An amazing tabletop synthesizer with some fantastic demonstration videos here.
Via Boing Boing.
The reactable is a multi-user electro-acoustic music instrument with a tabletop tangible user interface. Several simultaneous performers share complete control over the instrument by moving physical artefacts on the table surface and constructing different audio topologies in a kind of tangible modular synthesizer or graspable flow-controlled programming language.
The reactable hardware is based on a translucent round table. A video camera situated beneath, continuously analyzes the table surface, tracking the nature, position and orientation of the objects that are distributed on its surface, representing the components of a classic modular synthesizer. These objects are passive without any sensors or actuators, users interact by moving them, changing their position, their orientation or their faces (in the case of volumetric objects). These actions directly control the topological structure and parameters of the sound synthesizer. A projector, also from underneath the table, draws dynamic animations on its surface, providing a visual feedback of the state, the activity and the main characteristics of the sounds produced by the audio synthesizer.
left: Sperman (2007) by Cary Kwok; right: Here Cums the Spider (2007) by Cary Kwok.
NSFW, as if you need to be told. It’s almost a commonplace of contemporary art that there are so many artists around today, producing such a volume of work, that any newcomer (as it were) has to find a niche and stay there if they want their efforts to stand out from the crowd. Cary Kwok’s niche seems to be the seminal emission which he depicts in a variety of ways, including showing various well-known comics characters shooting their respective loads. Kwok’s work has been shown recently at the Herald Street gallery, London, and Hard Hat, Geneva.
I like Kwok’s drawings, they’re carefully-done and funny, and serve to remind one that the cum shot is under-represented in art. Despite various Biblical prohibitions, women have been subject to no end of sexual display throughout art history, from copulations with gods in the form of animals to Danaë’s impregnation by Zeus as a literal golden shower. But male sexuality, especially at its most essential moment, has rarely been depicted outside the pages of pornography. The irony of this, as with arguments against erections in art, is that if it wasn’t for ejaculations we wouldn’t be here to discuss their pros and cons. Gay artists have been in the vanguard of addressing the sperm-drought, possibly because they have more than a passing interest in these matters; Michael Petry’s work earlier this year took a lateral view. There’s another sample (as it were) of Cary Kwok’s work below the fold plus some other seminal (as it were) artworks through the ages.
Update: Jack-Off Sculpture Sells For $15 Million.
Continue reading “The art of ejaculation”
Design by Germano Facetti with a detail from Europe after the Rain by Max Ernst.
Is this the start of a new meme? Ace Jet 170 features a number of posts about the history of Penguin and Pelican book cover design. (I won’t link to any specific page as the site is full of other good stuff which you really ought to go and look at.) Now Dan Hill at City of Sound has followed suit, inspiring me to dig out a few choice volumes connected by theme, in this case the use of Surrealist paintings for cover art.
• The Penguin Collectors’ Society
• The Penguin Paperback Spotters’ Guild (Flickr pool)
Continue reading “Penguin Surrealism”
40th Street Shop by Jack Delano (1942).
Locomotive Dreams by Jack Delano (1942).
Just two of many marvellous antique photographs available from the Juniper Gallery that can be viewed in high-res versions. A variety of prints are available from each picture.