Weekend links 773

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The Tower of Babel from Turris Babel (1679) by Athanasius Kircher, showing how wide the Tower would have to be at its base to reach the Moon.

• The week’s literary resurrection: Penguin announced Shadow Ticket, a new novel by Thomas Pynchon. “Hicks McTaggart, a one-time strikebreaker turned private eye, thinks he’s found job security until he gets sent out on what should be a routine case, locating and bringing back the heiress of a Wisconsin cheese fortune who’s taken a mind to go wandering…”

• The week’s musical resurrection: Stereolab announced Instant Holograms On Metal Film, their first new album since Not Music in 2010. Aerial Troubles is the new single with a video which has prompted complaints in the comments about the use of AI treatments for the visuals.

• At Public Domain Review: Modern Babylon: Ziggurat Skyscrapers and Hugh Ferriss’ Retrofuturism, a long read by Eva Miller. Previously: The Metropolis of Tomorrow by Hugh Ferriss.

• This week in the Bumper Book of Magic: Ben Wickey is selling some of the original art from his Lives of the Great Enchanters pages.

• At Wormwoodiana: The Golden Age of Second-Hand Bookshops is now. Mark Valentine explains.

• “Alvin Lucier is still making music four years after his death – thanks to an artificial brain.”

• At Colossal: Hundreds of fantastic creatures inhabit a sprawling universe by Vorja Sánchez.

• Coming soon from Radiance Films: A blu-ray disc of Essential Polish Animation.

• Pattern design and illustration by Gail Myerscough.

• Steven Heller’s font of the month is Homage Script.

• New music: Sabi by Odalie.

• RIP Max Romeo.

Babylon (1968) by Dr John | War In A Babylon It Sipple Out Deh (1976) by Max Romeo | Babylonian Tower (1982) by Minimal Compact

Weekend links 772

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Barbarella (1968) by Robert McGinnis. Not one of his best (see below) but the film is a cult item round here.

• At the Bureau of Lost Culture: Alan Moore on Magic, a recording of the three-way talk between Alan Moore, Gary Lachman and myself for last year’s launch of the Moon and Serpent Bumper Book of Magic.

• At Colossal: “Daniel Martin Diaz encodes cosmic questions into geometric paintings and prints.” And is heavily influenced by Paul Laffoley by the looks of things.

• RIP Robert McGinnis, illustrator and poster artist. Related: The Artwork Of Robert McGinnis, Part 1 | The Artwork Of Robert McGinnis, Part 2.

• At Public Domain Review: “The Form of a Demon and the Heart of a Person”: Kitagawa Utamaro’s Prints of Yamauba and Kintaro (ca. 1800).

• Coming soon from Ten Acre Films: The Quatermass Experiment: The Making of TV’s First Sci-Fi Classic by Toby Hadoke.

• New music: Lost Communications by An-Ting; UPIC Diffusion Session #23 by Haswell & Hecker.

Anti-Gravity Holiday Every Month by Robert Beatty.

Barbarella (Extended Main Title) (1968) by Bob Crewe And The Glitterhouse | Barbarella (1991) by The 69 Eyes | My Name Is Barbarella (1992) by Barbarella

Weekend links 771

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A page by Philippe Druillet from Salammbo (1980).

• At the BFI: Alex Ramon suggests 10 great British films of 1975 (the Britishness of Barry Lyndon seems a little debatable), while Jonathan Romney talks to the Quay Brothers about their latest exhibition and Sanatorium Under the Sign of the Hourglass.

• At Public Domain Review: The Cameraman’s Revenge (1912), an early animated film by Wladyslaw Starewicz concerning the domestic affairs of a pair of beetles.

Saga de Xam (previously), the science-fictional bande dessinée by Nicolas Devil and Jean Rollin, will be published in English for the first time in June.

When I first came across Ernest Berk, I assumed he was somebody’s Ursula Bogner style joke. An anti-Nazi exile turned fearless electronic pioneer, who had been a dancer in the Weimar Republic and worked both with Max Reinhardt and with Peter Zinovieff? Who nobody had ever heard of? I smelled a rat, but was wrong: Berk was very real. He was one of many dancers who fled Nazism and ended up at Dartington Hall, a school founded by wealthy hobbyists in Devon which has been slightly fancifully described as the ‘English Bauhaus’; he danced and choreographed at Glyndebourne and Covent Garden, and in the 1950s, became interested in the electronic music that was emerging out of his native Cologne. Berk gradually built a studio in Camden where he would be able to compose music for his own ballets…

Owen Hatherley on the legacy of the emigré composers who found refuge in Britain from the 1930s on

• “…distant and unrelated juxtapositions are at the very heart of Surrealism—both in France and in Japan.” Leanne Ogasawara on Surrealism in Japan.

• “What’s happening? Where are we? What about the investigation?” Mark Harris on Alan Sharp and Arthur Penn’s Night Moves.

• At Bandcamp: Dark Dreams and Bright Nightmares: Jim Allen‘s artist guide to Coil.

• At Colossal: Winners of the 2025 British Wildlife Photography Awards.

• DJ Food found more psychedelic posters from the web.

Wildlife (1987) by Penguin Cafe Orchestra | Night Moves/Fear (1988) by Jon Hassell/Farafina | Dark Dreams (1989) by Brian Eno

Weekend links 770

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Abstraction #51 (1965) by Virgil Finlay.

• “I think the world venerates him as this deeply religious composer who tackles eternal themes in his music, but I think it’s also good to remember that he also has a playful experimental side.” Maria Juur discussing Estonian composer Arvo Pärt in a review by Geeta Dayal of a new recording of four Pärt compositions.

• “Rubycon feels like an epic soundtrack to a great lost film…” Jeremy Allen on the 50th anniversary of a Tangerine Dream album that’s always been a favourite of mine.

• At the Internet Archive: Browse the catalogue for a forthcoming auction of rare books and artworks from The Library of Barry Humphries.

• At Public Domain Review: Through a Glass Lushly: Michalina Janoszanka’s reverse paintings (ca. 1920s).

• At Colossal: “Vintage postcard paintings by David Opdyke demonstrate an ecological future in peril“.

• At the BFI: Michael Brooke offers suggestions for ten great Slovak New Wave films.

• DJ Food unearthed four sheets of Dave Roe wrapping paper from 1968.

• New music: Doppelgänger by Ian Boddy & Harald Grosskopf.

Ten minutes of Sun Ra and the Arkestra on French TV in 1969.

Depictions of Atlantis in retro science fiction art.

• Old music: Flora (1987) by Hiroshi Yoshimura has been reissued.

Atlantis (1961) by The Blue Bells | Atlantis (1969) by Donovan | Atlantis (1971) by Deuter

Weekend links 769

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Araki Street in Yotsuya (1935) by Tsuchiya Koitsu.

• “Cambridge, home of analytic philosophy, was also a hotbed of psychical research. How did this spooky subject take root?” Matyás Moravec on philosophers and precognitive dreams, Alan Turing’s interest in telepathy, and more.

• DJ Food remembers Doug Lear, founder of the Magic Lantern Narrowboat Theatre. Related: Lear’s Magical Lanterns, a TV documentary from 1983.

• New music: WEM Dominator (Live in London NW1, 2016) by Earth; and Rubber Band Music by Kate Carr.

• At Public Domain Review: Master of Claude de France’s book of flower studies (ca. 1510–1515).

• At Colossal: Landscapes, customs, and culture shape the 2025 Sony World Photography Awards.

• At the BFI: Carmen Gray offers suggestions for ten great Baltic films.

• Mix of the week: DreamScenes – March 2025 at Ambientblog.

• At Dennis Cooper’s: Room Temperature Day.

Vinyl sleeves from Supraphon.

Telephone And Rubber Band (1981) by Penguin Cafe Orchestra | Rubbermiro (1981) by Liquid Liquid | Onions Wrapped In Rubber (1994) by Tortoise