The recurrent pose 40

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Another addition to the burgeoning archive of you-know-what, the Flandrin pose on this occasion being by Egon from JKK Fine Arts. He also sent details of some new photobooks, the image below being an example from The Blue Book. There’s also Narcissus and Homage to Egon Schiele. Thanks Egon!

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The recurrent pose archive

Pascal Sébah

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Studio portrait of models wearing traditional clothing from the provinces of Hedjaz (Hejaz), Yemen and Tripoli, Ottoman Empire (1873).

Photo prints by Turkish photographer Pascal Sébah (1823–1886) at the Library of Congress. I always like to see photos of ruins in the wild, so to speak, as they generally were in the 19th century before the imperatives of archaeology and mass tourism had cleaned, restored and reduced everything to the status of a museum exhibit or (in the case of the temple below) a shopping opportunity. There’s more of Pascal Sébah’s work at Wikimedia Commons.

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Kôm Ombo (Sud Est) (The ruins of the Temple of Sobek and Haroeris at Ombos, Egypt, between 1860 and 1886).

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Colosses de Memnon à Thèbes (between 1860 and 1890).

Previously on { feuilleton }
Alhambra cyanotypes
Constantinople, 1900
Edinburgh, 1929
Old Bunker Hill
Inondations 1910
Berenice Abbott
Eugene de Salignac
Luther Gerlach’s Los Angeles
The temples of Angkor
The Bradbury Building: Looking Backward from the Future
Edward Steichen
Karel Plicka’s views of Prague
Atget’s Paris
Downtown LA by Ansel Adams

Deutsche Kunst und Dekoration #9

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The Ludwig Habich building, Darmstadt.

Continuing the delve into back numbers of Deutsche Kunst und Dekoration, the German periodical of art and decoration. Volume 9 covers the period from October 1901–March 1902. This edition continues the examination of the Darmstadt Artists’ Colony begun in the previous number. Despite the colony being very much an Art Nouveau venture the pictorial content is largely photographic, with many views of the show-homes built by the colony artists. Much of the other content is a disappointment compared to what’s gone before, the featured painters being the conservative types who were crowding Jugend magazine at this period with generic depictions of stolid German farmers. Unlike Jugend, however, this isn’t the end of the line. As usual, anyone wishing to see these samples in greater detail, or the rest of the edition, is advised to download the entire volume at the Internet Archive. There’ll be more DK&D next week.

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Fred Holland Day revisited

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St Sebastian with wounded chest (c. 1906).

The work of American photographer Fred Holland Day (1864–1933) has featured here in the past but it’s only recently that I came across the archive of prints at the Library of Congress. Not all the works there are digitised yet, and some are still unavailable for viewing, but the LoC prints one can view are always quality scans. Day would have been a significant photographer whatever his subject but his work has additional interest today for its overt homoerotic dimension; he manages to play the usual evasive games with Biblical themes or Classical mythology whilst maintaining a pictorial quality through soft focus and heavily-grained paper. The mood of some of these shots makes them seem far in advance of other work of the period.

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St Sebastian in loincloth, tied to tree with rope, arrows in stomach and side, hands behind back (1906).

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Vultures Await

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From a Void City to what might be a Vulture City, this is an illustration I produced last September for San Jose psych rock band Vultures Await. I would have mentioned it sooner but the following months were very busy and I was also waiting for the band to make the artwork public. Stylistically, this is another piece of collage Surrealism à la Wilfried Sätty, an illustration approach I’d like to keep developing for a while yet. The forthcoming Thackery T. Lambshead Cabinet of Curiosities will have more Sätty-inspired pieces, although my contributions there tend towards the decorative. There is, however, a connection between this piece and the Cephalopod Bride.

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
Wilfried Sätty: Artist of the occult
Nyarlathotep: the Crawling Chaos