Weekend links 780

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An early illustration by Burne Hogarth from Federal Illustrator, Winter 1931–1932, credited to the artist’s original name, Bernard Spinoza Ginsburg. (Via)

• RIP Simon House, a musician whose death was announced in the same week as news of a remixed edition of Hall Of The Mountain Grill by Hawkwind, the first of the group’s albums to feature House on violin and keyboards. House’s keyboards made a considerable difference to Hawkwind’s sound, expanding the range of their songwriting; the melodramatic scale of Assault And Battery/The Golden Void wouldn’t have been possible without those massed Mellotrons. Post-Hawkwind it was House’s violin that was sought after during his time as a session musician, on songs like Yassassin by David Bowie, and Talking Drum by Japan. He’s also one of the musicians credited on Thomas Dolby’s biggest hit, She Blinded Me With Science (violin again), although his contribution there is easy to mistake for a synthesizer.

• “We did want the name to be weighty and metal-related because it is a kind of a metal band. So what is heavy and what is metal: that was the answer.” Hildur Guðnadóttir talking about Osmium, an experimental quartet comprising Guðnadóttir with James Ginzburg, Rully Shabara and Sam Slater.

• At Criterion: Stephanie Zacharek on Richard Lester’s The Three Musketeers and The Four Musketeers, films from a time “when delighting audiences meant more than catering to the predetermined whims of a dogged fandom”.

• The week in maps: At Public Domain Review, Bernard Sleigh’s Anciente Mappe of Fairyland (ca. 1920 edition); at Nautilus, the first maps of the Earth’s magnetic field.

• The eleventh installment of Smoky Man’s exploration of The Bumper Book of Magic has been posted (in Italian) at (quasi), and in English at Alan Moore World.

• Not on any map: Mark Valentine describes the time he tried to buy a phantom island from the Hudson’s Bay Company.

• At Colossal: “In surreal portraits, Rafael Silveira tends to the garden of consciousness“.

• New music: Osmium by Osmium, and Along The Wind Spear by Survey Channel.

• Anne Billson chooses Anjelica Huston’s ten best roles.

Owls in Towels

Five Owls (1970) by Canned Heat | Night Owl (1996) by System 7 | Owls And Flowers (2006) by Belbury Poly

Weekend links 433

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Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg which is released later this month. Photo by Clayton Welham.

• “Every single leather S&M club in London was raided by the police at least once, but they couldn’t get any convictions because juries wouldn’t convict us.” Ed Siddons on the death of London’s gay leather scene.

• I’ve been listening to a lot of Stereolab this week so this post from Dangerous Minds last year was useful: “The intriguing origins of ‘Cliff,’ the cartoon character that’s all over Stereolab’s early album art”.

• Available for pre-order: Performance – The Making of a Classic, a book by Jay Glennie celebrating the 50th anniversary of Donald Cammell & Nicolas Roeg’s cult feature film.

• Out later this month from Strange Attractor: The Haunted Writings of Lionel Johnson, the Decadent Era’s Dark Angel, edited by Nina Antonia.

• Mixes of the week: Rosemary Hill – an Autumn Autobiography by cafekaput, and Secret Thirteen Mix 267 by Drew McDowall.

The top 100 albums of The Quietus’ existence, as picked by tQ’s writers.

RC Harvey on the 50th anniversary of (American) underground comix.

• At Haute Macabre: An enigmatic baroness and her collection of skulls.

Miyu Kojima creates miniature replicas of lonely deaths.

Scratches in Kubrick’s 2001: A Space Odyssey.

Richard Thompson’s favourite albums.

Wrong Airport Ghost by Sam Slater.

Mark Valentine’s 3 Wyrd Things.

• 4/4 In Leather (1981) by Eurythmics | The Girl With The Patent Leather Face (1981) by Soft Cell | Leather Bound (1982) by Patrick Cowley