A journal by artist and designer John Coulthart.
Now we’re into January it’s customary here to reduce the cost of the latest calendar since these things have a limited shelf-life. This year’s Psychedelic Wonderland production has been my most popular so far and can be had now for $17.99, one dollar over the base cost. Thanks again to everyone who bought a copy.
Previously on { feuilleton }
• Psychedelic Wonderland: the 2010 calendar
The Firebird, a costume design by Léon Bakst for the Ballet Russes/Stravinsky production of the same name which had its premiere in Paris on June 25, 1910.
02010? Read this.
Happy new year!
The final post of an exceptionally productive year arrives with 2010 already shaping up to be just as busy and stimulating work-wise. In 2009 I designed at least 12 books (or was it 13? I’ve lost count…), 8 or 9 book covers, several CDs and many one-off commissions, as well as producing that calendar. If the precise details are vague it’s because the year has passed in something of a blur.
A number of the books I’ve been working on have yet to be published, among them The Kosher Guide to Imaginary Animals by Ann & Jeff VanderMeer which will be appearing soon from Tachyon. This is a small hardback whose humorous nature should be self-explanatory but if you need further details, Jeff can tell you more. And one of the major tasks of next year will be work for another VanderProject, The Thackery T Lambshead Cabinet of Curiosities, a sequel to the acclaimed Thackery T Lambshead Pocket Guide to Eccentric and Discredited Diseases. The new anthology will be a HarperCollins title due for publication in 2011; once again, Jeff has further details.
Finally, the good people at Innsmouth Free Press talked to me recently and their interview is now posted. Given the nature of the site, the discussion mostly concerns matters Lovecraftian but I also talk a little about how I ended up doing all this stuff in the first place. And if you read to the end you’ll discover which Lovecraft character I’d prefer to be. I decided to stick with the human cast; choosing from among the Great Old Ones seems far too presumptuous, even for an inflated ego like mine.
The Düsseldorf maestros are treated to some animated illustration in this 1979 film by Roger Mainwood which takes Kraftwerk’s Autobahn as its soundtrack. Mark at Strange Attractor provided the tip and he compares the animation style to René Laloux and Roland Topor’s Fantastic Planet (1973). The purple humanoid floating through surreal landscapes is certainly reminiscent of Laloux’s film, but Autobahn also reminds me of Bruno Bozzetto’s Allegro non troppo (1977) and, given that Mainwood’s animation comes a couple of years later, it may well have been inspired by it. Bozzetto’s film is a feature-length “adult” response to Walt Disney’s Fantasia which takes the Fantasia format—well-known classical themes illustrated by animated sequences—but does so in a slightly more grotesque or risqué fashion. Much of Bozzetto’s film seems less daring today than it was in 1977 but the best sequence still works well and happens to be as science fictional as Mainwood’s Autobahn, an entire cycle of planetary evolution set to Ravel’s Bolero. Follow the links below.
• Roger Mainwood’s Autobahn pt. 1 | pt. 2
• Ravel’s Bolero from Allegro non troppo
Previously on { feuilleton }
• Sleeve craft
• Who designed Vertigo #6360 620?
• Old music and old technology
• Aerodynamik by Kraftwerk
• The genius of Kraftwerk