Wildeana 10

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Illustration from The House of Pomegranates (1914) by Jessie M. King.

Continuing an occasional series. Recent Wildean links.

• It’s a measure of a writer’s success if the characters or stories they create resonate sufficiently with future generations to be subject to new interpretations. Among Oscar Wilde’s contemporaries this has happened to Arthur Conan Doyle and Bram Stoker, both of whom Wilde knew. Increasingly it’s been happening to Wilde’s own fiction, especially in the case of Dorian Gray whose tragedy assumes the status of a modern myth. At Cannes this year, Clio Barnard premiered a contemporary retelling of Wilde’s The Selfish Giant. Bleeding Cool has some clips. The social realism is a long way from Wilde’s tale but that shows how flexible these fables can be.

• Jessie M. King’s illustrations for Wilde’s The House of Pomegranates have appeared here before but the copies posted at The Golden Age are the usual quality scans.

Rick Gekoski: “Visiting the US, I am reminded of Oscar Wilde’s tour there in 1881, which allowed him to become an orator and a celebrity.”

Paper Dolls by David Claudon based on the characters from The Importance of Being Earnest. (Thanks to Gabe for the tip.)

Elsewhere on { feuilleton }
The Oscar Wilde archive

Electronic Music Review

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A new addition at the Ubuweb archives that’s catnip for anyone interested in the history of electronic music. Electronic Music Review was Reynold Weidenaar & Robert Moog’s short-lived journal devoted to the world of electronic music at a time when the field was rapidly growing away from the academic, “serious” side of musical composition and being taken up by the pop world.

All seven issues are present, running from January 1967 to July 1968. Pages of VCF circuit diagrams aren’t so interesting unless you’re an electronic engineer but the magazines also feature unique articles from composers who are now very well known, including Luciano Berio, Frederic Rzewski, Tod Dockstader, Henri Pousseur, Alvin Lucier and Jon Appleton. Despite the many women working in the field they evidently didn’t go looking for any to write for them. Granted, Wendy Carlos is among the contributors but in the late 60s she was still using the name Walter. In the later issues, Dockstader, Carlos and others review the recent electronic music releases. It’s especially fascinating to see an early reaction to albums such as Morton Subotnik’s Silver Apples of the Moon, and the debut from The United States of America, a cult favourite of mine for many years.

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Scattered throughout the issues are ads for the latest studio gear and new album releases. One of these, The Nonesuch Guide to Electronic Music, was compiled by Paul Beaver and Bernard Krause. The latter is still recording, and happens to be interviewed in the current issue of Arthur Magazine.

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Continue reading “Electronic Music Review”

Prominences

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Work-related searches this week has led me to the gallery pages of NASA’s Solar Dynamics Observatory. The SDO is an observational satellite in a geostationary orbit that monitors the Sun with a variety of cameras and other imaging equipment. Some of the recent spectacular photos of solar prominences have been captured by the SDO, examples of which may be found in the project’s gallery where you can also see short movies of solar eruptions and other events. (There’s also an SDO YouTube channel. For a start try “Fiery Looping Rain on the Sun“.) I always find the Sun to be a combination of the incredible, the weird and the terrifying: many of those coronal mass ejections dwarf the Earth. Pictures such as these make you reconsider how much we take our local star for granted.

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Skivvies

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Not had anything for a while deserving of the eye candy tag so here’s some gratuitous shots from a short promo video for some underwear company or other (he said disingenuously). The ad is directed by Steven Klein, and the piece as a whole doesn’t appear to have had a straight viewer in mind given the amount of shots that look like AMG beefcake or extra auditions for Fassbinder’s Querelle. And speaking of Rainer’s matelots, they’ve been in mind recently following news that the director’s Genet fantasia will be making a welcome appearance on Blu-ray later this month. The DVD format didn’t do much for those saturated colours so this is good to hear. (Underwear tip via Homotography.)

Previously on { feuilleton }
Hello, sailor
Querelle again
Sailors
Mikel Marton
Exterface

Max and Dorothea

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Photo by Arnold Newman (1942).

I love this photo of Max Ernst by Arnold Newman, one of several pictures of the artist together with Dorothea Tanning in Max Ernst: A Retrospective, a catalogue for a 1975 Guggenheim Museum exhibition at the Internet Archive. The catalogue itself isn’t so revelatory (and most of the reproductions are monochrome) but it’s good to see a connection made between Arnold Böcklin’s Isle of the Dead and Ernst’s work. It’s an obvious parallel: all those porous landscapes and “fishbone forests” which offer a kind of mutated Symbolism. Browse the book here or download it here.

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Photo by Henri Cartier-Bresson (1961).

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Photo by Frederick Sommer (1946).

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No photographer credited.

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Photo by Frederick Sommer (1946).

Previously on { feuilleton }
Dorothea Tanning, 1910–2012
Dreams That Money Can Buy
La femme 100 têtes by Eric Duvivier
A Picture to Dream Over: The Isle of the Dead
Dorothea Tanning: Early Designs for the Stage