Evolution 4.
Tableaux by a Norwegian artist whose photographs capture mundane objects in remote settings. I especially like these lines of migrating household lamps.
Previously on { feuilleton }
• Lightmark
• Maximum Silence by Giancarlo Neri
A journal by artist and designer John Coulthart.
Evolution 4.
Tableaux by a Norwegian artist whose photographs capture mundane objects in remote settings. I especially like these lines of migrating household lamps.
Previously on { feuilleton }
• Lightmark
• Maximum Silence by Giancarlo Neri
Louis Rhead (1916).
Continuing from the weekend’s book discovery, a browse at the Internet Archive reveals many scanned editions of the Arabian Nights. No surprise given the enduring popularity of the stories, and no surprise either that the texts are of variable quality, most of them diluted from the earthy and inventive originals to the status of the mildest fairy tales. The exotic settings make for some fine illustrations, however, a selection of which follow. Edmund Dulac’s edition of Sindbad the Sailor is a typically masterful adaptation by one of the great illustrators.
HJ Ford (1898).
Walter Paget (1907?).
The Brothers Dalziel (1865).
Edmund Dulac (1914).
Elsewhere on { feuilleton }
• The illustrators archive
• The etching and engraving archive
Previously on { feuilleton }
• Edward William Lane’s Arabian Nights Entertainments
Alan Moore: an extraordinary gentleman | Novelist, magician and “guru of the graphic novel” Alan Moore talks to Steve Rose about Watchmen, the dark side of Hollywood and the morality of pornography.
Corps & Graphiques 2 (2004).
Ecstatic homoerotica by Patrick Gerbier.
Elsewhere on { feuilleton }
• The gay artists archive