Gazette Vol. 2 (1961) by Pete Seeger.
More elaborate record sleeve design. Was Pete Seeger the first artist to have a fake newspaper as a cover design? Gazette Vol. 2 is the earliest example I can find. Some of these examples were suggested by this earlier overview. If anyone knows of any omissions then please leave a comment.
Newspaper covers offered understandable attractions to a musician: a vinyl sleeve is almost the same width as a newspaper, and, for the more verbose artist, they give an opportunity to wax satirical at the expense of print media and newspaper readers. Disadvantages would include increased production costs, more design and copywriting, and sleeves that don’t always last very long, especially if actual newsprint is used for the paper. Given the recent resurgence of vinyl I wouldn’t be surprised if we soon see further examples of this kind of design.
The Genuine Imitation Life Gazette (1968) by The 4 Seasons. Design: Desmond Strobel.
The 4 Seasons album is a surprise since it’s not so well-known yet features a very detailed newspaper sleeve. An 8-page insert continues the theme, and even includes a colour comic strip.
Volunteers (1969) by Jefferson Airplane. Design: Gut (Allen Turk).
Did Jefferson Airplane copy the 4 Seasons album? Seeing the progression of these designs you have to wonder who was imitating who. The Airplane album also had an insert with more newspaper pages.
Thick As A Brick (1972) by Jethro Tull.
Jethro Tull went further than everyone by making their album a 12-page newspaper which wraps around the vinyl. The content of the pages is filled with a satirical jab at concept albums and numerous in-jokes. Even if you don’t like the band’s music very much (I’ve never been keen) you have to admire the amount of work that went into this.
Continue reading “Newspaper record covers”
Johnny YesNo video cover, 1983. Design by Neville Brody.
Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a set which includes two versions of the film together with two music CDs. I never got to see the original release on CV’s VHS label, Doublevision; for most of the 1980s I didn’t even have a colour TV never mind a video recorder so I missed all CV’s videocassettes aside from Gasoline In Your Eye. The new edition will be available in November. Brainwashed has a list of the contents while The Quietus posted a clip from the new “redux” version. (And before anyone tells me it’s on YouTube…yeah, everything is on YT in shitty quality and barnacled with the misanthropy-inducing drivel which passes there for comment. If I’m going to watch something for the first time I’d prefer it to be on a shiny disc, thanks.)
• The world has noticed Terrence Malick again following the release of The Tree of Life. Malick’s second feature is returning briefly to UK cinema screens, an event which prompted David Thomson to ask Is Days of Heaven the most beautiful film ever made?
• This week in imaginative art: S. Elizabeth on The Fantastical Fairy Tale Art of Sveta Dorosheva, AS Byatt on the strange paintings of Richard Dadd (there’s another Dadd article here), and Rick Poynor on Chris Foss and the Technological Sublime.
• Ethan Hein demonstrates how Alan Lomax came to have copyright control over many songs he had nothing to do with simply by recording traditional music.
• Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation, a book by David Ensminger.
• More Club Silencio: Inside David Lynch’s Paris nightclub and a gallery of photos.
• Histoire un-Naturelle, selected works by Ruth Marten.
• Come hither: The deceptive beauty of orchids.
• Facsimile Dust Jackets.
• More Peter Care: Just Fascination (1983) by Cabaret Voltaire | Sensoria (1984) by Cabaret Voltaire | Rise (1986) by Public Image Ltd.