A journal by artist and designer John Coulthart.
The plates from Stephan Michelspacher’s Cabala, Speculum Artis Et Naturae In Alchymia (1654) are familiar from histories of alchemy but SLUB Dresden has high-resolution scans of the entire book. Also there is Wenzel Jamnitzer’s astonishing Perspectiva Corporum Regularium (1568), a volume covered in detail at BibliOdyssey last year.
Elsewhere on { feuilleton }
• The etching and engraving archive
Previously on { feuilleton }
• Digital alchemy
Will at A Journey Round My Skull turned up this hand-coloured picture from Ronald Balfour’s illustrated Rubáiyát some of whose other drawings were featured here recently. That distant volcano is a curious detail. Related: Golden Age Comic Book Stories posted plates from Willy Pogány’s edition.
• Authors on authors: China Miéville on JG Ballard; Rodrigo Fresán on Jorge Luis Borges; AS Byatt on Lewis Carroll.
• Events: Alan Moore & Sunn O)))’s Stephen O’Malley present Simultaneous Conjugation of Four Spirits in a Room at the Laing Art Gallery on March 13th, 2010 (via Arthur); in October Weirdstone will celebrate the fiftieth anniversary of Alan Garner’s The Weirdstone of Brisingamen.
• New blogs: Wonder Kabinet / Wunderkammer, “curiosities, ephemera, and fragments from The Cutting Room Floor and Evan J Peterson”; Pencil Tool, a Tumblr by Charity Pomaybo; and another Tumblr from Mountain*7.
• Perversity Think Tank is a new book from Supervert. Download it for free or order the delicious limited edition.
• The Casual Optimist lists 10+ Flickr Groups for Book Design and Inspiration.
• Via BibliOdyssey: 400 woodcuts by Eric Gill.
• “At least in self-abuse / There’s a little dignity…” Song of the week was Hands 2 Take by The Flying Lizards from their second album, Fourth Wall (1981). I bought this when it came out but hadn’t listened to it for years. Thrilling, urgent stuff with the fabulous Patti Palladin on vocals. Play loud.
It was the slightly gamy residue of the super-elegant and exotic pictures of Aubrey Beardsley. I have always considered the 1900 period as the psycho-analytical end-product of the Greco-Roman Decadence. I said to myself: Since these people will not hear of aesthetics and are capable of becoming excited only over “vital agitations”, I shall show them how in the tiniest ornamental detail of an object of 1900 there is more mystery, more poetry, more eroticism, more madness, perversity, torment, pathos, grandeur and biological depth than in their innumerable stock of ugly fetishes, possessing bodies and souls of a stupidity that is simply and uniquely savage!
Salvador Dalí, The Secret Life of Salvador Dalí (1942).
More from Paris, whereupon it becomes necessary to ask: how much more groovy could this poster be? And the answer is none. None more groovy. Art Nouveau Revival 1900 • 1933 • 1966 • 1974 is an exhibition running at the Musée d’Orsay, Paris, which traces the echoes of Art Nouveau through Surrealism into the revival of the 1960s.
Poster by Albert Angus Turbayne for Macmillan’s illustrated Standard Novels (1903).
Rejected and scorned in the decades following its brief flowering, Art Nouveau was spectacularly rehabilitated in the 1960s. This re-evaluation offers a particularly interesting interlude in the history of style in that many different areas were affected at the same time by this phenomenon: the history of art, the art market, contemporary creative work, particularly design and graphics.
There’s further detail here, along with photos of some of the exhibits. Verner Panton’s Visiona II makes another appearance and in addition to Dalí and company there’s the magic word “psychedelic”. The exhibition runs until February 4, 2010, and there’s a catalogue co-written by the V&A’s fin de siècle expert Stephen Calloway which I’m going to have to buy. Via.
Previously on { feuilleton }
• Beardsley at the V&A
• Michael English, 1941–2009
• Temples for Future Religions by François Garas
• Antonin Mercié’s David
• Art Nouveau illustration
• Dirty Dalí
• Verner Panton’s Visiona II
• Flowers of Love
This is something you don’t generally see in swashbuckling films, a duellist being stabbed through the eye. To judge by the plates in Nicoletto Giganti’s sword-fighting manual it seems to have been a very common form of attack; duels with bare blades were a serious business. For some reason most of the combatants in these pictures also have bare bodies, possibly to better display the positioning of their limbs.
I found this 1644 book by accident last year while searching for something completely unrelated then forgot to bookmark the page. Good job, then, that the indispensable Mr Peacay at BibliOdyssey had come across the same pages. He also found plates from an older book dealing with different forms of hand combat.
Elsewhere on { feuilleton }
• The men with swords archive
• The etching and engraving archive
Previously on { feuilleton }
• Battle of the Naked Men
Still reading Moby Dick at a leisurely pace. After finishing Melville’s chapters on the representations of whales I thought I’d see if the pictures he most prefers are online anywhere. A vain search, as it turns out, but I did discover this splendid depiction, Stranded Sperm Whale, by Dutch artist Jan Saenredam (1565–1607).
On 19 December 1601, a sperm whale washed up near Beverwijk. Crowds of people came to see the sight. Among them Jan Saenredam, who made this print. He has depicted himself drawing on the left.
The description continues at the Rijksmuseum site from which this copy originates. Mr Peacay of BibliOdyssey has a very large copy on his Flickr pages which shows more of the fine detail. Melville is highly critical of poor depictions of whales but I suspect he would have liked this one. As well as the local colour and allegorical border elements, Saenredam faithfully renders his dead whale, even leaving space for the drooping scape of cetacean penis. In a similar, if more mundane manner, there’s this engraving by Jacob Matham.
Elsewhere on { feuilleton }
• The etching and engraving archive
Previously on { feuilleton }
• The Whale again
• Rockwell Kent’s Moby Dick