Jugend Magazine

jugend.jpg

Two of several cover illustrations by Hans Christiansen (1866–1945) for 1898 issues of Jugend magazine. I waited a long time for someone to put together a site devoted to Jugend and good as this one is I can’t help but wish it was as thorough as the Simplicissimus site. Jugend is a regular fixture in histories of Art Nouveau since it was the magazine’s promotion of the new graphic style which gave the movement a name in Germany, Jugendstil. The covers look strikingly advanced today in the way they vary their style and the presentation of the magazine title from one week to the next. The monotonous branding of contemporary magazines seems staid in comparison. Christiansen’s swirling title design shows why these covers had such an influence on the psychedelic poster art of the 1960s. You can see a larger copy of that cover here and a further 299 drawings and paintings by the artist here.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Meggendorfer’s Blatter
Simplicissimus

Readouts

hal9000.jpg

The HAL Project.

January flew by in a blizzard of work so posting here tended to rely more on pictures than words. As usual the things I’ve been designing will be unveiled when they’re closer to being published or released but for now here’s some new or not-so-new items worthy of note.

The HAL Project screensaver. I’ve never had much time for gaudy screensavers, I prefer something which doesn’t get annoying when I’m otherwise engaged. For a while now I’ve been using the Mac-only Lotsawater which turns your monitor into a vertical water tank with slow motion ripples. I replaced that this week with Joe Mackenzie’s HAL Project screensaver (for Mac and Windows) which throws up random samplings of the HAL 9000 monitor animations from 2001: A Space Odyssey. Sounds a bit dull until you see it in action, very crisp and detailed graphics, many of which mimic the animations of those in the film. I’ve belatedly realised how similar these fields of colour and their lines of white type are to the opening titles of A Clockwork Orange, yet another connection between the two films. Now I can sit trying to figure out some of the less obvious 3-letter codes for the spacecraft’s systems; Stanley Kubrick was so thorough you just know they all mean something.

Via the Kubrick obsessives at Coudal.

A pair of new blogs. Designer Barney Bubbles should need little introduction here but if you require one then read this. Paul Gorman has been in touch to inform me of a new online companion to his BB book, Reasons To Be Cheerful, which already looks like a treat with displays of Bubbles creations that didn’t make the book.

Writer Russ Kick was also in touch this week with news of his books and book culture blog, Books Are People, Too. Russ is the author of several books for Disinformation and his Memory Hole website notoriously caused a headache for the Bush regime when he forced photos of flag-draped coffins returning from Iraq onto the front pages of American newspapers.

Songs of the Black Würm Gism. And speaking of books, the much delayed sequel to DM Mitchell’s landmark Lovecraft anthology, The Starry Wisdom comes shambling into the light of day at last. The Creation Oneiros website describes it thus:

The Black Würm Gism Cult – oceanic insect porn – a vortex of cosmic mayhem stalked by ravening lysergic entities – a post-human psychedelic seizure of Lovecraftian text, art and fragments. SONGS OF THE BLACK WÜRM GISM picks up where the acclaimed anthology THE STARRY WISDOM left off and goes beyond – way beyond! – what H.P. Lovecraft dared to show. Editor D.M. Mitchell presents an illustrated brainstorm of visceral deep-sea dream currents, aberrant trans-species sex visions, and frenzied ophidian entropy.

Contributors include: alan moore (cover illustration), john coulthart (introduction), grant morrison, david britton, ian miller, john beal, david conway, kenji siratori, herzan chimera, james havoc, reza negarestani, & many others

Yes, the rather pompous introduction for this volume is mine and the cover is Alan Moore’s psychedelic arachnoid rendering of the demon Asmodeus, the same picture I used to create my little hidden film on the Mindscape of Alan Moore DVD. The Starry Wisdom roused a vaporous fury among the more staid Lovecraft readers so I look forward to seeing what squeaks of outrage this new book inspires. Publication is set for September 2009 but you can order it now from Amazon and other outlets.

ghost_box.jpg

Ghost Box haunts again. And if anything was going to provide a suitable soundtrack to “aberrant trans-species sex visions, and frenzied ophidian entropy” you could do worse than some of the works of the Ghost Box collective, especially the spooky and abrasive Ouroborindra by Eric Zann. Ritual and Education is a new download-only sampler of Ghost Box tracks and probably an ideal place to start if your curiosity is piqued by my recurrent raves about these releases. From An Ancient Star is the latest CD from Belbury Poly which swaps the Pelican Books graphics of earlier works for a convincing piece of crank lit. cover art which wouldn’t look out of place in the RT Gault archives.

Previously on { feuilleton }
The Demon Regent Asmodeus
The Séance at Hobs Lane
Ghost Box
2001: A Space Odyssey program

Ma Petite Ville

rudnicki.jpg

A typically splendid fin de siècle cover design by Léon Rudnicki for an 1898 volume of childhood memoirs by Jean Lorrain (1855–1906). The author was a flamboyantly homosexual poet, novelist and journalist whose addiction to ether and other excesses ended his life at the age of 50. Philippe Jullian is quoted on glbtq.com as saying Lorrain was “truly, at the fin de siècle, Sodom’s ambassador to Paris”. Jullian, as I never tire of repeating, wrote the best book on the Symbolist period, Dreamers of Decadence (1971), and that quote reminds me that I ought to track down a copy of his Lorrain biography.

Elsewhere on { feuilleton }
The book covers archive

The art of Maxwell Armfield, 1881–1972

armfield1.jpg

De Profundis.

I’ve known Maxwell Armfield’s work in the past mainly for the appearance of his paintings in books of late Victorian or even Pre-Raphaelite art. His depiction of Faustine (1904), which illustrates a Swinburne poem, is probably the most popular of these, with a subject resembling Rossetti’s portraits of Jane Morris. So it’s a surprise to find his illustration work using a very different, more open style based on Ancient Greek art and (possibly) Classical enthusiasts such as John Flaxman. Among the online examples, the redoubtable Internet Archive has a few book downloads available including a volume of Armfield’s rather tepid poetry, The Hanging Garden, and other verse (1914), which nonetheless includes the fine illustrations shown here. In addition there’s a curious fable by Vernon Lee, The Ballet of the Nations; a Present-day Morality (1915) in which Death stages a ballet (aka another war) to decimate humanity, and a short book Rhythmic Shape; A Text-book of Design (1920), Armfield’s guide to art and design theory.

armfield2,jpg

“Out of the East he came.”

Elsewhere on { feuilleton }
The illustrators archive

Obamicon

poebama.jpg

Given this week’s conjunction of a Poe anniversary and the Presidential Inauguration, creating this was irresistible. Obamicon.me allows you to turn any photo into something resembling Shepard Fairey’s ubiquitous Obama poster. The only drawbacks are the way the processing stretches the type and the use of Arial for the title, a font which few self-respecting designers can bear to use. If you’re as picky as I am, some Photoshop post-production is required.

Previously on { feuilleton }
The best font won
Another lazy meme post