Frans Masereel’s city

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Pages from Die Stadt (1925), a “novel in woodcuts” by anarchist artist Frans Masereel (1889–1972). See the other ninety-six pages here. And by the same artist, Die Idee.

A pacifist in World War I, he tried to make his art accessible to the ordinary man. His works were banned by the Nazis and widely distributed in Communist countries. But he rejected “political” art and party affiliation, condemning all enslavements, oppression, war and violence, injustice, and the power of money.

Elsewhere on { feuilleton }
The etching and engraving archive

Happy birthday { feuilleton }

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It was a year ago today that I sat down and wrote some words of Charles Fort’s, “One measures a circle beginning anywhere…”, as a headline for the first entry on this page. Some posts over the ensuing year have been more popular than others (and it should be pointed out that the “most popular” list in the sidebar has only registered hits since a new plugin was activated). Referral links and Del.icio.us adds are a good guide to popularity so here’s the top five:

Watchmen (June 24th). An old Fantasy Advertiser interview with Alan Moore and Dave Gibbons about their graphic novel masterwork. I knew this would be popular, not least because it’s one of the best interviews I’ve read about Watchmen, and one conducted quite soon after the story had been completed. Good to be reminded that the book’s creation owed as much to the artist as it did to the writer. As Alan Moore’s popularity has grown there’s been a tendency on the part of critics to see him as the sole author of his comics, all of which are collaborations with different artists who invariably contribute to the work themselves. From Hell artist Eddie Campbell has recently been showing examples of these working methods on his excellent weblog, The Fate of the Artist.

Atomix by Nike Savvas (August 5th). A big surprise this. I spotted pictures of this installation in passing on a Yahoo! news page, thought it looked interesting so made a little entry about it. Many hits later people are still searching for pictures. Ms Savvas would be advised to tour this artwork, people love it.

Aldous Huxley on Piranesi’s Prisons (August 25th). Another scanned article and another surprise. I remember thinking ?no one will want to read a long-dead writer talking about a long-dead engraver.? The moral, then, is never underestimate your audience.

The boys (various dates). Despite the groaning tubes of the interweb being stuffed with every shade and variety of porn, some pictures of unclothed young men remain more popular than others. So people arrive here searching for Eugen Bauder (very popular indeed), Felipe Von Borstel, Brian Joubert and others. I often feel as though I should apologise for not having any exclusive material but surfers of the one-handed variety are probably only stopping by for a moment before flitting elsewhere.

Barney Bubbles: artist and designer (January 20th). Very gratifying that this has been received with enthusiasm as this is the kind of post I like best, something that makes up for gaps in the pool of web data. These entries take time to prepare so it’s good to know that people appreciate the effort; I’m hoping there’ll be more to come (work allowing) in 2007.

Thanks for reading!

John x

Trinity rendezvous

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The thundering virtuosity of Chris Corsano’s drums lured me out again this evening. The venue this time was the old Sacred Trinity Church in Salford which has been deconsecrated (heathens that we are) and turned into a space for music and other events. A very good space it was too, with subdued lighting and decent sound. Corsano was on magnificent form, playing another storming improvised set; Mick Flower of the Vibracathedral Orchestra provided chiming drones of unknown provenance. (I still haven’t worked out what peculiar string instrument it is that he plays.)

The photo above is another blurry product of my poor old Canon as it struggles with low light conditions and no tripod. But even in good light I’d challenge any photographer to adequately capture Corsano’s performance. The stuttering incoherence of this picture goes some way towards showing how it feels to watch him play.

Update: Gav advises that the church is still consecrated and that Mick Flower plays a shahi baaja or, as he prefers (after Klaus Dinger), a “Japan banjo”.

Previously on { feuilleton }
Chris Corsano again
Chris Corsano