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Almost ten years have elapsed since I devoted a week of blog posts to one of my favourite fantastic creations, the Obscure World/Obscure Cities of Belgian artist-and-writer team François Schuiten and Benoît Peeters. Schuiten and Peeters’ mythos is a multi-media project with a series of bande desinée albums as its core, a cycle of stories […]

Maison du France. I’ve looked through the Library of Congress collection of photochrom prints many times but somehow never noticed the 20 or so prints of Bruges until now. The Belgian Symbolists recorded their fascination with the Belgian town in paintings, drawings, photographs and Georges Rodenbach’s novel, Bruges-la-Morte (1892). The latter came illustrated by photographs […]

The next release on the Ghost Box label, Chanctonbury Rings is “a blend of folk, electronic music, poetry, prose and environmental sound” by Justin Hopper & Sharron Kraus with The Belbury Poly. The album will be available in June. Design, as always, is by Julian House. • Clumsy and insensitive translations can ruin the enjoyment […]

Le Stryge (The Vampire) (1853) by Charles Méryon. • Notre-Dame-de-Paris in art and photography. Related: Chris Knapp on the Notre-Dame fire, and John Boardley on the print shops that used to cluster around the cathedral. Tangentially related: Mapping Gothic France. • The Bodies Beneath: The Flipside of British Film & Television by William Fowler and […]

Canal at Longport (1970s). Maurice Wade‘s paintings of factories and back streets in Staffordshire are perfect examples of what the I Ching would call “accumulation through restraint”, using a flat rendering and a limited palette to achieve effects that a more detailed examination would fail to capture. Many of Algernon Cecil Newton‘s paintings possess the […]

Black Hole (1987) by Suzanne Treister. • “Most people who are considered heroes are always to be found messing about in someone else’s affairs, and I don’t think that’s very heroic.” Robert Altman talking in 1974 to Jan Dawson about The Long Goodbye. • “Tea is calming, but alerting at the same time.” Natasha Gilbert […]

Imagination of Letters by Ikko Tanaka. • Kankyo Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 is the latest compilation from Light In The Attic, and another excellent package both musically, physically and design-wise. The album was compiled by Spencer Doran of Visible Cloaks who talked to The Quietus a couple of years ago […]

A Mrs Radcliffe Called Today (1944) by Dorothea Tanning. • Darran Anderson on how the Bauhaus kept things weird. “Many imitators of the famous art school’s output have missed the surreal, sensual, irrational, and instinctual spirit that drove its creativity.” • Notes on the Fourth Dimension: Hyperspace, ghosts, and colourful cubes—Jon Crabb on the work […]

The Black Tower. I ought to have devoted this post to The Black Tower (1987), John Smith’s short and sinister film which I linked to at the weekend. It was good to watch it again after seeing a TV screening (no doubt the only one) on the UK’s Channel 4 in 1988. It also reminded […]

• At Expanding Mind: Tarot expert Mary Greer talks with Erik Davis about Tarot artist Pamela Colman Smith, the Golden Dawn, the art of illustration, Jung’s active imagination, Smith’s musical visions, and the recent study of Smith’s life and work, Pamela Colman Smith: the Untold Story. • Almost five years have passed since the last […]

Colors (1967) by Ken Nordine. • “The Do was the thing”: a lengthy chat with Chuck Gould of the San Francisco Diggers. The second interview from Jay Babcock’s oral history of the Diggers. • Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950–1980 edited by Andrew Nette and Iain McIntyre. • […]

UK poster, 1950. Cocteau’s film receives a UK blu-ray release this week. • Into the Zone: 4 days inside Chernobyl’s secretive “stalker” subculture by Aram Balakjian. (Again. There’s an implication in Balakjian’s piece that illicit Chernobyl tourism is a new thing even though people have been doing this for a while now.) Related: Jonathan’s visit […]

Gas Tanks 1965–2009 by Bernd Becher and Hilla Becher. • At Dangerous Minds: the drawings produced by Moebius for Maxwell House in 1989 are better than the coffee whose sales they were intended to assist. • Jarman Volume 2: 1987–1994, the BFI’s second collection of Derek Jarman films, is now available for pre-order. • More […]

Physical Training for Business Men (1917). • At Expanding Mind: Erik Davis concludes his discussion with religious scholar Diana Pasulka about anomalous cognition, 2001 monoliths, disclosure, future truths, absurd Christianity, and her book American Cosmic. • This year the LRB wouldn’t let non-subscribers read Alan Bennett’s 2018 diary but they have a recording of Bennett reading […]

Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated. • “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland (1899), a novel by Ilse […]

Rawmarsh Road, Rotherham, 1975 by Peter Watson. • Steel Cathedrals (1985), a composition by David Sylvian (with Ryuichi Sakamoto, Kenny Wheeler, Robert Fripp & others) was originally available only on the cassette release of Sylvian’s Alchemy: An Index Of Possibilities, and a video cassette where the music accompanied views of Japanese industry by Yasuyuki Yamaguchi. […]

My latest cover for Angry Robot Books was revealed this week at the Barnes & Noble blog (where I talk a little about the design aspects) so here it is. The Ingenious is an alchemy-themed fantasy by Darius Hinks, the brief for which required a depiction of the city of Athanor, the central character, Isten, […]

Tokyo at night, one of a series of watercolours depicting the back streets of the city by Mateusz Urbanowicz. • “The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica.” Bad Books For Bad People […]

Straat met standbeeld (1934) by Carel Willink. • “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of—of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it’s always twilight, in Gorey’s stories), simply, inimitably Edwardian.” Mark […]

Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis, 1975. • RIP Lindsay Kemp: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salomé, and Flowers, A […]