an A–Z of similar releases which will be available in the UK and the Guardian has an article interviewing Johnny Marr, Tracey Thorn, Jon Savage and others about their favourite places past and present. No surprise to see Manchester shops highlighted given the contributors; Johnny Marr plugs Piccadilly Records and Beatin’ Rhythm (the latter a great source for obscure psychedelia, among other things) while Mr Savage also recommends Kingbee out in the wilds of Chorlton, the place where he discovered The Tornados’ Do You Come Here Often, one of the songs on his Queer Noises compilation.

Manuel Orazi’s Salomé

The Biblical bad girl returns in three pictures from an illustrated edition of Oscar Wilde’s play, published as a limited run in 1930. Manuel Orazi (1860–1934) was a French artist whose work has appeared here before, and no doubt will do again very soon since I’ve been finding further examples of his illustrations and designs. These drawings are closer to Gustav Klimt or George Barbier than his earlier illustrations which owed much to the stylisation of Mucha’s Art Nouveau.

Elsewhere on { feuilleton }
• The illustrators archive
• The Salomé archive