Frederic Leighton – Page 2

Weekend links 56

Ad Astra (1907) by Akseli Gallen-Kallela.

• Andres Serrano’s works are photo prints so you can’t damage an exhibition item the way you can with a painting. That didn’t stop Catholic protestors in France attacking a copy of Piss Christ on Monday. By coincidence, Dave Maier had posted an essay about Serrano’s work a few hours earlier, and with a reminder that the notorious photograph was part of a series, a detail which is often forgotten or conveniently ignored.

• The Avant Garde Project which made available deleted experimental audio works (see this earlier post) ceased activity a while ago so it’s good to see that its archives will now be hosted at Ubuweb.

…African Head Charge again was a studio name I had to start with, and it evolved into a band about eight years later. That started out again I read an interview in a newspaper where Brian Eno talked about he’d made an album called My Life in the Bush of Ghosts with another musician—that Talking Heads fellow [David Byrne]—and he said “I had a vision of a psychedelic Africa”. And I thought, “Oh, that’s pretentious”. But then I thought about it, and thought “No, what a good idea! Make really trippy African dub”.

Adrian Sherwood on thirty years of On-U Sound.

• Related: Brian Eno has a new album out in July, Drums Between The Bells, a collaboration with Rick Holland.

“Do you think Lord Leighton could by any chance have been a homosexual?” enquired Richard. “It says here,” I replied, consulting a laminated information card, “that there is no evidence one way or the other.”

“Rent boys leave no evidence,” said Richard.

A private view of Lord Leighton’s home in Holland Park, London, which opened to the public again last year.

• Passengers, an exhibition of urban transit photos by Chris Marker at Peter Blum, NYC. For a different kind of rail transport there’s this exploration of London’s disused underground Post Office Railway.

• Reappraising the recent past: Jon Savage on Taxi zum Klo, Christiane F, David Bowie and the seedy attraction of Berlin in the 70s and 80s; Iain Sinclair on the Festival of Britain sixty years on.

• Stella Steyn’s illustrations for Finnegans Wake as seen in transition magazine, 1929. And speaking of literary magazines, the return of New Worlds has been announced.

• Clive Hicks-Jenkins is an art monograph published next month by Lund Humphries. Clive enthused about the book’s arrival.

• 50 Watts announces the Polish Book Cover Contest.

• 4th June, 2011 is Radiophonic Creation Day.

• Americans: has your state banned sodomy?

• Stardust (1931) by Louis Armstrong | Stardust (1940) by Artie Shaw | Stardust (1957) by Nat King Cole.

Angelo Colarossi and son

Callum at Front Free Endpaper sent me this photo a while ago of a page from an old boys’ book after he saw my Men With Snakes post which featured the same statue, Lord Leighton’s Athlete Wrestling with a Python (1877). Leighton’s sculpture came to mind again recently following a chance reference to another bronze figure, and one of the most famous statues in London, Alfred Gilbert’s Angel of Christian Charity (1893) aka Anteros or, as everyone now knows it, the Eros of Piccadilly Circus, patron saint of the area’s rent boys. The notable fact was the revelation that the model for Eros was one Angelo Colarossi whose father was also named Angelo Colarossi and was the model for Leighton’s python wrangler. Colarossi Snr, an Italian immigrant, was a popular artists’ model and—no doubt wisely in those days—encouraged his son to follow the same line of work.

One rarely sees mention of the identities or lives of models for works such as these although they aren’t always unknown, as noted earlier in a post which touched upon American model Audrey Munson. Unknown they may often be but these two models at least have monuments beyond the dreams of any other family of Victorian immigrants. It fascinates me to think of these images of father and son lodged in different parts of London. (Leighton’s statue is now in Tate Britain.) Colarossi Snr is also believed to have posed for John William Waterhouse and an article at the Waterhouse site pursues some possible examples.

Previously on { feuilleton }
• San Francisco angels
• Men with snakes

Men with snakes

Laocoön and His Sons attributed to Agesander, Athenodoros
and Polydorus of Rhodes (c. 160–20 BCE).

No jokes about snakes in a frame, please. Bram Dijkstra’s Idols of Perversity: Fantasies of Feminine Evil in Fin de Siècle Culture (1986) is a wide-ranging study of the “iconography of misogyny” in 19th century painting. Dijkstra examines the numerous ways that women were depicted in late Victorian and Symbolist art, with one chapter, “Connoisseurs and Bestiality and Serpentine Delights”, being devoted to representations of women with animals, especially snakes. The story of Eve and the Serpent prompts many of these latter images, of course, while scenes with other creatures seem intended to demonstrate the Victorian attitude that woman was closer to the brute beasts than man and could often be found conspiring with them to bring down her masculine masters. Continue reading “Men with snakes”