New things for April III

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The results of the Figment album art competition have now been posted and you can see my choice of the winner on the left here. You can see the rest of the winners and read my comments on the Figment site. The winning design reminded me of the famous cover for the first King Crimson album, In the Court of the Crimson King (1969), a painting by Barry Godber. Both have an arresting quality which make you wonder what it is that’s being witnessed beyond the picture frame.

King Crimson’s debut is one of the key moments when British music abandoned the silliness of psychedelia and got down to the serious business of becoming progressive rock. For some people this means it’s also the moment when rock music Went Wrong but I’ve no time for such Spartan sophistries; Robert Fripp rules. Digressions aside, I’ve not finished with the present psychedelic obsession (no, you don’t escape that easily), and the other piece of news today comes with an alert from Valis whose radio show of psychedelic music, Trip Inside This House, runs for two hours every Tuesday morning on KBHX, St Louis, from 5am to 7am. There’s archived shows on a blog of the same name and that site currently features an interview with Matt Piucci, ex of the fantastic Rain Parade, for my money the best of the Paisley Underground bands of the 1980s. If you haven’t yet heard their finest moment, No Easy Way Down, then your life is quite simply a hollow sham.

Yellow Submarine comic books

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By the time Yellow Submarine appeared on TV in the early Seventies I was already a keen viewer of anything showing the groovier side of the late Sixties. What I recall of that decade is resolutely unspectacular—I was only 7 in 1969, after all—but Swinging London as seen in the lighter films of the period, or via trace elements in TV series such as The Avengers, always looked like a fun place to be. Yellow Submarine was a concentrated dose of all the gaudiest elements of the era and immediately became one of my favourite films, probably the favourite psychedelic film until I finally got to see Performance in 1983.

This comic strip adaptation of the film is a curious cash-in from 1968 which is nonetheless better, and longer, than I expected. The writer and artist go uncredited but whoever they were they manage to flesh out the admittedly sketchy storyline and still retain the atmosphere of the film. One significant change may be the result of the timidity of the time with John Lennon’s lysergic muse, Lucy in the Sky with Diamonds being downgraded to Paul McCartney’s rather more mundane Rita the Meter Maid.

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The comic came with this poster and the whole package is now highly-sought by Beatles collectors with near mint copies going for $300. Naturally there are various copies circulating in the digital world and I shouldn’t have to tell you how to find them.

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There were plans by Dark Horse in the 1990s to produce a more faithful adaptation of the film in comic form. Bill Morrison was the artist and this would have tied-in with the film’s release on DVD in 1999. He managed 26 pages before Apple Records pulled the plug on the project which seems a shame going by the completed work. The Beatles’ back catalogue is due to be reissued soon in CD editions which will replace the shoddy 1987 versions. Expect to hear more about Yellow Submarine before the year is out.

Previously on { feuilleton }
The Sonic Assassins
A splendid time is guaranteed for all
Heinz Edelmann
Please Mr. Postman
All you need is…

New things for April II

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Another work-related update. This HP Lovecraft collection is published by Barnes & Noble next month and features my colour rendering of the rising monstrosity on its cover. Nice to have something decorating an actual Lovecraft book, the second time this has happened (first time was for a French volume). B&N also sell my own book, of course (with, er…the same cover pic).

And another shout-out, for a preview of Arik Roper‘s new book, Mushroom Magick: A Visionary Field Guide, at Abrams. Read an extract from Erik Davis’s introduction here.

Via Further.

Previously on { feuilleton }
The art of Arik Roper

New things for April

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I drew attention yesterday to the abraded look of the Taking Woodstock poster and mentioned a recent book design of mine which used a similar effect. This is that cover, created for a collection of Joe R Lansdale’s horror novels coming soon from Underland Press. Lansdale is known mainly for being the writer of the story which Don Coscarelli adapted for Bubba Ho-tep in 2002 (a great film, incidentally) but he’s done a lot more besides. Find out more at his website.

While on the subject of self-promotion, the invent-your-own-band website Figment posted an interview with me as a complement to their cover art competition which I’ve been judging. Results of that will be announced at the end of the week.

And speaking of interviews, I’ll mention again Jay Babcock’s exclusive interview/feature with comic artist Rick Veitch over at Arthur. Rick’s an artist I’ve always had a lot of time for and this piece includes a special intro/appreciation by collaborator Alan Moore. The interview examines the serious business of dreaming, with Rick’s advice on using your dreams for artistic breakthroughs, personal growth, problem solving, and time/space travel.

Previously on { feuilleton }
Sleeve craft
Finch