Design by Randoll Coate for the Labirinto Borges, a hedge maze at the Giorgio Cini Foundation, Venice, which was renovated earlier this year.
• “Code was probably our most overtly political record, which is interesting, touring and playing it in these very different but scary political times.” Stephen Mallinder of Cabaret Voltaire talking about the experience of touring America again.
• At The Daily Heller: A look at the work of designer/illustrator George Hardie whose five-decade career is to be celebrated in a retrospective exhibition in London. There’s more George Hardie here.
• “Almost as soon as weird began circulating outside of Macbeth, its meaning broadened too, from ‘eerie’ and ‘uncanny’ to ‘odd’ or ‘unusual’.” Colin Gorrie on the weird history of the word “weird”.
• At The Quietus: Toby Manning on 40 years of Gone To Earth by David Sylvian. A minor nitpick: the album’s art and design was by Russell Mills, not Vaughan Oliver.
• New music: Burning Song by Kali Malone; Obsessive Surrealism by Parallel Worlds.
• At Door Of Perception: The radical architectural designs of Eugene Tssui.
• DJ Food’s latest accumulation of psychedelic graphics from the desktop.
• Old music: When The Music’s Over (Live, 1970) by The Doors.
• Arthur Brown‘s favourite songs.
• Weird Dream (1976) by Harmonia | It’s So Weird (1983) by Bush Tetras | Ballad Of The Weird Sisters (2013) by Blood Ceremony
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