{work} – Page 39 – { feuilleton }

Bulgarian Bee

It’s unusual but not unprecedented for foreign publishers to use the first-edition cover art when they publish a translation of a book. One of my cover designs for Mike Shevdon’s Courts of the Fayre series was reused for a French edition published by Panini/Eclipse in 2014. This year it’s the turn of The Singular & Extraordinary Tale of Mirror & Goliath by Ishbelle Bee which appeared in a Bulgarian edition last month from Ciela. In this instance I supplied the publisher with many of the work files so that the designers were able to refashion the title using Cyrillic characters. I’m very pleased with the way they’ve done this, the task wasn’t an easy one when some of the lettering was unique to this design. If you live in Sofia (or are on holiday there) watch out for it.

Previously on { feuilleton }
• The Contrary Tale of the Butterfly Girl
• The Singular & Extraordinary Tale of Mirror & Goliath

Seven Harps by Warper’s Moss

I’ve been rather lax in adding to the music design section of my web pages. The last update was almost a year ago but I’ve produced several new designs since then, including more work for the experimentalists at the Subtext label. There’s a new Subtext release coming soon but before that appears I can talk about Seven Harps by Warper’s Moss, another release on Manchester’s ONO label.

Warper’s Moss is the nom de musique of a guitarist I’ve known for a long time, and whose playing may be heard on recent ONO releases by Watch Repair. There’s no guitar on Seven Harps, however, all the music is produced by a collection of harp or harp-like instruments including a zither, box harp and autoharp. I have a predilection for these instruments and the timbres they produce so this release was great to hear even without the personal connection. The instruments may be common in traditional music but the seven pieces are very non-traditional compositions that wander into pure ambience in places, making the most of the resonating strings. A beautiful and beguiling album. The packaging follows the ONO template of low-budget minimalism with a single Risographed sheet wrapped around a CD. Seven Harps is available at Piccadilly Records and Boomkat.

Previously on { feuilleton }
• The Tidal Path by Watch Repair
• Watch Repair

Tales of the High Court

I thought I’d already written something about my cover for Megan Derr’s gay fantasy novel, The High King’s Golden Tongue, but it seems not. This appeared last year from Less Than Three Press, and the next volume in the Tales of the High Court series, Pirate of Fathoms Deep, has been published this week. My earlier omission allows me to show both covers together.

When working on the first volume I didn’t expect I’d also be working on a sequel so there was no need to consider whether the design could be carried over. The architectural frame is from a book about French architect Eugène Viollet-le-Duc, taken from one of Viollet-le-Duc’s illustrations for a study of the architecture of old France. I added the windows and curtains before colouring the stones and providing shadows and highlights. This became a problem for the second cover because my Viollet-le-Duc book only had one example of this kind of stonework. After some lengthy searches at Gallica I was able to find enough scans of other pages from the books that Viollet-le-Duc illustrated to piece together a new frame. The Gothic window frames on both covers are from another French volume, and I’ve now exhausted all those examples so a third volume in this series will no doubt present further challenges.

Weekend links 314

Avebury Kite (2006) by David Alderslade.

• “Klaus Mann, son of Thomas Mann, author of Mephisto, was one of the first in Germany to write gay novels and plays.” Walter Holland reviews Cursed Legacy: The Tragic Life of Klaus Mann by Frederic Spotts.

• The Pale Brown Thing, a shorter/alternate version of Fritz Leiber’s supernatural masterwork, Our Lady of Darkness, is given a limited reprinting by Swan River Press next month.

• “Not only is metal not directly harmful to adolescent minds, as the thinking goes, it may actually be helpful.” Christine Ro on the reappraisal of a once-suspect musical genre.

Something of that tension between past and future is visible in Beardsley’s work. It is the art of a dying era peering, with a mixture of excitement and trepidation, into the next. For all the prancing and bravado, Beardsley’s art was really about finding something in which to believe—and if Beardsley came to believe in anything it was the deep black line. Shading held little interest for Beardsley, and color fascinated him not at all. The black line and white space were all he needed.

Morgan Meis on Aubrey Beardsley

• More of my art for Bruce Sterling’s forthcoming Dieselpunk novella, Pirate Utopia, has been revealed. Tachyon will be publishing the book in November.

• “Secretly, though, I frequent junk shops because I am wishing for some kind of transcendence,” says Luc Sante.

• Mixes of the week: Gizehcast #28 by Christine Ott, and a mix for The Wire by Asher Levitas.

• “It took centuries, but we now know the size of the Universe.” Chris Baraniuk explains.

• Barnbrook Studios creates identity for Kubrick exhibition at Somerset House.

• Watch a haunting video from Subtext Recordings and Eric Holm.

• Folklore Tapes: A Rum Music Special by Joseph Burnett.

• Brion Gysin’s Dreamachine is on sale again.

• Rhys Chatham’s favourite albums.

• A Guide to Occult London

• Skulls and Bones

• Zero Time (1979) by Chrome | Zero-Gravity (1996) by Sidewinder | Zero Moment (2016) by Contact

Out of Tune: Book 2

Respawn, Reboot by Allison Pang.

Out of Tune: Book 2 is an anthology of original fiction edited by Jonathan Maberry that’s just been published by JournalStone. Last year I contributed six illustrations to JournalStone’s The Gods of HP Lovecraft, and would have done more if I hadn’t been busy with other work. For this new collection I’ve illustrated all the stories in a slightly sketchier style than usual (see larger views here), the brief being to provide something similar to the illustrations that appeared in the first volume.

The Knoxville Girl by Cherie M. Priest.

Both books in the Out of Tune series feature short stories based on folk songs or murder ballads, some of which are very familiar if you listen to folk, blues or country music. Almost all the songs are from an American perspective even though a number of them use songs that are derived from old English and Scottish folk songs. Each story ends with a commentary by Nancy Keim-Comley that reveals the song that the story was based on (some are more obvious than others), and also gives a brief history of the song. Not all the stories take an obvious route: Nik Vincent-Abnett’s piece based on The Two Corbies concerns people trying to survive in a near-future dystopia.

The Beams of the Sun by Dan Abnett.

As to the drawing style, all these illustrations are digital works produced with a collection of Photoshop brushes I’ve had lying around for a while. It’s taken me some time to get used to using brushes that do more than draw straight lines or imitate an airbrush but this book acted as a kind of crash course in their application. Once I’d finished the work I felt quite at home using them so I’m looking forward to doing more in this looser style.

The Ghost Rider by David Mack.

Continue reading “Out of Tune: Book 2”