Delville, Scriabin and Prometheus

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Another striking design found by chance. Symbolist artist Jean Delville (1867–1953) created this sheet music title page for Promethée by Scriabin in 1912, and the pair are well-matched given their shared predilection for mysticism (Theosophy in Delville’s case). Delville had also dealt with Prometheus in a typically dramatic, if sexless, picture a few years earlier (below). Once again it’s unfortunate that one of the really great artists of the Symbolist period is so poorly-served by the web that one has to discover his work by accident. There’s a dedicated site here but the gallery pages are only harvesting what’s already scattered around. Delville had a long and consistently high-quality career; he deserves better.

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Prometheus (1907).

Update: Dave C reminds us of another Delville site with a better selection of pictures including a photo of the artist at work.

Previously on { feuilleton }
The faces of Parsifal
Masonic fonts and the designer’s dark materials
Angels 4: Fallen angels

The art of Julien Champagne, 1877–1932

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An obscure occult artist even among catalogues of obscure occult artists, Julien Champagne (also listed as Jean-Julian) is known principally for his associations with the persistently elusive 20th century alchemist Fulcanelli. Champagne provided a frontispiece (below) for Fulcanelli’s examination of architectural symbolism, Le Mystère des Cathédrales (1926), and is continually rumoured to have been Fulcanelli himself. Whatever the solution to that mystery, the alchemist’s book is rather more visible than the artist’s distinctly Symbolist paintings. There’s a French blog devoted to his life and works here but little else around. I wouldn’t mind seeing a decent online gallery of his pictures at some point.

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Previously on { feuilleton }
Digital alchemy
The art of Pamela Colman Smith, 1878–1951
The art of Andrey Avinoff, 1884–1949
The art of Cameron, 1922–1995
Austin Osman Spare

Digital alchemy

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Methodus scientiarum by Girolamo Brisiani (1588).

A work-related search for lettering designs by calligrapher Johann Neudörffer led me to the Munich Digitisation Centre, a site dealing with the digitisation and online publication of the holdings of the Bavarian State Library. The catalogue there holds a wealth of very old books and manuscripts which you can either view online or download as PDFs. Most of the works are in German or Latin but I still like to see the page designs even if I can’t read the text. Among their collection they have a large number of the classic works of alchemy. The texts of those are freely available on various alchemy websites but you rarely have the opportunity to examine in detail copies of the original publications. Lots of tasty wood engravings, vignettes and decorated borders.

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Coelum Philosophorum Seu De Secretis naturae Liber by Philipp Ulsted (1528).

Elsewhere on { feuilleton }
The etching and engraving archive

Andy Paiko’s glass art

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The Glass Chair.

Today’s glass artists continue to astonish. Andy Paiko‘s one-off creation above is a chair whose vitrines contain a rhesus monkey skull, a piece of octopus coral, a murex spiny trumpet shell, the skeleton of a rat, and a mountain lion skull. The piece below contains a 24 carat gold-plated coyote skull with the work as a whole being described by the artist as representing various stages of the alchemical process. Go and feast your eyes on the rest of his creations. Thanks again to Thom for the tip!

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Canis Auribus Tenere.

Previously on { feuilleton }
The art of Josiah McElheny
The art of Angelo Filomeno
IKO stained glass
Cristalophonics: searching for the Cocteau sound
Glass engines and marble machines
Wesley Fleming’s glass insects
The art of Lucio Bubacco
The glass menagerie

The art of Pamela Colman Smith, 1878–1951

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Following yesterday’s post about Frieda Harris’s Tarot designs, it only seems right to acknowledge the other major Tarot artist of the 20th century. Pamela Colman Smith has been overshadowed by her male mentor, Golden Dawn scholar AE Waite, even more than Frieda Harris whose name at least gets mentioned as much as Crowley’s in discussion of her paintings. US Games lists Smith and Waite’s so-called Rider-Waite Tarot of 1909 as “the world’s most popular tarot deck” and uses a silhouette of Smith’s design for The Fool as the company logo, yet it was years before I saw a credit for Smith as artist of this deck, her personal presence being reduced to a tiny monogram in the corner of each picture.

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The Absurd ABC by Walter Crane (1874).

I’ve often thought of Smith’s deck as “the Art Nouveau Tarot” which it isn’t really—it’s more late Victorian in style, if anything—but it was created when Art Nouveau was at its height and has some of the character of the poster art of the period. Smith’s designs are incredibly striking in places, with the clarity of drawn archetypes, and her style possibly owes something to the books Walter Crane created for children in the 1870s and 1880s; the clean lines and bright colouring are very similar. In that respect, Smith’s deck might be more fittingly labelled “the Arts and Crafts Tarot.”

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left: Pamela Colman Smith’s Hermit; right: Barrington Colby’s inner sleeve for Led Zeppelin IV.

Pamela Colman Smith also worked as a book illustrator but her other work is overshadowed completely by the popularity of the Rider-Waite cards. Her design for The Hermit was famously borrowed by Crowley obsessive Jimmy Page in 1971 for a gatefold illustration, View in Half or Varying Light by Barrington Colby, on Led Zeppelin IV. This use alone makes it possibly the most famous Tarot card in history (there was even a statue made of it for the now defunct Hard Rock Park Led Zeppelin roller coaster) but I doubt many people familiar with the image could name the original artist.

Happily, Ms Smith’s obscurity is gradually diminishing. US Games recently produced the Pamela Colman Smith Commemorative set for the 100th anniversary of the Rider-Waite deck, a package featuring a book of her artwork (including non-Tarot drawings), prints, postcards and a reprinted set of cards. A long overdue reappraisal but, as is always the case, it’s better late than never.

Mary K Greer’s Tarot blog has some excellent postings devoted to Pamela Colman Smith including this page which gathers links to sites containing further information about the artist’s life and work.

Elsewhere on { feuilleton }
The illustrators archive

Previously on { feuilleton }
Layered Orders: Crowley’s Thoth Deck and the Tarot
William Rimmer’s Evening Swan Song
The art of Cameron, 1922–1995