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Projet onirique (tombeau pour un poète) (1901) by Henry Provensal. • “20 years later, Sexy Beast remains something of an oddity…It offers a deconstruction of the genre, which is then reconstructed to marry the unhinged, convulsive beauty of surrealism with sturdy, universal storytelling.” Thomas H. Sheriff looks back at Jonathan Glazer’s debut feature. • Blau […]

Wild Things – Hachilympic, a poster by Tomoko Konoike for the Tokyo 2020 Olympics. • Hidden Jewels in ‘The Garden of Orchids’: Steve Toase on Der Orchideengarten (1919–1921), the German magazine of fantastic art and literature. Since the article doesn’t mention it, I’ll note again that the first Anglophone appraisal of the magazine (and also […]

Poster by Zdenek Ziegler for Roma (1972), a film by Federico Fellini. • At Dennis Cooper’s: a short history of Straight to Hell, a long-running fanzine launched by Boyd McDonald in 1971 dedicated to true stories of men having sex with other men. The post gives an idea of the contents but for a deep […]

Britain’s Labour government of the 1960s achieved a great deal with its social reforms, but the shrinking of the nation’s railway network—the so-called Beeching Cuts—was a serious mis-step, and one whose repercussions have lasted to the present day. Bus services intended to replace the rail service were less efficient than the trains they were replacing, […]

An engraving from The Geometric Landscapes of Lorenz Stoer (1567). • Curtis Harrington’s cult horror film, Night Tide (1961), receives a lavish blu-ray reissue from Powerhouse in January. The limited edition will include an extra disc of Harrington’s early short films which encompass Poe adaptations and also Wormwood Star, his portrait of occult artist (and […]

Typhonic Neural Tantra by The Wyrding Module. • November 2019, as many people have been noting, is the month in which Ridley Scott’s Blade Runner takes place. At Dangerous Minds Paul Gallagher writes about the unrelated William Burroughs script whose title was borrowed for Scott’s film. • More Ridley Scott (sort of): disco was still […]

The architecture in Gilbert Bostwick Croff’s book of building designs may have been considered “progressive” in 1875 but seen today most of these buildings scream “haunted house”, or at least, that peculiar American variety of the same as popularised by Psycho, The Addams Family and countless other films and cartoons. Whether old or new, to […]

Magma concert poster, 2017. Art by Jofre Conjota. • The Dream Foundry is a new venture with a mission “to bolster and sustain the nascent careers of professionals working in the field of speculative literature.” This includes artists as well as writers, and to this end I was asked to answer a few questions about […]

Art by Augustus Jansson for the Queen City Printing Ink Company (c.1906). • Much of my music listening for the past couple of weeks has been the compositions and soundtracks of the late Jóhann Jóhannsson, so these links are pertinent: Jóhannsson and ensemble live at KEXP in 2010, and a memorial performance of Virdulegu Forsetar from […]

An entire book of architectural caprices is just the thing I like to see, so it’s a shame that most of the examples in Fantaisies Architecturales (1890) by Henri Mayeux are little more than sketches. Mayeux was an architect and a professor of decorative arts whose previous book had been a guide to the composition […]

The Gourmet (1986), an original television drama written by Kazuo Ishiguro and directed by Michael Whyte, has long been in the top ten of TV films I was hoping would turn up on YouTube, and here it is at last. With a running time of under 50 minutes this is shorter than one-off dramas tend […]

Hades II (2004) by Ana Maria Pacheco. • I’ve been reading a lot of Angela Carter over the past few weeks so the news of her house in Clapham being awarded a blue plaque was coincidental but also timely. Related: Angela Carter Online, and The Holy Family Album (1991), “a sacrilegious take on the history […]

L’Hamestoque (1977) by Christine Gaussot. • Another announcement from Strange Attractor Press: Of Mud & Flame A Penda’s Fen Sourcebook edited by Matthew Harle and James Machin will be published at the end of October. Among the contents will be the screenplay of David Rudkin’s cult television play, an item that’s always been impossible to […]

Tadanori Yokoo (1974) by Tadanori Yokoo and Will van Sambeek. A poster from the Colourful Japan exhibition at the Stedelijk Museum, Amsterdam. • The first decade of space-rock pioneers Hawkwind is explored by Joe Banks in Hawkwind: Days of the Underground — Radical Escapism in the Age Of Paranoia, coming soon from Strange Attractor Press. […]

Another week, another new book cover. Author Neil Perry Gordon was in touch earlier this year asking if I could create something for his latest novel set in New York City. Gordon’s previous novels have been historical narratives about the city’s Jewish community; The Righteous One (subtitled “A Cobbler’s Journey into the Dreamworld and Beyond”) […]

Edge of Industry (2009) by Anne Starling. • “In her darkroom with her silver salts and gelatine plates, she experimented with the mercurial effects of light, time and temperature.” Hailey Maxwell on the photographic art of Dora Maar. • A Visionary Work Renew’d: A conversational review of Swan River Press edition of William Hope Hodgson’s […]

Femme avec des fleurs (c. 1912) by Romaine Brooks. • “Boring people tend not to exile themselves to rocky islands, but even among the intriguing personalities we encounter in Capri, some individuals prove more extravagantly memorable than others.” Steve Susoyev reviews Pagan Light: Dreams of Freedom and Beauty in Capri by Jamie James. • “The […]

“Spectra of various light sources, solar, stellar, metallic, gaseous, electric”, print by René Henri Digeon; plate IV in Les phénomènes de la physique (1868). • More polari: Thom Cuell this time with another review of Fabulosa!: The Story of Polari by Paul Baker. Good as it is to see these articles, one thing they all share […]

Poster art by Hiroo Isono. • “[Divine] didn’t want to pass as a woman; he wanted to pass as a monster. He was thought up to scare hippies. And that’s what he wanted to do. He wanted to be Godzilla. Well, he wanted to be Elizabeth Taylor and Godzilla put together.” I can’t help linking […]

Cover art by Grey Malkin. The folk horror revival wasn’t really a revival as such, it was more an identifying of trends which hadn’t been noticed or named before, the grouping together and labelling of which created a sub-genre ripe for further exploration. Over the past few years I’ve done my share to promote this […]