Atomos

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A Winged Victory For The Sullen (2011) / Atomos (2014) / The Undivided Five (2019) / Invisible Cities (2021).

A quartet of albums by A Winged Victory For The Sullen (Adam Wiltzie and Dustin O’Halloran) that have been regular visitors to my CD player over the past couple of weeks, especially the second one Atomos. Wiltzie and O’Halloran have been active as A Winged Victory For The Sullen since 2011 but their discography is a small one so I’ve been doing my usual thing of looking around for lengthy live recordings to avoid over-playing the studio albums. What you have here are four different performances of Atomos, most of which don’t vary much on the visual side but, for three of them at least, music is the primary concern.

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Atomos (2014).
The music was originally commissioned by Wayne McGregor as a score for a dance piece so I was pleased to find a recording of the whole thing at McGregor’s Vimeo channel. Atomos works well enough as a standalone composition but seeing it presented like this throws a new light on the music. This is also the only place you can hear Atomos IV which for some reason is missing from the CD and vinyl releases.

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Boiler Room, Barbican, London (2014).
Boiler Room concerts are always good value, being long sets, professionally filmed and recorded.

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Flèche d’Or, Paris (2014).
A performance filmed in a smaller venue with a single camera. The camera-work is from the amateur “hosepiping” school but the sound is excellent and you get a lot of close shots of the string players.

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BBC Proms (2015).
Mary Anne Hobbs presents the group at the cavernous Royal Albert Hall, together with a performance by pianist Nils Frahm who, at the time, was sharing a label with AWVFTS. A few of Wayne McGregor’s dancers also appear in this one. Half of the session is devoted to Frahm but he’s very good so it’s worth staying with.

Previously on { feuilleton }
Jóhannssonia
More Invisible Cities (and an invisible author)

Weekend links 626

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Czech poster for Bernardo Bertolucci’s The Conformist. Art and design by Miroslav Pechánek, 1972.

• “Acknowledgements are not part of the novel; in fact, they break the spell the author has spent 200 or more pages weaving. We should take a book on its merits, knowing as little about the author as possible. As one reader put it to me, ‘the end of a book is time for thinking about the book, not for an acceptance speech’.” John Self on dedications and acknowledgements.

• Mixes of the week: a Power Ambient mix by A Strangely Isolated Place, and a mix for The Wire by Nexcyia.

• At Spoon & Tamago: 3D-scanned stones create vessel for human-made interventions.

Weeks turned into months. Slowly it dawned on me that I was performing the role of Boswell for a man who might be: a) a put-on maestro or arcane troll; b) a fiction writer slash performance artist; or c) a lunatic. But by his own admission King had tagged me with a familiar spirit. Whether or not he was telling the truth was irrelevant at this point. I could feel something squatting on my soul. I needed to see what it was.

Kent Russell on looking for demons in a disenchanted world

• A trailer for Mad God, Phil Tippett’s 30-years-in-the-making animated feature.

• New music: Vesta by Azu Tiwaline, and Right, Right, Right by Nils Frahm.

• At Dennis Cooper’s: Max Hattler Day.

• “Marcel Duchamp was not a thief.”

• RIP Jean-Louis Trintignant.

Demons Of Rage (1972) by Nik Raicevic | Shall Come Forth The Demons (1991?) by Yuri Morozov | Angels Of Darkness, Demons Of Light (2011) by Earth

Weekend links 137

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Self-portrait by Jon Jacobsen from his Home series.

Steven Arnold: Cabinet of Curiosities is “a retrospective exhibition of this groundbreaking yet under-recognized queer artist at the ONE Archives Gallery & Museum in West Hollywood. The exhibition celebrates Arnold’s radical imagination, presenting many of his tableaux vivant photographs alongside never before exhibited drawings, sketchbooks, paintings and original poster art. In conjunction with the exhibition, ONE will screen Arnold’s four films, including Luminous Procuress (1970), which featured The Cockettes and was lauded by Salvador Dalí.” The exhibition runs to  January 12, 2013.

• “The boundary-pushing techno/sound design duo Emptyset will transform London’s cavernous industrial space Ambika P3 into an immersive sound installation for one night only—and here’s how they’re going to do it”.

• “At one time he was a well-known figure in Montparnasse, where he had a reputation as a master of the occult sciences.” Aleister Crowley is interviewed about his expulsion from France in 1929.

Our normal waking consciousness, rational consciousness as we call it, is but one special type of consciousness, whilst all about it, parted from it by the filmiest of screens, there lie potential forms of consciousness entirely different. We may go through life without suspecting their existence; but apply the requisite stimulus, and at a touch they are there in all their completeness… No account of the universe in its totality can be final which leaves these other forms of consciousness quite disregarded… [T]hey forbid our premature closing of accounts with reality.

William James (1842–1910) quoted in What Should We Do With Our Visions of Heaven—and Hell? by John Horgan at Scientific American.

Screws is an album of piano music by Nils Frahm that’s currently available as a free download (inc. aiffs).

• At Pinterest: Art Visonnaire. Related: Ain’t We Got Fun: The magical surrealism of Jen Ray.

Rowan Somerville “challenges the purpose and legitimacy” of the Bad Sex Awards.

Jimmy’s End: the website for the film by Alan Moore & Mitch Jenkins.

Douglas Rushkoff in conversation with Genesis Breyer P-Orridge.

• Linda Rodriguez McRobbie explores The History of Boredom.

• Recreating the sounds of the BBC Radiophonic Workshop.

Alchemical Emblems, Occult Diagrams, and Memory Arts.

Rocaille: A Blog about Decadence, Kitsch and Godliness.

• A new video for Goddess Eyes II by Julia Holter.

• The complete audio recordings of Jean Cocteau.

The Rumpus interview with Russ Kick.

Forgotten Bookmarks

• RIP Spain Rodriguez

Astradyne (1980) by Ultravox (produced by Conny Plank) | Biomutanten (1981) by Les Vampyrettes (Conny Plank & Holger Czukay) | Never Gonna Cry Again (1981) by Eurythmics (feat. Holger Czukay, produced by Conny Plank).