{sculpture} – Page 66 – { feuilleton }

Hip Gnostics and more Moore

Coincidence abounds: on Wednesday I was following a few referral URLs to see who’d been linking here and was led to a Lexic.us page about hermaphrodites which in turn had me looking again at the wonderful Borghese Hermaphroditus in the Louvre. Thursday’s postal delivery brought issue 1 of The Gnostic which prominently features the Louvre sculpture on its cover. Inside there’s my portrait of William Burroughs illustrating a piece about Burroughs’s Gnostic identification by Sven Davisson. (I linked to another essay on the same theme in 2007.) The Gnostic is an excellent publication which, the Alan Moore interview aside, I’ve only skimmed through so far. Alan’s piece is very enlightening since the discussion stays fixed around religion, science and the occult and includes the most thorough extrapolation I’ve seen to date of his long work in progress, Jerusalem. There’s also a transcript of part of his William Blake piece from 2001, Angel Passage. If you want to know more I suggest you order a copy ($12 / £8 / €9) from Bardic Press.

Coincidence further abounds as this arrived just as Pádraig Ó Méalóid publicly announced his discovery of the long-lost and unpublished third issue of Alan Moore’s Big Numbers. This was Alan’s self-published “real life” comic series from 1989 which got off to a great start then fatally collapsed when artist Bill Sienkiewicz, then his replacement, Al Columbia, both dropped out of the project. It’s one of the great lost projects of contemporary comics and seeing the third issue sustaining the quality of the first two is deeply frustrating.

The last piece of Moore news concerns The Mindscape of Alan Moore once again which is now available to buy through iTunes. $9.99 will only get you the feature-length documentary, however. If you buy the double-disc DVD you also get my groovy interface design and an extra disc of interviews with major comic artists.

Update: Alan Moore has certainly ruled the week in this household with the delivery on Friday of The Extraordinary Works of Alan Moore, a new edition of George Khoury’s book-length autobiographical interview with Alan, and an essential purchase for anyone with more than a cursory interest in Alan’s life and work. The book features copious artwork examples by many Moore collaborators including my CD designs and the cover for the forthcoming Moon & Serpent Bumper Book of Magic.

Previously on { feuilleton }
• William Burroughs: Gnostic visionary

The art of Rune Guneriussen

Evolution 4.

Tableaux by a Norwegian artist whose photographs capture mundane objects in remote settings. I especially like these lines of migrating household lamps.

Previously on { feuilleton }
• Lightmark
• Maximum Silence by Giancarlo Neri

Antonio Gaudí by Hiroshi Teshigahara

A largely-wordless tour of Gaudí’s architecture by the director of Woman in the Dunes (1964). Like that earlier film this also features a score by the composer Toru Takemitsu. I hadn’t realised before that the famous dragon gate (above) at the entrance to the Parc Güell, Barcelona, was as large as it is.

Teshigahara’s documentary is another film available at Ubuweb.

Previously on { feuilleton }
• Atelier Elvira

Infinite reflections

Fireflies on the Water by Yayoi Kusama (2002).

One of my favourite contemporary artworks, Fireflies on the Water by Yayoi Kusama, receives a new showing at Sydney’s Museum of Contemporary Art. Her mirrored room features 150 lights and a pool of water and while most photos show an impressive work, none of them can match this fantastic 360º panorama by Australian photographer Peter Murphy. Kusama isn’t the only artist to use mirrors this way but mirror rooms and reflective surfaces have become as much a recurrent feature of her work as her trademark spots.

Fireflies on the Water is being shown as part of the Yayoi Kusama: Mirrored Years exhibition and can be seen until June 8th, 2009. (Via Nevertheless.)

Mirrored Room by Lucas Samaras (1966).

I’ve often wondered how far back the invention of the fully-mirrored room can be traced. Halls of mirrors are historically common but the mirrors tend to be on the walls only. American artist Lucas Samaras produced his Mirrored Room (with mirrored chair and table) in 1966, something which fascinated me when I first encountered it in art books.

It evidently fascinated ex-art student Brian Eno who I’m sure must have borrowed the idea for the cover of his collaboration with Robert Fripp, (No Pussyfooting), in 1973. I’ve always assumed this was a room in Eno’s home at the time but never seen that confirmed. Anyone know whether this is the case?

Elsewhere on { feuilleton }
• The panoramas archive

Previously on { feuilleton }
• The art of Josiah McElheny
• Yayoi Kusama
• The art of Yayoi Kusama
• Exposure by Robert Fripp

Gallery ghosts

Ghost Stories, an exhibition by Japanese design company Nendo at Friedman Benda, New York.

The installation presents 40 of their Cabbage Chairs embedded in a sea of suspended cords that fill the gallery space creating a visual haze and forces physical participation if you want to see the chairs up close.

Via Core77 when you can see further photos.

And in a similar but quirkier vein there’s Geister by Christine Haase at the Stir Gallery, Shanghai, a series of porcelain statues which look like Canova meets the Addams Family. Via Phantasmaphile via Blood Milk.