A journal by artist and designer John Coulthart.
Illustrators
Washington Irving’s ghost story is illustrated by Frederick Simpson Coburn for an 1899 edition, with page decorations by celebrated book designer Margaret Armstrong. Coburn’s gloomy plates don’t look so good in this scanned copy but he also produced the many spot illustrations that run through the book. See the rest of the pages here.
This is a record label I’d not come across before. According to this page Orphic Egg “was a subsidiary label for London Records which was formed in 1972 and lasted about a year. The label was formed to try to capture classical music for the counterculture youth of the time (often called ‘heads’). Liner notes were written by hip rock critics respected by the youth.” According to Discogs the first release, The Baroque Head, was 1971. The covers below follow in chronological order through to 1973. With the exception of the Edgard Varèse album all the releases are compilations of older recordings grouped by composer or theme.
Discogs doesn’t give credits for all the cover art but the series was the work of several different illustrators with George McGinnis being responsible for the design. Jason Roberts’ cover for the Mussorgsky album is a suitably wild piece of late psychedelia for a collection that includes Night On Bald Mountain. There’s a nod there to the Chernobog from Disney’s Fantasia, while the Scriabin cover is an overt swipe from an original piece by Jean Delville. The Mussorgsky album is also notable for the bizarre and unique conjunction of music conducted by Herbert von Karajan and liner notes by Lester Bangs. I have to wonder what the haughty maestro of the Berlin Philharmonic would have made of the sleeve if he ever saw it.
Cover by Valentine Hugo for Contes Bizarres (1933) by Achim d’Arnim. See Hugo’s interior illustrations here.
• “In spite of the blood-drinking pursuits of Rollin’s protagonists, there’s very little in the way of body horror to be found. His undead are sensual, romantic creatures that are frequently delicate of mind and body. These movies attempt to evoke nuanced emotional responses with their mixture of romance, loss, eroticism, and tragedy.” Tenebrous Kate on Sex, Death, and the Psychedelic Madness of Jean Rollin.
• “Late at night, [Melville] ‘turned flukes’ down Oxford Street as if he were being followed by a great whale, and thought he saw ‘blubber rooms’ in the butcheries of the Fleet Market.” Philip Hoare on Herman Melville’s time in London.
• Haunted by Books, a new collection of writings by Mark Valentine, “explores the more curious byways of literature.” Full details at the home of the esoteric, Tartarus Press.
I am completely an elitist, in the cultural but emphatically not the social sense. I prefer the good to the bad, the articulate to the mumbling, the aesthetically developed to the merely primitive, and full to partial consciousness. I love the spectacle of skill, whether it’s an expert gardener at work, or a good carpenter chopping dovetails, or someone tying a Bimini hitch that won’t slip.
Art critic Robert Hughes quoted in a review by Siri Hustvedt of The Spectacle of Skill: Selected Writings of Robert Hughes
• “Art, art – I couldn’t give a crap about art.” Oscar Wilde’s nephew, Arthur Cravan, puts in another appearance at Strange Flowers.
• “The Tarot is utterly fascinating,” says Evan J. Peterson discussing his Tarot-inspired writing with Tarot Poetry.
• Manuel Göttsching: “A lot of crazy music happened at the end of the ’60s, very strange, and very curious…”
• Mixes of the week: Secret Thirteen Mix 169 by Chra, and 28th November 2015 by The Séance.
• Czech Artists’ Radical Book Designs of the Early 20th Century
• Ten things you might not know about Yayoi Kusama.
• More megaliths: Francis Pryor on ritual landscapes.
• Peaches gets wild in the desert: Rub (uncensored).
• Irmin Schmidt‘s favourite records (this week)
• Rituals (1981) by Bush Tetras | Ballet For A Blue Whale (1983) by Adrian Belew | Etna (2006) by Boris & Sunn O)))
Vanity.
A few choice pieces by a Russian illustrator and costume designer. Typically for me, the selection includes a profusion of wings and feathers. The siren-like Sirin appear in Russian legends, and are worthy of a post of their own.
Blue Bird (Sirin).
Fantasy.
As the gilded panel proclaims, this book is a collaboration between Edith Wharton and Maxfield Parrish. Italian Villas and their Gardens was published in 1904, and includes many photos of the houses and their grounds in addition to Parrish’s illustrations. The Parrish pictures look at times like unpopulated scenes from his illustrations for children’s books.
