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• • • Being a journal by artist and designer John Coulthart, cataloguing interests, obsessions and passing enthusiasms.


 

Weekend links 51

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James Bidgood’s luscious and erotic micro-budget masterpiece Pink Narcissus (1971) receives a screening at the IFC Center Queer/Art/Film festival, NYC, on Monday. The film is presented by Jonathan Katz, curator of the Hide/Seek gay art show whose controversial history was recounted here in December. The NYT ran a short piece about Bidgood, now 77 and not the first artist to be disappointed by his past work; they also have a Bidgood slideshow. Hide/Seek, meanwhile, is now a touring exhibition.

• Related: the delightful Drew Daniel of Matmos (and Soft Pink Truth) posing in a jockstrap at the Club Uranus, San Francisco circa 1990; he also used to go-go dance wearing a fish.

• The Isle of Man may have one of the oldest parliaments in the world but its laws have often been out of step with its neighbour across the Irish Sea. This week the island joined the rest of the UK in granting civil partnerships to its citizens. Now the name whose punning appeal so delighted James Joyce doesn’t seem as inappropriate.

Howard Jacobson: “The novelist Yukio Mishima posed pointing a Samurai sword to his chest and ultimately had himself beheaded in public. This is what’s called taking your art seriously.”

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The Realm of the Queen of the Night (1974) by Wolfgang Hutter from Zauberflote at 50 Watts.

The revelatory operations of the chance encounter lie at the heart of le merveilleux (“the marvelous”)—the Surrealist conception of beauty. You find something marvelous in the world (an object, an image, a person, a place) that corresponds, like a piece clicking into a puzzle, to a deep inner need.

Slicing Open the Eyeball: Rick Poynor on Surrealism and the Visual Unconscious by Mark Dery.

Boy from the Boroughs: Alan Moore interviewed by Pádraig Ó Méalóid; Michael Moorcock interviewed at Suicide Girls.

• Illustrations from Quark, the anthology of speculative fiction edited by Samuel Delany & Marilyn Hacker in 1970.

The Residents, sans masks, filmed at their San Francisco home in the 1970s.

• Bach’s Toccata and Fugue in D minor played on a glass harp.

What art can do for science (and vice versa).

• You can never have too much Virgil Finlay.

• Lydia Kiesling reviews Lolita.

Alain Resnais film posters.

Red Mug, Blue Linen.

No GDM (dub version) (1979) by Gina X | L. Voag’s Kitchen (2004) by Soft Pink Truth.

 


 

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2 comments or trackbacks

  1. #1 posted by Gabriel McCann

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    “You can never have too much Virgil Finlay.”
    …or Virgil Finlay hommages
    http://www.angelfire.com/comics/eroomnala/14.html

  2. #2 posted by Thombeau

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    The world would be a better place if more 19-year-olds posed in jockstraps.

 


 

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