The Dukes declare it’s 25 O’Clock!

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25 O’Clock (1985). Andy Partridge’s great cover design.

The DUKES say it’s time…it’s time to visit the planet smile…it’s time the love bomb was dropped…it’s time to eat music…it’s time to kiss the sun…it’s time to drown yourself in SOUNDGASM and it’s time to dance through the mirror. The DUKES declare it’s 25 O’CLOCK.

It was twenty-five years today—April 1st, 1985—that Virgin Records released what was supposed to be a reissue of a lost psychedelic album from the late 1960s, 25 O’Clock by The Dukes of Stratosphear. The catalogue number was WOW 1 and the vinyl label was printed with the old black-and-white Virgin logo by Roger Dean even though Virgin Records wasn’t founded until 1972. No one was supposed to know that the album was really a pastiche project by XTC but I don’t recall anyone actually being fooled by this, all the reviews acknowledged XTC as the originators, and band members Andy Partridge and Colin Moulding were happy to give interviews enthusing about their musical obsessions. As well as being incredibly successful artistically the album was a surprising commercial success which led the bemused record label to ask for a sequel. Psonic Psunspot followed two years later, and the Dukes’ vibe infected XTC’s own work for a while, with their 1988 album, Oranges & Lemons, pitched somewhere between the pastiches and XTC’s more usual sound .

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Psonic Psunspot (1987). Design by Dave Dragon and Ken Ansell.

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Forbidden Colours

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Wilhelm von Gloeden‘s version of the Flandrin pose as it appears on the cover of a 1989 Gallimard edition of Forbidden Colours by Yukio Mishima. I included this photograph in the very first posting which examines the recurrence of Flandrin’s Jeune Homme Assis au Bord de la Mer but this is the first time I’ve seen it used on a book cover. The French twist the title into “forbidden loves” and in so doing lose Mishima’s punning subtlety.

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The Ballad To a Severed Little Finger (1966).

Searching around earlier turned up a nice collection of poster works by the great Japanese collage artist, Tadanori Yokoo. One of these from 1966 is dedicated to Mishima, while the one above shows actor Ken Takakura in one of his many yakuza roles. Yokoo regarded Mishima as a major influence and further cemented the relationship by making an appearance in Paul Schrader’s 1985 film, Mishima: A Life in Four Chapters. By convoluted coincidence, Schrader received his start in Hollywood ten years earlier with a co-written screenplay, The Yakuza, which Sidney Pollack directed. Ken Takakura reprised his gangster persona in that film, along with Robert Mitchum. It’s a good piece of neo-noir, worth seeking out.

For more Tadanori Yokoo, see some of the recent posts by Will at A Journey Round My Skull.

Elsewhere on { feuilleton }
The recurrent pose archive

Previously on { feuilleton }
The art of Goh Mishima, 1924–1989
The art of Hideki Koh
Mishima’s Rite of Love and Death
Secret Lives of the Samurai
Guido Reni’s Saint Sebastian
The art of Sadao Hasegawa, 1945–1999
The art of Takato Yamamoto