Weekend links 466

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The Simulator (1936) by Dora Maar.

• Surprise of the week for me was the discovery of a new album, Kshatrya – The Eye Of The Bird, by cult French composer Igor Wakhévitch. This had been out for a while but I’d managed to miss the announcements. The music was recorded in 1999 so isn’t exactly new but it’s the first new Wakhévitch release (as opposed to a reissue or compilation) since Let’s Start in 1979. Very good it is too, almost completely electronic but not as discordant as his synth-dominated Hathor album.

• “Popol Vuh is a Mass for the heart.” Gerhard Augustin talks to Florian Fricke about Popol Vuh’s music in a “rare” (lost? previously unseen?) interview. Undated but the City Raga album is referred to as a recent release so it’s probably around 1995.

Brian Dillon on the voraciousness and oddity of Dora Maar’s pictures. Related: Rick Poynor on The Simulator by Dora Maar.

The Secret Ceremonies: Critical Essays on Arthur Machen, edited by Mark Valentine and Timothy J. Jarvis.

Juliette Goodrich on the tale of the Buchla synthesizer, the repair engineer, and a dormant drop of LSD.

Scott Tobias on Midnight Cowboy at 50: why the X-rated best picture winner endures.

• A Hidden History of Women and Psychedelics by Mariavittoria Mangini.

• Previews of Chords, the new album by composer Ellen Arkbro.

• Mix of the week: Secret Thirteen Mix 290 by Mark Stewart.

• “Somehow I became respectable,” says John Waters.

• At Dennis Cooper’s: Walerian Borowczyk Day.

• The Bandcamp Guide to Earth.

Gén #1 by Ray Kunimoto.

Secret Ceremony (Theme From Brond) (1987) by Scala (Bill Nelson & Daryl Runswick) | Healing Ceremony (1990) by African Head Charge | Ceremony Behind Screens (1995) by David Toop

Weekend links 384

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Sultans of Swing by Samantha Muljat.

• Pain & Pleasure, Indivisible: Mat Colegate talks to Stephen Thrower (Coil, Cyclobe) about the meeting between Coil and Clive Barker that would have led to Coil scoring Barker’s Hellraiser if the studio hadn’t rejected the music.

• “From Arsedestroyer to Zoogz Rift: 50 underground albums you’ve never heard of” The usual presumption—I’ve been listening to The Groundhogs since the mid-1980s—but it’s a good list.

• More magazines at the Internet Archive: an incomplete run of British science-fiction monthly Interzone; and a complete (?) run of the film magazine for horror (and gore) obsessives, Fangoria.

• “…it’s background music, is what it is. But there’s nothing wrong with that. I’m very proud of it.” John Carpenter discussing his soundtrack music and his new album, Anthology.

• Mixes of the week: Aral Mix 05 by Ellen Arkbro, Secret Thirteen Mix 234 by FOQL, and Samhain Séance Six: Triffid Witch by The Ephemeral Man.

• Dallas Killers Club: Nicholson Baker reads a stack of books about the Kennedy assassinations then draws his own conclusions.

Michael Flanagan on searching for LGBT histories of Neopaganism, the paranormal and the occult in San Francisco.

• At Lounge Books: author Amelia Mangan on horror, old and new, and her favourite things.

• At Monoskop: the (almost) complete works of James Joyce in one convenient epub.

Jillian Steinhauer on Duchamp’s last riddle.

Hell Raiser (1973) by Sweet | Hell’s Bells (1989) by Rhythm Devils | Hell’s Winter (2011) by Earth