Turntablism

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“What you got back home, little sister, to play your fuzzy warbles on? I bet you’ve got little save pitiful portable picnic players…”

Core77 posts some examples of portable music players from the 1920s and 1930s just in time for Record Store Day today. The Mikiphone above is a Swiss “pocket phonograph” from 1924. There’s a follow-up post with examples from later decades including a rather dubious (and not very successful) “Highway hi-fi phonograph” from Chrysler. For more recent novelties, try Kelli Anderson’s paper record player.

Back at Record Store Day, The Guardian sent two men in search of British record shops and included Manchester on their list of stops. Kudos for finding Beatin’ Rhythm, a great place for psychedelic albums, but I’d have headed to King Bee instead of Sifters. Some more links:

• Independent record stores increase for the first time in a generation
• The Wire‘s Record Store Day Roundup
• Win Mute’s Record Store Day vinyl

Weekend links 54

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Film and opera posters by Franciszek Starowieyski (see below).

• At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus interviewed the director this week, and there’s also a video interview here.

“He was trying to tell the truth about war. In the 1950s the US was telling itself a mythic, grandiose, heroic story about the second world war and GI Joe saving the world. [James] Jones was saying, ‘That wasn’t the war I saw, I want to write something more honest and realistic. Whatever the mid-America myth, one of the things men were doing was giving blow jobs for money.'”

From Here to Eternity is published in an uncensored edition.

• Edogawa Rampo‘s sinister short story The Human Chair concerns a man who conceals himself inside a chair. Taiwanese artist Lan Hungh may have had Rampo’s story in mind for his Demolished Chair art piece about which we’re told “Hungh’s flaccid penis is the only body part that’s visible, and becomes hard as soon as anyone starts discussing the chair or sitting on it.” BUTT magazine spoke to the artist.

…unaware of their double standards, the police objected to the portrayal of men in Harrison’s work as demeaning. There was Hugh Hefner squeezed into a bunny girl costume, a beefy but emasculated Captain America wearing false breasts and a stars ‘n’ stripes-patterned basque, and Valerie Solanas, the radical feminist who tried to murder Andy Warhol, stamping on his Brillo box artwork.

A piece about artist Margaret Harrison whose work is on show at Payne Shurvell, London.

• Connecting Science and Art: “Novelist Cormac McCarthy (!), filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.”

• At Tumblr: Gurafiku, “a collection of visual research that encompasses the history of Japanese graphic design”, and Archidose.

• “Michael Moorcock’s Modem Times 2.0 is a good introduction to the literary legend.”

• The Spring 2011 edition of Periwinkle Journal (Queer Art + Creativity) is now live.

• Rick Poynor (again) on [Franciszek] Starowieyski’s Graphic Universe of Excess.

• Coudal now have a page of links for the great Terrence Malick.

• Wake in Progress is Finnegans Wake illustrated.

• Brown Study, a blog by Jay Babcock.

• RIP Sidney Lumet.

• Ry Cooder & The Moula Banda Rhythm Aces: Let’s Have a Ball is a film by Les Blank of a fantastic performance by Cooder’s band in Santa Cruz, California, in 1987. It’s not available on DVD but most of it can be seen on YouTube.

Weekend links 53

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Ancient Egyptian capitals from The Grammar of Ornament (1856) by Owen Jones at Egyptian Revival.

• Golden Age Comic Book Stories has been pulling out all the stops recently with entries for Will Bradley, Alphonse Mucha’s Documents Decoratifs (a companion volume to Combinaisons Ornementales), and pages from My Name is Paris (1987) illustrated by Michael Kaluta, an Art Nouveau-styled confection which features scenes from the Exposition Universelle of 1900. Related: Alphonse Mucha in high-resolution at Flickr.

• The Sinking Of The Titanic by Gavin Bryars at Ubuweb, the first release on Brian Eno’s Obscure label in 1975. Bryars’ Titanic is an open composition which has subsequently been reworked and re-recorded as more information about the disaster has come to light. The accompanying piece on that album, Jesus’ Blood Never Failed Me Yet, is the only version you need unless you want Tom Waits ruining the whole thing in the later recording.

• Hayley Campbell claims to have the worst CV in the world but she has a better way with words than most people with bad CVs. She’ll be giving a talk with Tim Pilcher entitled Sex, Death, Hell & Superheroes at The Last Tuesday Society, 11 Mare Street, Bethnal Green, London, on April 8th. Just don’t shout “Xena!” if you attend.

• Monolake live at the Dis-Patch Festival Belgrade, Serbia, 2007; 75 minutes of thumping grooves. Related: A video by Richard De Suza using Monolake’s Watching Clouds as the soundtrack.

• “I preached against homosexuality, but I was wrong.” Related: Gay Cliques, a chart, and Sashay shantay épée at Strange Flowers, the last (?) duel with swords fought in France.

• Mixtapes of the week: Electronica from John Foxx and Benge at The Quietus, and Ben Frost mashing up early Metallica, Krzysztof Penderecki, and late Talk Talk for FACT.

• A 40 gigpixel panorama of the Strahov Philosophical Library, Prague, described by 360 Cities as the world’s largest indoor photo.

• How Hollywood Butchered Its Best Movie Posters; Steven Heller on Saul Bass.

• Back issues of Coilhouse magazine are now available to buy in PDF form.

• Absinthe minded: The ruin of bohemians is back in all the best bars.

• Fade Into You (1993) by Mazzy Star.

Anamorphosis

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Some anamorphosis for All Fool’s Day. De Artificiali Perspectiva, or Anamorphosis (1991) is a short film by the Brothers Quay which can be seen in two parts at YouTube. (And I’d urge anyone interested to avail themselves of the essential double-disc collection of the Quays’ early work which includes this film.) There are plenty of sites devoted to anamorphosis such as this one but films tend to explain the effect better than still pictures by showing the stages of transformation to or from pictorial coherence. The stills below, for example, work better in motion than they do here. The Quay’s first feature, Institute Benjamenta (1995), also features some anamorphosis with a mural on the walls of a passage in the film’s strange school for servants.

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Also at YouTube there’s a short video demonstration of mirror anamorphosis, a variation where the distorted picture corrects itself when viewed with a mirrored tube. Musician Rick Wakeman used this effect for an album he released in 1976, No Earthly Connection, a work whose cover art is more impressive than the music it embellishes. The album came with a thin sheet of mirrored plastic which could be folded to create a viewing device.

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Previously on { feuilleton }
• The Ambassadors in detail
• False perspective
• Trompe l’oeil

The Cliff House revisited

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Adolph Sutro’s Cliff House restaurant, San Francisco, has appeared here before but these are some additional photos of the improbable structure from the Library of Congress archives, including a picture of the fire that destroyed the building in 1907. As noted in the earlier post, Blue Öyster Cult aficionados may recognise the house from the cover of the group’s 1988 album, Imaginos.

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Previously on { feuilleton }
• Adolph Sutro’s Gingerbread Palace