Invisible Light by Margo Selski.
The Glass Garage Fine Art Gallery has an online collection of paintings by Margo Selski, many of which feature her cross-dressing son, Theo. Coilhouse profiled artist and model earlier in the week. Some of these paintings mix oil with beeswax which is something I’ve not come across before.
• The Periwinkle Journal‘s first issue will be available online, free, from March 22nd until mid-June, featuring work by filmmaker and artist Hans Scheirl (Dandy Dust), artwork and collages by Genesis Breyer P-Orridge, a 7-page colour comic by Mavado Charon, artwork by Timothy Cummings, artwork and installations by Cody Chritcheloe/SSION, photos by Megan Mantia, Science-Heroes by Peter Max Lawrence, an illustration portfolio by Diego Gómez, selections from the queer photography pool on Flickr, reviews and other stuff. More later.
• The Quietus wanted to remind us that this year is the 25th anniversary of the NME‘s C86 compilation tape, a collection that sought to capture a moment of ferment but which inadvertently inspired too much dreary sub-Velvet Underground pop. I’d rather celebrate the 30th anniversary of the NME‘s C81 compilation, a far more diverse collection and musically superior. If you want to judge for yourself, both tapes can be downloaded here.
Machine in the Garden — Our Island Shall Know Abundance Without End by Margo Selski.
• Rick Poynor continues his exploration of Ballardian graphics with a piece about the paintings of Peter Klasen. Related: Where Will It End? JG Ballard interviewed by V. Vale & introduced by Michael Moorcock (Arthur No. 15/March 2005).
In his autobiography, Miracles of Life, JG Ballard suggested that illustrated versions of The Arabian Nights helped prepare him for surrealism.
• Another Coulthart cult movie surfaces, Jerzy Skolimowski’s Deep End (1970), out of circulation for many years but newly restored by the BFI. A re-release is scheduled for May so I’m hoping now that a DVD release will follow soon after.
• Fuck You, A Magazine of the Arts, number 5, volume 8.
• Nicolas Roeg: “I don’t want to be ahead of my time.”
• MetaFilter looks at the films of René Laloux.
• The Eerie covers of Frank Frazetta.
• Requiem (for String Orchestra) by Toru Takemitsu.