Painted beetle (2016) by Akihiro Higuchi.
• David Horbury: The Tate’s Queer British Art exhibition ignores the pioneering scholarship of Emmanuel Cooper, author of The Sexual Perspective: Homosexuality and Art in the last 100 years in the West (1986).
• L’Androgyne Alchemique is an exhibition at the Azzedine Alaïa Gallery, Paris, by pascALEjandro, a collaboration between Pascale Montandon-Jodorowsky and Alejandro Jodorowsky.
• At Strange Flowers: an interview with DJ Sheppard, biographer of poet Theodore Wratislaw (1871–1933), one of the models for Max Beerbohm’s hapless Enoch Soames.
• Eloise or, the Realities is a new 122-page comic book by Ibrahim R. Ineke “inspired in part by Children of the Stones and The Owl Service“.
• Cormac McCarthy hasn’t published a novel for over ten years now but this new piece of writing addresses the mysterious origin of language.
• “…she invented a kind of symbolic code that channelled the occult and the Renaissance masters”. Yo Zushi on Leonora Carrington.
• John O’Reilly on the Samuel Beckett cover designs created by Russell Mills and Gary Day-Ellison for Picador.
• Porter Ricks (Thomas Köner & Andy Mellwig) have announced their first album in 18 years.
• At The Daily Grail: Alan Moore on science, imagination, language and spirits of place.
• All 66 issues of Performance Magazine (1979–1992) are now available online.
• The Throbbing Gristle catalogue is being reissued (again).
• Lost Soul In Disillusion (1967) by The Power Of Beckett | Liquid Insects (1993) by Amorphous Androgynous | Biokinetics 2 (1996) by Porter Ricks
Lucy In The Sky With Diamonds from Yellow Submarine (1968).
The advent of spring invariably gets me listening to favourite psychedelic songs, and this year has been no exception. Earlier this week I was idly wondering how many songs there are that follow the Beatles’ lead in telegraphing their drug metaphors by using the initials L-S-D in their titles. Wikipedia’s page for Lucy In The Sky With Diamonds (1967) relates John Lennon’s oft-repeated claim that the initialism in the title was a coincidence, and the song itself is really a bit of Lewis Carroll-like whimsy. This might be credible if works of art only ever carried one meaning but they don’t, of course, and the song is both a piece of Lewis Carroll-like whimsy as well as being a pretty obvious paean to the drug experience: “Climb in the back with your head in the clouds / And you’re gone”. Jefferson Airplane’s White Rabbit (1967) was similarly ambivalent with mushrooms/pills replacing acid.
Among the many things birthed by the enormous success of the Sgt Pepper album, a small flurry of songs or instrumentals have imitated Lennon’s initialism for their titles. The ones that came immediately to mind are detailed below, and they make a curious group. If anyone knows of any others—there must be others…—then please leave a comment.
Burning Of The Midnight Lamp/The Stars That Play With Laughing Sam’s Dice (Aug, 1967).
The Jimi Hendrix Experience’s B-side not only alludes to LSD but also to STP. The song itself doesn’t go very far before collapsing into freakout mode.
The Trip (1967).
Not a song but included here for that “Lovely Sort of Death” tag. Written by Jack Nicholson! With Dennis Hopper as the acid dealer! See the trailer here, then watch the whole film here.
Lost Soul In Disillusion (November, 1967).
Hard to imagine anyone in London would have heard this in 1967. The Power of Beckett were a Montreal garage group who only released two singles. Lost Soul In Disillusion turned up years later on compilation albums.
Continue reading “Lyrical Substance Deliberated”