New things for March

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The Mindscape of Alan Moore, Shadowsnake Films (2007).

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The Adventures of Little Lou, Savoy Books (2007).

Two very different works approaching fruition this month. The Alan Moore DVD I’ve been working on since November but the release date is finally approaching so I’ve added the artwork to the relevant pages on this site.

The Adventures of Little Lou is a work of transgressive fiction by Lucy Swan forthcoming from Savoy Books. I’m currently finishing the interior design and the book should be published later this year. This is the front cover layout; more to follow.

Previously on { feuilleton }
Of Moons and Serpents
Watchmen
Alan Moore interview, 1988

Cubist Cthulhu

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Well maybe it isn’t, but the phrase occurred to me a few days ago so I thought I’d try some sketching and see what emerged. In one interpretation of The Call of Cthulhu it’s conceivable that Lovecraft intended his abomination to look like this, given the description of R’lyeh in the story:

Without knowing what Futurism is like, Johansen achieved something very close to it when he spoke of the city; for instead of describing any definite structure or building, he dwells only on broad impressions of vast angles and stone surfaces—surfaces too great to belong to anything right or proper for this earth, and impious with horrible images and hieroglyphs. I mention his talk about angles because it suggests something Wilcox had told me of his awful dreams. He said that the geometry of the dream-place he saw was abnormal, non-Euclidean, and loathsomely redolent of spheres and dimensions apart from ours. Now an unlettered seaman felt the same thing whilst gazing at the terrible reality.

An alien monstrosity might be even more terrifying if it didn’t resemble anything organic or remotely earthly. For a more traditional impression of the Spawn from the Stars, my drawing from The Great Old Ones can be found here.

Elsewhere on { feuilleton }
The Lovecraft archive

Happy birthday { feuilleton }

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It was a year ago today that I sat down and wrote some words of Charles Fort’s, “One measures a circle beginning anywhere…”, as a headline for the first entry on this page. Some posts over the ensuing year have been more popular than others (and it should be pointed out that the “most popular” list in the sidebar has only registered hits since a new plugin was activated). Referral links and Del.icio.us adds are a good guide to popularity so here’s the top five:

Watchmen (June 24th). An old Fantasy Advertiser interview with Alan Moore and Dave Gibbons about their graphic novel masterwork. I knew this would be popular, not least because it’s one of the best interviews I’ve read about Watchmen, and one conducted quite soon after the story had been completed. Good to be reminded that the book’s creation owed as much to the artist as it did to the writer. As Alan Moore’s popularity has grown there’s been a tendency on the part of critics to see him as the sole author of his comics, all of which are collaborations with different artists who invariably contribute to the work themselves. From Hell artist Eddie Campbell has recently been showing examples of these working methods on his excellent weblog, The Fate of the Artist.

Atomix by Nike Savvas (August 5th). A big surprise this. I spotted pictures of this installation in passing on a Yahoo! news page, thought it looked interesting so made a little entry about it. Many hits later people are still searching for pictures. Ms Savvas would be advised to tour this artwork, people love it.

Aldous Huxley on Piranesi’s Prisons (August 25th). Another scanned article and another surprise. I remember thinking ?no one will want to read a long-dead writer talking about a long-dead engraver.? The moral, then, is never underestimate your audience.

The boys (various dates). Despite the groaning tubes of the interweb being stuffed with every shade and variety of porn, some pictures of unclothed young men remain more popular than others. So people arrive here searching for Eugen Bauder (very popular indeed), Felipe Von Borstel, Brian Joubert and others. I often feel as though I should apologise for not having any exclusive material but surfers of the one-handed variety are probably only stopping by for a moment before flitting elsewhere.

Barney Bubbles: artist and designer (January 20th). Very gratifying that this has been received with enthusiasm as this is the kind of post I like best, something that makes up for gaps in the pool of web data. These entries take time to prepare so it’s good to know that people appreciate the effort; I’m hoping there’ll be more to come (work allowing) in 2007.

Thanks for reading!

John x

Tygers of Wrath

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ImageTexT is an excellent web publication produced by the English Department at the University of Florida whose objective “is to advance the academic study of comic books, comic strips, and animated cartoons”. The subject of the latest edition is “William Blake and Visual Culture” and to this end includes my written and visual account of the Tate Gallery’s William Blake event from February 2001. That evening of song and performance featured Alan Moore and Tim Perkins’ piece about Blake’s life (with my video accompaniment), a work that was later released as the Angel Passage CD. ImageText 3-2 also includes an essay by Roger Whitson, Panelling Parallax: The Fearful Symmetry of William Blake and Alan Moore.

Previously on { feuilleton }
Of Moons and Serpents
Watchmen
Alan Moore interview, 1988

How to disappear completely

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Talking to a friend recently about Photoshop reminded me of this picture experiment I made a couple of years ago. The photo above was a Prague street scene (no other details known) that I cut from a newspaper. I liked the atmosphere of the narrow street but couldn’t help wondering how it would look without all those people standing there. After some diligent copying and pasting I ended up with the version you see below. You can view it at a larger size here.

Previously on { feuilleton }
Karel Plicka’s views of Prague
Atget’s Paris