Weekend links 238

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We Are The Water – Snow Drawings Project, Colorado (2014) by Sonja Hinrichsen with 50 volunteers.

• I don’t do end-of-year lists but Dennis Cooper does. My thanks to Dennis once more for including this blog among his selections. Also there is Jonathan Glazer’s film of Under the Skin, an adaptation of Michel Faber’s novel that impressed me as the most insidiously disturbing thing I’ve seen since Mulholland Drive. The Guardian‘s film critics agreed, making it their film of the year. I’d add to Peter Bradshaw’s appraisal by noting the superb score by Mica Levi, the refusal to spoon-feed the audience with explanations, and a refreshing absence of Hollywood gloss. Glazer’s film, like Kill List before it, shows that mundane British streets and interiors can still be a setting for serious horror.

• Related to the above: “I like Caravan, Coil—it’s very sad that they’re both dead now. In fact, Peter Christopherson, who was leader of Coil, contributed a song to a CD which I made for my wife for what we believed would be her last birthday.” Michel Faber talks to Hope Whitmore about Under the Skin and his new novel, The Book of Strange New Things. M. John Harrison recommends the latter on his own end-of-year list. In January Black Mass Rising will release a recording of The Art of Mirrors, Peter Christopherson’s homage to Derek Jarman from 2004.

David Bowie and band live on Musikladen in 1978: 40 minutes with Adrian Belew on squealing lead guitar, some Kurt Weill and an outstanding performance of “Heroes”.

• “Realism is a literary convention – no more, no less – and is therefore as laden with artifice as any other literary convention.” Tom McCarthy on realism and the real.

• Mixes of the week: The Best of the Best of the Best by TheCuriosityPipe, and Secret Thirteen Mix 138, a medley of post punk from Psyche.

• “We spent two weeks making the penises.” Livin’ Thing: An Oral History of Boogie Nights by Alex French and Howie Kahn.

• At Dangerous Minds: Seeing The Man Who Fell to Earth was one of the greatest experiences of Philip K. Dick’s life.

• Giving Voice to Our Pagan Past and Present: Pam Grossman on Witches, Women and Pop Occulture.

• Neglected last week (and linked everywhere but still a good one): The typography of Alien.

William Mortensen, the photographer who Ansel Adams called the Anti-Christ.

• Hear a track from analogue synthesizer virtuoso Kaitlyn Aurelia Smith.

Rick Poynor on illustrations by Bohumil Stepan for Crazy Fairy Tales.

12 excellent features from directors who never made another feature.

Werner Herzog Inspirationals

The Devil in the Hedgerow

New Warm Skin (1980) by Simple Minds | Rapture Of The Skin (1996) by Paul Schütze | Take Me Into Your Skin (2007) by Trentemøller

Pascal Sébah

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Studio portrait of models wearing traditional clothing from the provinces of Hedjaz (Hejaz), Yemen and Tripoli, Ottoman Empire (1873).

Photo prints by Turkish photographer Pascal Sébah (1823–1886) at the Library of Congress. I always like to see photos of ruins in the wild, so to speak, as they generally were in the 19th century before the imperatives of archaeology and mass tourism had cleaned, restored and reduced everything to the status of a museum exhibit or (in the case of the temple below) a shopping opportunity. There’s more of Pascal Sébah’s work at Wikimedia Commons.

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Kôm Ombo (Sud Est) (The ruins of the Temple of Sobek and Haroeris at Ombos, Egypt, between 1860 and 1886).

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Colosses de Memnon à Thèbes (between 1860 and 1890).

Previously on { feuilleton }
Alhambra cyanotypes
Constantinople, 1900
Edinburgh, 1929
Old Bunker Hill
Inondations 1910
Berenice Abbott
Eugene de Salignac
Luther Gerlach’s Los Angeles
The temples of Angkor
The Bradbury Building: Looking Backward from the Future
Edward Steichen
Karel Plicka’s views of Prague
Atget’s Paris
Downtown LA by Ansel Adams

Alhambra cyanotypes

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The cyanotype process is a very old photographic printing technique and also the source of the word “blueprint”, after the process became common among builders and engineers for the printing of plans. The technique also has its enthusiasts today, some examples of which can be seen here. These views of the Alhambra Palace in Granada, Spain, were taken by Carl Curman, a Swedish scientist and photographer, in 1878. The Swedish National Heritage Board at Flickr has two sets of Curman’s travel photography which include additional views of the Alhambra as well as other cyanotypes.

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Previously on { feuilleton }
Constantinople, 1900
Edinburgh, 1929
Old Bunker Hill
Inondations 1910
Berenice Abbott
Eugene de Salignac
Luther Gerlach’s Los Angeles
The temples of Angkor
The Bradbury Building: Looking Backward from the Future
Edward Steichen
Karel Plicka’s views of Prague
Atget’s Paris
Downtown LA by Ansel Adams

Edinburgh, 1929

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2A Arthur Street.

Samples from a collection of photographs by Alfred Henry Rushbrook at the National Library of Scotland’s Flickr pages showing the St Leonards area of Edinburgh. These were taken in 1929 but the age of the buildings and the curiously fogged appearance of the prints makes them seem a lot older. The City of Edinburgh Improvement Trust commissioned Rushbrook to record views of the area before slum clearances took place. In that respect his photos are like a Scots equivalent of the famous views of Paris taken by Atget before Hausmann’s demolition teams set to work.

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2–4 Lothian Street and 3–5–7 Potterow.

Previously on { feuilleton }
Old Bunker Hill
Inondations 1910
Berenice Abbott
Jessie M King’s Grey City of the North
Eugene de Salignac
Luther Gerlach’s Los Angeles
The temples of Angkor
The Bradbury Building: Looking Backward from the Future
Edward Steichen
Karel Plicka’s views of Prague
Atget’s Paris
Downtown LA by Ansel Adams

Old Bunker Hill

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One of a number of photos of the elegantly decayed houses of early Los Angeles by ex-vaudeville artist George Mann. On Bunker Hill is a site dedicated to this vanished area of the city.

These never-before-published color images of old Bunker Hill were originally displayed in 3-D viewers of Mann’s own design, which were leased to various Los Angeles businesses, including Hody’s Drive-Ins, and other restaurants, bars and doctor’s offices. Mann would swap out the photo selection regularly, so if these evocative scenes of Bunker Hill weren’t available, one might peep at Calico Ghost Town, Catalina Island, Descanso Gardens, Disneyland, Knott’s Berry Farm, Pacific Ocean Park, Watts Towers or Palm Springs. (More.)

There’s more old LA at the Vintage Los Angeles Flickr pool.

Previously on { feuilleton }
Berenice Abbott
Eugene de Salignac
Luther Gerlach’s Los Angeles
The Bradbury Building: Looking Backward from the Future
Edward Steichen
Karel Plicka’s views of Prague
Atget’s Paris
Downtown LA by Ansel Adams