Tag: David Lynch

Some YoYo Stuff

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Some YoYo Stuff: An observation of the observations
of Don Van Vliet by Anton Corbijn (1993).

Anton Corbijn’s sad and touching short about Captain Beefheart is at Ubuweb.
Includes a brief appearance by David Lynch.

Don van Vliet, alias “Captain Beefheart”, is one of the most influential, misunderstood, talked about, admired, copied, treasured, loved and quoted musicians and yet he is still an obscure and mysterious artist. His quite abrupt artistic transformation from working with a microphone to a paintbrush in 1982 and his consequent move from the desert to the ocean meant even less direct contact with the outside world than before. Subsequently there is very little information about Don from this time onwards and this short black-and-white film made in 1993 is an unique opportunity to see and hear this unique man. The film is approximately 13 minutes long, directed and photographed in black and white.

Previously on { feuilleton }
• The genius of Captain Beefheart

Freddie Francis, 1917–2007

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Pamela Franklin, Deborah Kerr and Martin Stephens: The Innocents (1961).

Freddie Francis, who died last week, was a great cinematographer, and (although he may not have wanted to be remembered for it) a not-so-great director of low budget horror films. His photography on Sons and Lovers (1960) and Glory (1989) won him Academy Awards, and he worked three times for David Lynch, on The Elephant Man (1980), Dune (1984) and The Straight Story (1999). He also photographed Cape Fear (1991) for Martin Scorsese. All that aside, my favourite work of his remains the incredible play of light and shade he achieved for Jack Clayton’s The Innocents, along with The Haunting (1963) one of the best ghost stories in cinema.

Previously on { feuilleton }
• David Lynch in Paris
• Inland Empire

The Surrealist Revolution

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The riddle of the rocks by Jonathan Jones
It was the art movement that shocked the world. It was sexy, weird and dangerous—and it’s still hugely influential today. Jonathan Jones travels to the coast of Spain to explore the landscape that inspired Salvador Dalí, the greatest surrealist of them all.

The Guardian, Monday March 5, 2007

I AM SCRAMBLING over the rocks that dominate the coastline of Cadaqués in north-east Spain. They look like crumbling chunks of bread floating on a soup of seawater. Surreal is a word we throw about easily today, almost a century after it was coined by the poet Guillaume Apollinaire. Yet if there is anywhere on earth you can still hope to put a precise and historical meaning on the “surreal” and “surrealism”, it is among these rocks. To scramble over them is to enter a world of distorted scale inhabited by tiny monsters. Armoured invertebrates crawl about on barely submerged formations. I reach into the water for a shell and the orange pincers of a hermit crab flick my fingers away.

The entire history of surrealism—from the collages of Max Ernst to Salvador Dalí’s Lobster Telephone—can be read in these igneous formations, just as surely as they unfold the geological history of Catalonia.

I sit down on a jagged ridge. What if I fell? Would they find a skeleton looking just like the bones of the four dead bishops in L’Age d’Or, the surrealist film Luis Buñuel shot here in 1930?

Buñuel had been shown these rocks by his college friend Dalí years earlier. It was here they had scripted their infamous film Un Chien Andalou. Dalí came from Figueras, on the Ampurdán plain beyond the mountains that enclose Cadaqués, and spent his childhood summers here, exploring the rock pools and being cruel to the sea creatures. In most people’s eyes, this is a beautiful Mediterranean setting. It certainly looked lovely to Dalí’s close friend, the poet Federico García Lorca, when Dalí brought him here in the 1920s: in his Ode to Salvador Dalí, Lorca lyrically praises the moon reflected in the calm, wide bay…

Continues here.

Previously on { feuilleton }
• The persistence of DNA
• Salvador Dalí’s apocalyptic happening
• The music of Igor Wakhévitch
• Dalí Atomicus
• Las Pozas and Edward James
• Impressions de la Haute Mongolie

Kenneth Anger on DVD…finally

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Finally…well, we’ll see. Forgive my sceptical tone, these announcements have been cropping up for years although this one seems genuine, with an Amazon page and everything. Good to know that it’s a Fantoma production since they did a great job with Jodorowsky’s Fando y Lis.

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The enigmatic Marjorie Cameron portrays the
Scarlet Woman for Inauguration of the Pleasure Dome.

The word “classic” is often used too easily but these films are classics by any standard, masterworks of underground filmmaking, pioneering in their gay content (Fireworks [1947] is like Genet directed by Jean Cocteau and all the more remarkable since Anger was still a teenager when he made it), camp and occult in equal measure, and Inauguration of the Pleasure Dome, made in 1954, can claim to be one of the first examples of truly psychedelic cinema. DVD would be the perfect medium to present Inauguration with multiple soundtracks (it’s had at least two over the years) although I suspect we’ll only get the Janacek score and not the bizarre Electric Light Orchestra version I saw once at a cinema screening.

At long last, THE FILMS OF KENNETH ANGER VOLUME 1 is finally available on DVD this January.

Fantoma Films’ special edition DVD hits stores on January 23, 2007.

“It’s time that Kenneth Anger’s work became more available, because he is, without a doubt, one of our greatest artists.” Martin Scorsese

Cinematic magician, legendary provocateur, author of the infamous HOLLYWOOD BABYLON books and creator of some of the most striking and beautiful works in the history of film, Kenneth Anger is a singular figure in post-war American culture.

A major influence on everything from the films of Martin Scorsese, Rainer Werner Fassbinder and David Lynch to the pop art of Andy Warhol to MTV, Anger’s work serves as a talisman of universal symbols and personal obsessions, combining myth, artifice and ritual to render cinema with the power of a spell or incantation.

Covering the first half of Anger’s career, from his landmark debut FIREWORKS in 1947 to his epic bacchanalia INAUGURATION OF THE PLEASURE DOME, Fantoma is very proud to present the long-awaited first volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time anywhere in the world.

In production for over 5 years, THE FILMS OF KENNETH ANGER VOLUME 1 is easily the most requested title in Fantoma Films’ history. Painstakingly restored by Fantoma, these shorts represent the beginning of the independent film movement as we know it today and Anger’s revolutionary use of blending film to music has often been credited as giving birth to the music video. The films contained in this set include: FIREWORKS (1947), PUCE MOMENT (1949), RABBIT’S MOON (1950, shown here in the rarely seen 16 minute version), EAUX D’ARTIFICE (1953), and INAUGURATION OF THE PLEASURE DOME (1954).

THE FILMS OF KENNETH ANGER VOLUME 1 contains the following special features:

-High Definition transfers from newly restored elements.
-Screen specific audio commentary for all films from Kenneth Anger.
-Rare outtakes and behind-the-scenes images.
-Restoration Demonstrations.
-A 48 page book with a written appreciation of Kenneth Anger by legendary
filmmaker Martin Scorsese, exclusive to this release, extensive notes for
each film, rare photos, never before seen sketches for Anger’s unproduced
film PUCE WOMEN, and more.

Fantoma Films’ DVD of THE FILMS OF KENNETH ANGER VOLUME 1 will be available in stores on January 23, 2007 for a retail price of $24.98.
Fantoma Films: www.fantoma.com
MySpace page: www.myspace.com/fantomafilms.

(Thanks to Jay!)

Previously on { feuilleton }
• Ten films by Oskar Fischinger
• Lapis by James Whitney
• La Villa Santo Sospir by Jean Cocteau
• Un Chant d’Amour by Jean Genet