Weekend links 87

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Untitled art by Katie Scott.

“…the very fact that people cannot get published by the big-name publishers in the way that they used to has meant that you’ve got some really interesting and often really beautiful little small publishing houses that are springing up and coming into existence. And the stuff that they’re providing is actually a lot better. I’m thinking of people like Tartarus Press, Strange Attractor and various other commendable small publishers that do a beautiful job and that are producing books that are good to have on your bookshelf.”

Alan Moore discussing books old and new in a lengthy interview at Honest Publishing. In part two he takes to task hardboiled moron Frank Miller and offers his thoughts on the Occupy movement. Elsewhere the Guardian finally paid some attention to the importance of design in the book world. Some of us who do this for a living have been saying for years that if publishers want to see physical books thriving they need to maintain (or improve) the quality of their design and materials. Related: The Truth About Amazon Publishing, Laura Hazard Owen at paidContent examines some the figures behind Amazon’s PR.

• “Tenniel argued for several changes to the characters as conceived by Carroll. The croquet mallets are ostriches in the original drawings, and the hoops are footmen bent over with the tails of their coats hanging down over their bottoms like an animal’s. Tenniel left them out. He told the author that a girl might manage a flamingo, but not an ostrich.” Marina Warner again on John Tenniel, Lewis Carroll and the Alice books.

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Untitled painting by Christian Schoeler who was interviewed for a second time at East Village Boys.

Shamanism and the City: Psychedelic Spiritual Tourism Comes Home and Scientists finding new uses for hallucinogens and street drugs. Related: LSD – A Documentary Report (1966), “a totally new kind of record album”.

• More books: Interview with a Book Collector. Mark Valentine, author, biographer and editor was also the co-publisher in 1988 of my adaptation of HP Lovecraft’s The Haunter of the Dark.

• The Priapus Chandelier “features six hand-sculpted phalluses cast in translucent resin, which radiate an atmospheric light.”

Stewart Lee on Top Gear, in which the comedian and Dodgem Logic contributor eviscerates the BBC’s pet trolls.

• The Beinecke Rare Book and Manuscript Library put the Voynich Manuscript online.

• The 432-page SteamPunk Magazine collection with my cover art is now on sale.

Hubble, Bubble, Toil & Trouble: The Haxan Cloak Interviewed

• The Sunn O))) chapter of The Electric Drone by Gilles Paté.

Colonel Blimp: The masterpiece Churchill hated

Submergence (2006) by Greg Haines | Reyja (2011) by Ben Frost & Daníel Bjarnason | The Fall (2011) by The Haxan Cloak.

Index, fist or manicule?

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Third revised specimen book and price list of printing material (1887), Palmer & Rey, San Francisco.

Browsing through old type foundry catalogues recently reminded me of a question posed by Callum James a few years ago over at Front Free Endpaper, namely: what is the official description of those pointing hands favoured by pre-20th century typesetters? Writer Mark Valentine in a follow-up post mentions a term invented by William H Sherman—”manicules”—since Sherman also believed that the pointing hands were nameless. That’s not quite the case, however, as these pages show, with two descriptors being used: “indexes” and “fists”. Just to confuse matters both terms are used on different pages of the same catalogue which implies that the names may have been a convenience term to avoid having to repeatedly discuss “those pointing hand things” with customers. “Manicule” seems a better choice since “index” already has a standard meaning in printing, while “fist” doesn’t suit at all.

These catalogues contain many pages of similar type decorations and embellishments. All can be downloaded at the Internet Archive, just follow the links.

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Third revised specimen book and price list of printing material (1887), Palmer & Rey, San Francisco.

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Catalogue and book of specimens of type faces and printing material and machinery (1895), Cleveland Type Foundry.

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Copper alloy type book (1901), Pettingill & Co., Boston.

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Copper alloy type book (1901), Pettingill & Co., Boston.

Update: Thanks to Alan in the comments for pointing the way (so to speak) to William Sherman’s Toward a History of the Manicule.

Update 2: See this manicule Flickr group for many contemporary examples.

Previously on { feuilleton }
Victorian typography