Cammell & Roeg’s Performance (1970) was marketed in Italy with all the restraint for which the Italian film industry has long been celebrated. • “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” We Women Have no Fatherland (1899), a novel by Ilse […]
Rawmarsh Road, Rotherham, 1975 by Peter Watson. • Steel Cathedrals (1985), a composition by David Sylvian (with Ryuichi Sakamoto, Kenny Wheeler, Robert Fripp & others) was originally available only on the cassette release of Sylvian’s Alchemy: An Index Of Possibilities, and a video cassette where the music accompanied views of Japanese industry by Yasuyuki Yamaguchi. […]
My latest cover for Angry Robot Books was revealed this week at the Barnes & Noble blog (where I talk a little about the design aspects) so here it is. The Ingenious is an alchemy-themed fantasy by Darius Hinks, the brief for which required a depiction of the city of Athanor, the central character, Isten, […]
Tokyo at night, one of a series of watercolours depicting the back streets of the city by Mateusz Urbanowicz. • “The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica.” Bad Books For Bad People […]
Straat met standbeeld (1934) by Carel Willink. • “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of—of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it’s always twilight, in Gorey’s stories), simply, inimitably Edwardian.” Mark […]
Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis, 1975. • RIP Lindsay Kemp: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salomé, and Flowers, A […]
Black Sun (1953) by Alexander Calder. • “But Berlin Alexanderplatz transcends its genre elements, largely because of Döblin’s deep lack of hope about what can be expected of human beings.” Adam Kirsch on Alfred Döblin’s Berlin. • “I occasionally dream of finding books that do not seem to exist (yet), and sometimes remember their titles,” […]
The Miracle (Genet’s Dream) (2001) by Delmas Howe. • “Zachary Lipton, an assistant professor at the machine learning department at Carnegie Mellon University, watched with frustration as this story transformed from ‘interesting-ish research’ to ‘sensationalized crap’.” Oscar Schwartz on how the media gets AI alarmingly wrong. • The Aesthetics of Science Fiction: what does SF […]
As promised last week, here’s my latest cover for Megan Derr’s gay fantasy series, Tales of the High Court. The first book wasn’t intended to have this many sequels so my initial cover design also wasn’t planned as something that might be a template for later volumes. The previous books (below) borrowed bits and pieces […]
Poster by Roman Cieslewicz for the 1963 Polish release of Vertigo. Via The Hitchcock Zone. • Alfred Hitchcock’s Vertigo is sixty years old this year. It’s a film I’ve always found to be preposterous and very over-rated, despite the considerable strengths of its cast, production, etc; consequently, any claims to its being an unalloyed masterpiece […]
Czech poster for Robert Bresson’s Une Femme Douce (1969) by Olga Polácková-Vyletalová. There’s more about Polácková-Vyletalová’s striking poster designs (and this one in particular) at Mubi. See also the Polácková-Vyletalová collection at Terry Posters. • “I heard that in Japan the tendency is to hammer down the nails that stick out. I think that Haruomi […]
Poster for Steppenwolf (1974), a film directed by Fred Haines (his only one) based on the novel by Herman Hesse, and starring Max von Sydow and Dominique Sanda. No artist or designer credited. • “…in her 20s, she heard two elderly folk singers and was struck by their ‘gentle dignity’. It cemented her own philosophy: […]
London in 1898 was the most populous city in the world, a metropolis of “four million souls” as Arthur Conan Doyle continually reminds us in the Sherlock Holmes stories. The stereotypical representation of London in the 19th century is of a city wreathed in fog but the reality was closer to the dense smogs that […]
Taro Okamoto’s Tower of the Sun on the cover of an Expo ’70 guide. • Last week I was watching the restored print of Howard Brookner’s excellent William Burroughs documentary, Burroughs. Among the later scenes are shots of the writer visiting Britain in the autumn of 1982 for the Final Academy events, a visit also […]
TIME, June 21st 1968. Cover by Roy Lichtenstein. • “Forget the democratic processes, the judicial system and the talent for organization that have long been the distinctive marks of the US. Forget, too, the affluence (vast, if still not general enough) and the fundamental respect for law by most Americans. Remember, instead, the Gun. That […]
Le Répit (La Mort allaitant une chauve-souris) (1895) by Valère Bernard. • Playhouse 90 presents Heart of Darkness by Joseph Conrad. An American TV production from 1957 starring Boris Karloff, Roddy McDowall, Eartha Kitt and others; introduced by Sterling Hayden. It’s bizarre. Acidemic goes into the detail. • Erik Davis talks to occult writer and […]
• “In the mid-Seventies the influential stop-motion animators, Stephen and Timothy Quay, embarked on a series of dark graphite drawings, conceived as imaginary film posters. They kept their first autonomous art project hidden for decades, allowing only a few glimpses to transpire in some of their animation classics such as Noctura Artificialia and Street of […]
Nocturnal Rome — Trajan’s Column (1934) by MC Escher. • Many eulogies this week for the late, great Mark E Smith. Strangers to the abrasive splendour of The Fall could do worse than begin with Geeta Dayal‘s list of ten best albums. At YouTube there’s a playlist of The Fall’s Peel Sessions, from 1978 to […]
Love is a Martyrdom (1965) by Stephanie Godwin. See Joscelyn Godwin’s Flickr pages for more. • David Shire’s synthesizer score for Apocalypse Now was the first music recorded for the film but was abandoned when Shire was fired due to other commitments. 39 years later, his score has been released by La-La Land Records. • […]
The Invisible World of Beautify Junkyards will be the next release on the Ghost Box label in March 2018. Design by Julian House. • Tantalising discovery of the week was Alphons Sinniger’s Eno (1974), a 24-minute film about post-Roxy Music Brian Eno which shows (among other things) the recording of Here Come The Warm Jets. […]
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