The faces of Parsifal

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Parsifal by Jean Delville (1890).

Continuing the occasional series of posts examining the evolution of a particular design or image, this one begins with a mystical charcoal drawing by Belgian Symbolist, Jean Delville (1867–1953), our object of concern being that entranced or dreaming face.

lamb.jpgMy first encounter with Delville’s image wasn’t via the original but came with this Seventies’ version produced for a Charles Williams paperback cover by illustrator Jim Lamb. (And this copy is the only one I can find, reused on a recent audiobook of Williams’ novel. If anyone has a link to a larger copy of the paperback cover then please post it in the comments.) Yes, this is tenuous but when I eventually got to see Delville’s picture it made me think immediately of Lamb’s illustration. Many Dimensions is one of my favourite books by Williams and unusually for him it deals with Islamic rather than Christian mysticism; in that case if Lamb was borrowing from Parsifal then it’s a case of the right image for the wrong book.

Jim Lamb is another illustrator from this period who now works mainly as a landscape artist.

Continue reading “The faces of Parsifal”

Two steps forward, one step back

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My apologies to any visitors arriving here during the past week to find the site down. What should have been a straightforward upgrading of the hosting service became overly-extended due to compounded misunderstanding and poor communication. It didn’t help that I was also extremely busy catching up with work after the long bank holiday weekend.

By way of catching up with the posting, anyone interested in Francis Bacon’s art is advised to go and read this excellent appraisal by my favourite art critic, Robert Hughes, a taster for the forthcoming Bacon exhibition at Tate Britain. The exhibition will run from 11 September, 2008 to 4 January, 2009.

Maps of the Inferno

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Dante’s Inferno, Map of Whole Hell (1587?).

Continuing the theme of yesterday’s post, Wikimedia Commons has a substantial section devoted to Dante’s Inferno including some maps, the best being this one and another, both by Giovanni Stradano aka Stradanus (1523–1605).

And taking a broader view, there’s Michelangelo Cactani’s depiction of Dante’s entire cosmos showing the pit of the Inferno, Mount Purgatory and the spheres of Heaven. This was the version we used in Robert Meadley’s A Tea Dance at Savoy (2003) and includes my addition of titles and a frame.

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La Materia della Divina Commedia di Dante Aligherie (1855).

Previously on { feuilleton }
A TV Dante by Tom Phillips and Peter Greenaway
The art of Lucio Bubacco
The last circle of the Inferno
Angels 4: Fallen angels