
The Four Seasons (1897).
Typically gorgeous work from the unjustly neglected Victorian illustrator. There’s more scans of the Coleridge illustrations (shown below) at Dr Chris Mullen’s excellent Visual Telling of Stories site.
A journal by artist and designer John Coulthart.
Art

The Four Seasons (1897).
Typically gorgeous work from the unjustly neglected Victorian illustrator. There’s more scans of the Coleridge illustrations (shown below) at Dr Chris Mullen’s excellent Visual Telling of Stories site.

Trunk (Jay Garvin) by James Bidgood (early 1960s).
The Male Gaze is an exhibition at the powerHouse Arena,
Brooklyn, NYC, from April 20th–May 27th, 2007.

Untitled by Raymond Carrance (aka Czanara) (1960–70).
Sullen burger boys meet the effete cognoscenti in The Male Gaze: a group show including over 20 artists whose cultural explosions have rocked foundations across the world. With work spanning over 100 years of bloodless revolution, The Male Gaze features contemporary artists and their classic antecedents reinventing themselves, their world, and their media in savvy, bawdy, dreamy, and terrifyingly new ways. Artists include Stephen Andrews, Gio Black Peter, James Bidgood, AA Bronson, Raymond Carrance, Robert Filippini, Andrew Harwood, Christian Holstad, Scott Hug and Michael Magnan, Brian Kenny, Bruce LaBruce, Qing Liu, Ryan McGinley, Futoshi Miyagi, Slava Mogutin, J. Morrison, Will Munro, Joe Ovelman, Paul P., Jack Pierson, Ezra Rubin, Paul Mpagi Sepuya, Lionel Smartly, and Wilhelm Von Gloeden.

Two revisited portraits of John by Paul Mpagi Sepuya (2004).
• The NYT interviews some of the artists
powerHouse Arena
37 Main Street
Brooklyn
NY 11201
Elsewhere on { feuilleton }
• The gay artists archive
top: Jon Hassell: Solid State. Richard Maxfield: Memorial Concerts.
bottom: The Theatre of Eternal Music Big Band. Pandit Pran Nath: Evening Ragas.
Artist Marian Zazeela’s beautiful hand-drawn posters can be seen (and bought) at the MELA Foundation website. Most of these were created for the Dream House productions hosted by Zazeela and partner La Monte Young. Zazeela has also used her distinctive calligraphic design on the sleeves of recordings by La Monte Young, Terry Riley and raga master Pandit Pran Nath.
• A gallery of Marian Zazeela posters
Previously on { feuilleton}
• The poster art of Bob Peak
• Posters by Josef Müller-Brockmann
• A premonition of Premonition
• Perfume: the art of scent
• Metropolis posters
• Film noir posters

James Joyce and his World (1978).
Despite my earlier statement about not being much of a collector, today’s book purchase (above) was enough to confirm some well-established patterns (obsessions, even) that should make me reconsider any hasty pronouncements. Not so much for the subject in this case—I already have enough books by and about James Joyce—the significant thing here is the three magic words on the cover: Thames and Hudson. The sight of Joyce’s name on the spine above the old T&H dolphin logo (signifying the two rivers that comprise the company’s name; or maybe a discourse between London and New York via the Atlantic) was enough to demand further investigation. I realised I’d been hoping to eventually find this book after seeing it listed in the back of its companion title, Beardsley and his World by Brigid Brophy. Both books form part of a series that T&H produced in the Seventies, a collection of heavily illustrated mini-biographies of writers, with the odd artist among them. Very worthwhile they are too, with lots of photographs, paintings or drawings of the people and places relevant to their subjects’ lives.
And speaking of American folk music, guitarist Jack Rose returns to Manchester this month and I’ve once again been asked to design the poster and flyers for the event. I was hoping to do something a bit more elaborate and original for this but overruns on other work meant I ran out of time; sticking type over a scanned picture is the lazy solution. The picture in question is an engraving of cavorting witches and warlocks that originally illustrated Robert Burns’ poem Tam O’Shanter. No idea who the artist was for this but it’s from an 1822 printing of Burns’ poetry and one of the best illustrations I’ve seen for that particular work.
Red Deer Club / Friends of Music presents
JACK ROSE and special guest LIZ GREEN
Friday 18th may 2007
@ Jabez Clegg (small back room), Manchester
8PM : £7 ADV (plus 50p booking fee) £8 DOOR
• Red Deer Club
• Jack Rose
• Liz Green
Previously on { feuilleton }
• Jack Rose in Manchester